The Hyderabad-born architect had strong links with Bengaluru too.
“One has to open up to the skies… only then will your buildings look up to light and ventilation in a scientific way,” renowned architect Charles Correa, who passed away at 84 in Mumbai yesterday, had said during one of his visits to Bengaluru.
He had many ideas on art and architecture and their role in shaping the building environment and urban landscape at large, particularly public spaces of Bengaluru. He passionately combined old-world charm and new age design philosophies that spoke of his strength to retain green values. His book, “A Place in the Shade” strongly exhort habitats to “respond to the overriding parameters of climate, culture and financial resources”.
He was known for his forthright comments on changing Mumabai’s landscape and bringing in local sensibilities into its architectural make-up. The Hyderabad-born architect had strong links with Bengaluru too.
Some of Correa’s buildings well-known in Bengaluru are the Jawaharlal Nehru Science Centre, off Jakkur, his own house that he built for his daughter at Koramangala where Fab India presently operates from, and the renowned LIC Tower or the Vishweshwaraya Centre where his exposed concrete work comes into reference even after 40 years of its historic handling for architects today.
He had strong views on the laying of Metro on M.G. Road. “The track on M.G. Road should have gone underground; or at least the elevated part should have been in steel instead of the ugly concrete expressions with gigantic pillars running all along,” Mr. Correa had said in an interview with The Hindu.
He, however, wanted the metro running elevated especially on the Vidhana Soudha Road. “Although I haven’t studied the buildings and the flow pattern near the Vidhana Soudha, it could have proved a heavenly addition to be above-ground. I can visualise the rail running 20-feet above the ground in steel, this gossamer being a typical contemporary narrative adding to the drama amidst the traditional looking State Assembly and the Karnataka High Court,” he had said.
Architects mourn death
Well-known architect Nagaraj Vastarey says about Correa: “There would never be a masterly figure as him in architecture anymore. Correa, apart from Balakrishna Doshi, was a point of reference to most of us growing up as architects.” Mr. Vastarey explained that in those days studying architecture was different as there wasn’t much of theory, but practical buildings from Correa meant lessons to all of us for references.”
Says architect Sandeep J. of Architecture Paradigm, “Correa rode the architectural world like a colossus, leaving behind a trail of master-pieces that are hard to match. The very aura around the man indicated that you were in the presence of a master architect, making you think twice before you decided to start a conversation.”
We have many architects who create wonderful forms and also those who create great spaces. “Charles Correa stands tall in Indian architecture as a creator of both form and space, as could be seen in Bharath Bhavan, Bhopal,” says Architect Sathya Prakash Varanashi. “His sense of scale, colour and visual aesthetics compliment the overall design, which together resulted in projects like Jawahar Kala Kendra in Jaipur, adding a new dimension to the history of modern architecture in India.”
Mr. Varanashi explained that Correa did not experiment with innovative structures or international styles, which possibly helped him to perfect his ideas across varied building locations and types. Alternately, he explored each project without getting stuck to the earlier projects, to the extent where one building appears totally different from the other. The Bengaluru projects Vishweshwaraya Tower opposite Vidhana Soudha and Jawaharlal Nehru Center for Advanced Studies may not even appear as designed by same architect. Correa had a mind that never got stuck, letting him explore designs like very few world architects could.
Those who have frequented the earlier Fab India showroom in Koramangala, Bengaluru have walked into the house which Correa designed for his stay in Bengaluru! “The fact that a house gets the new avatar as a shop, without losing its spirits, shows the flexibility with which the house has been conceived,” said Mr. Varanashi.
The early buildings of Correa, including the famous Gandhi Smarak Sangrahalay at Sabarmati Ashram, synthesized his international exposure with the local contexts, charted a new road map for architecture in India. His fluency in dealing with residential houses – from LIC Colony in Bengaluru to Kanchanganga Apartments in Mumbai – shows a variety very few architects have been able to even think of.
source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Ranjani Govind / Bengaluru – June 17th, 2015