Photography took Shibu Arakkal to Florence. He returned with the Lorenzo il Magnifico gold for digital art, finds NIRMALA GOVINDARAJAN

The time when Shibu Arakkal first looked at the world through his camera was also the time when he got hooked to it. “I never dreamed of being a photographer,” he confesses. Still, Shibu continued to fool around with his father Yusuf Arakkal’s very serious German single lens reflex camera. “He had paid quite a bit for it those days and it was always loaded with film. I would sneak into his studio, take one or two photographs and quietly put it back. When my dad got the role processed, he would always wonder how there were a couple of pictures he didn’t remember having taken.”

The first time Shibu put his camera to use – constructing a friend’s fashion portfolio, it went on to fetch her several modelling assignments.

After this recognition, Shibu’s momentous tryst with the camera began. “That first shoot got me deeply curious about photography and helped me decide what to do with my life.”

So Shibu’s world came alive through people and stories until recently in end 2013, when he went on to bag the prestigious Lorenzo il Magnifico gold prize for digital art at the Florence Biennale. “Dad always worried about what I would end up doing with my life given my long list of ambitions. When I got hooked to photography, I knew that this wasn’t just a fling. Two decades since, my camera and I have looked at the world, analysed and interpreted life around us, as my method of learning about this world and the things in it. Also to grow as a person and gain that bit of wisdom, which is somehow more important than just intelligence. What I photographed over the years has become my life’s journal and I have been conscious that it is by what I will be known, long after I am gone.”

“Selection into the Florence Biennale 2013 came with certain confidence that I had the work worthshowing on such a stage. I had been working on the series Constructing Life for nearly four years when I had decided to can it half way through, realising that I needed to come back to it when I was a bit more mature. This body of work seemed to have a destiny of its own. The emotion, which the works from this series carried, was hence extremely powerful.”

Then came the moment in Florence when Shibu’s heart was heavy and light at once.

“Although the Lorenzo il Magnifico Gold Prize was being talked about in regard to my work from day one at the Biennale and knowing how strong my work was, I was also very aware of how these things are decided by people who also have subjective views and opinions. So when the award was announced without prior notice, it was entirely surreal, a moment, which I wasn’t fully conscious of, being thrown by the fact that I got awarded in a category above what I had entered. It however made the extremely trying times in my career and the very difficult actual process of executing the work, truly worthwhile.”

Back from the Biennale to life in Bangalore, Shibu explores India, reaching out to the world through what he does best – photography in an era of click on the go.

“It is a very real and satisfying life. Besides, Bangalore is home. It is where I was born and raised. I have resisted settling down abroad purely because of my love for it. It is ground zero and Bangalore has been extremely good to me in terms of recognition, patronage and support for my work in general. It is a place where I can be fearless in any sort of experimental work that I put out and be quite assured that it will be received for what it is,” he says as he readies for a day in his life – between his work, riding and the joy of being a dutiful father to his four-and-half-year old daughter.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Nirmala Govindarajan / March 13th, 2014