Category Archives: Leaders

Aishwarya Rai Bachchan helps raise Rs 13.6 crore to fund schools at the NDTV SUPPORT MY SCHOOL INITIATIVE

The Coca Cola – NDTV ‘Support My School’, campaign raised pledges worth Rs 13.6 crore towards the revitalisation of 272 schools across India via a telethon led by cricket legend Sachin Tendulkar and Bollywood actress Aishwarya Rai Bachchan.

Campaign Ambassador, Aishwarya Rai Bachchan said, “Joining the Support My School Team on this platform today truly gives me great pleasure. I believe Education is immensely Invaluable, Essential and the most Empowering gift we can give the children of our Country.  Every child deserves the best of opportunities to grow and prosper… Every girl needs to recognise that she herself is a beacon of hope and has the potential to influence her future. And I understand and recognise, for this to be possible, these opportunities have to be made available to our children!!!  In a vast country like India, there are many and varied challenges one faces while working with diverse rural and semi-urban communities. Individually, we may not comprehend these challenges, but collectively we are much stronger! And the overwhelming response to this campaign this time has proven that! With 272 schools and counting, the second season of Coca-Cola NDTV Support My School is spreading the joy of learning amongst the children of our country… And this has only been possible All Thanks to Every support and encouragement from donors, viewers, campaign partners and all on board the collective effort today!!! God Bless everyone for their contribution and Thank you!!!”

The second edition of the ‘Support My School’ telethon, held at Yash Raj Studios in Mumbai was kicked off by Coca-Cola India & South West Asia president and CEO Atul Singh, NDTV India CEO Vikram Chandra, campaign ambassador Sachin Tendulkar and Aishwarya Rai Bachchan.

Besides being present at the telethon Aishwarya Rai Bachchan also pledged to adopt two schools through this initiative.

source: http://www.BollySpice.com / Bolly Spice / Home> News / by Stacey Yount / February 05th, 2013

Padma Bhushan for Rajesh Khanna, Rahul Dravid

Noted physicist Yash Pal and space scientist Roddam Narasimha were named for the Padma Vibhushan awards Friday, with 106 other Padma awardees, including actors Sharmila Tagore, Sridevi, the late Rajesh Khanna, late satirist Jaspal Bhatti and Olympic medallists Mary Kom, Yogeshwar Dutt and Vijay Kumar.

Sculptor Raghunath Mohapatra and painter S Haider Raza were among the four chosen for the second highest civilian award, the Padma Vibhushan. Nobody was named for the Bharat Ratna for this year too.

Cricketer Rahul Dravid made the 24-strong list for the Padma Bhushan . List of Padma Awardees

Joining him was Godrej group chairman Adi Godrej and missile scientist A Sivathanu Pillai. The awards will be presented in March and April.

Kom, silver medallist at the London Games, is the only Olympian in the Padma Bhushan list. India’s other two Olympic heroes, wrestler Yogeshwar Dutt and shooter Vijay Kumar, were named for the Padma Shri, along with actors Sridevi and Nana Patekar, filmmaker Ramesh Sippy and fashion designer Ritu Kumar.

Rajendra Achyut Badwe, director of Mumbai’s Tata Memorial Centre, oncologist Pramod Kumar Jhulka of AIIMS, homeopath Vishnu Kumar Gupta and sculptor Rajendra Tikku were named for the Padma Shri.

Four more sportspersons were named for the Padma Shri — mountaineer Premlata Agrawal, para athlete Hosanagara Nagarajegowda Girisha, boxer Ngangom Dingko Singh and rower Bajrang Lal Takhar.

source: http://www.HindustanTimes.com / Home> North India> New Delhi / by HT Correspondent, Hindustan Times / New Delhi, January 26th, 2013

City Doctor’s tryst with destiny

…from US Golf Open to Mysore’s Dolphin Cup

By Dr. Eskay Ghori

It was a wonderful morning at the JWGC Golf Club in Mysore reminding me of the day I set out to watch the US Golf Open in San Francisco on June 14, 2012. My son Zaid Ghori had bought me a ticket to the US Open as a Father’s Day surprise gift. Back here, the Dolphin Cup Golf Tourney was being played in Mysore when a lady golfer walked in with her daughter-in-law. I exchanged pleasantries and promised to catch up with them at Regaalis hotel in the evening where the prize distribution and a grand dinner party was organised by the Dolphin members.

For the first time since June 14 last year, I practiced a few shots and putted, the game and the swing was there and thought of future golf as a would-be 62-year-old man having played a handicap of 3 as a youngster and having won many a golf tournament in Nigeria, England and India.

It was 7.30 pm and all dressed formal for the evening, I stepped in accompanied by my wife Dr. Reshma Ghori to the poolside party at Regaalis. I saw Indira Venkatraman seated with her daughter-in-law Jennifer, who is an American lawyer living in San Francisco, California, USA, wearing a wonderful saree. I was told by Indira, the golfing lady member and a good socialite, that I have lost weight. I said, “Yes I am on weight control as advised by my doctor as I had a cardiac event, in simple terms a heart attack, at the US Open Golf Championship at the Olympic Club in Daly City near to San Francisco — a very challenging golf course by the Pacific Ocean, hilly with cold breeze blowing. I had forgotten to take my jacket in all the excitement to meet Vijay Singh whom I happened to know in Nigeria from his rookie days. Indira told me that her son Anand was a marshall at the US Open at Olympic Club and he was at the dinner at Regaalis.

As we were talking, her son Anand Venkatraman walked in and I asked him, “You marshalled at the Olympic Club in the US Open on the 14th of June 2012?” He said, “Yes, I did.” I asked him, “Do you remember a golfing spectator collapsed and was pronounced dead and the US Open came to a stand still for a few minutes, even Tiger Woods had to wait!” He said, “Yes, I was told he was an Indian.” I said, “Well Anand, it is me the dead man alive and fine, thanks to marshalls like you and the team of cardiologists who happened to be watching golf on the 14th tee box where Vijay Singh was teeing off. I collapsed and my heart, I was told, stopped for 3 minutes.” On hearing this, Anand was so overjoyed that he embraced me.

I was very lucky. They rushed me after giving me first aid and had me in a hospital in the nick of time and a life was saved like so many lives that are saved every minute in the United States with their state-of-art medical services — the emergency response team.

I felt like sharing this coincidence with my long-time friend and Editor-in-Chief of Star of Mysore K.B. Ganapathy who was enjoying the party with JWGC Captain P.M. Ganapathy, JWGC President Dr. P.A. Kushalappa and Dr. Joshi of the Dolphins who had invited us.

Is it not destiny that I had to meet Anand Venkatraman here in Mysore, a software marketing wizard who lives in San Francisco and a marshall. God, the supreme power, has many surprises for us in many ways — when it’s not your time to go up the seven skies, it’s not and when it is time to go, nothing can stop the order from God Almighty.

As a medical doctor who has spent all my career in the emergency rooms in India, Nigeria and Saudi Arabia, I have seen many a drama. But when it happened to me, I realised the value of a good emergency response. As lady luck would have it, I met a friend John Paul, an American golfing spectator whom I later called an angel who stayed by my side till the evening until my family arrived.

The excellent services at Seton Medical Center, a cardiac specialist hospital in San Francisco whose Medical Director Dr. Hasselherst was the one who gave me CPR with the help of an Aneasthetist Dr. Martin, who incidentally works at Loma Linda Hospital with Dr. Ramdas Pai, a Cardiologist who happens to be my friend and junior at Kasturba Medical College, Manipal, and told him that an Indian doctor had collapsed.

I did call Dr. Pai as soon as I was well enough to call from Seton Medical Center. He was also watching golf at the 14th tee of Loma Linda Hospital and the world-famous cardiac surgeon Interventionist Dr. Felix Milhouse and Dr. Gauhar Khan, a cardiologist at Modesto California, who took care of my follow-ups.

The time when one gets to the age of 60 is very crucial. One must get a heart check every year, a simple ECG, consult your family physician, eat a lot of vegetables and stick to a healthy diet, go for walks and keep stress at bay.

I cannot but less thank my wife Dr. Reshma Ghori, my son Zaid Ghori and would-be daughter-in-law Shanaz Ahamed for all the care and attention given for me to be back in Mysore with my friends and daughter Nisha Ghori, who travelled to the US to see me and brought me home. While I was getting well, I had an august visitor in Dr. Shivaram Malavalli who gave me much inspiration as his brother, urologist Dr. Sitaram Malavalli, also living in Modesto California where I lived.

The world is a small place and I always believed in the world as a place rather than a place as the world. Thank you God for this new life. Life is a very precious gift from God, take good care of it. I told my son Zaid Ghori that he not only bought me a gift of a ticket for Father’s Day but ended up giving me the gift of LIFE.

[Dr. Eskay Ghori runs Jubilee Clinic at Sareniza Villa in N.R. Mohalla, Mysore. Mob: 9945852340]

source: http://www.StarofMysore.com /Home>  Feature Articles / January 19th, 2013

The master who brought ‘SADARAME’ to life

Y. M. Puttannaiah might be a new name for majority of Mysoreans but not for theatre buffs. He is one among the best Harmonium Masters who has kept the old tradition alive even today.

This year’s Bahuroopi theatre festival will feature ‘Sadarama Natakam,’ a play which is being directed by Puttannaiah for the Rangayana artistes.

The play was staged a couple of years back by the artistes during the weekend shows, but was later stopped. Now, it is making a comeback through Bahuroopi.

‘Sadarama Natakam,’ a play which was written by Bellave Narasimha Shastry, was staged by Gubbi Veeranna Company and many other company theatre companies of the yesteryears. The play which used to begin in the night would continue till early morning.

For Rangayana artistes to stage the play, there was a necessity of a person like Puttannaiah, who had the experience of working in Gubbi Company and also teaching theatre songs to the artistes.

Puttannaiah has been presented with many awards among which the prestigious ‘Karnataka Nataka Academy’ (2009) stands tall.

The original script of ‘Sadarama Natakam’ has 108 songs and was staged for over 6 hours, but it has now been reduced to 3 hours and 17 important songs have been retained in the play.

Speaking to Star of Mysore, Puttannaiah shared his theatre journey which he enjoyed for 50 years. Excerpts.

By S.N. Venkatnag Sobers

Star of Mysore (SOM): What attracted you to enter theatre?

Y.M. Puttannaiah: I used to watch my father Rajapart Muddurangappa enacting plays while he was working for Gubbi Company. Since I spent most of my childhood in the Gubbi Company, I had no other option but to enter theatre.

SOM: Which was your first play and when did you learn music?

Puttannaiah: My first play was Mahasathi Anasuya in the year 1962. It was a small role but since then my journey in theatre began and I acted in a lot of plays among which I played the roles of Prahlada and young Krishna in my teens. Later, it was the music which fascinated me; I learnt classical music and also to play instruments. I have worked as a music teacher in many of theatre companies such as Uma Maheshwari Company, Hirannaiah Mitra Mandali etc. It was in 1971 that I started a music institute in Huliyar when the theatre companies closed down.

SOM: Take us on your journey. When did you come to Mysore?

Puttannaiah: After my stint with the music institute, my family decided to shift to Mysore to provide quality education for the children in the year 1978. I was not involved in any theatre activities, but Yoganarasimha Murthy and actor Sundarakrishna Urs got to know I was in Mysore and forced me to work with them for a play called Adige Bhatta. Since then I have been involved in theatre activities in Mysore. I should also thank amateur groups in Mysore such as Amarakala Sangha, Nadaranga, Suruchi Rangamane, Kadamba Ranga Vedike and others for giving me an opportunity to work with them.

SOM: Share with us your experience with Rangayana.

Puttannaiah: Well, what can be said about Rangayana? The theatre repertory which was started by B.V. Karanth has grown up to become one of the best theatre schools in the country. I got involved with Rangayana when they approached me for Sadarama Natakam a couple of years back. Since then I have been visiting this place when ever my services are needed.

SOM: Having worked with amateurs for most of your career, how do you rate Ranga-yana artistes?

Puttannaiah: There is no doubt that the artistes in Rangayana are among the best actors. After being trained under B.V. Karanth, there is nothing that I could teach them. Being professional artistes, they adapted to the change that was required to stage Sadarama Natakam which is enacted in old company style.

When the play was staged for the first time a couple of years back, it was even the first time that these actors sang on stage. Till then, they used to sing from behind the screens. Since this play needs the actors to sing on stage, they executed it well.

SOM: Tell us about Sada-rama Natakam. What is its relevance to the present day scenario?

Puttannaiah: The play has relevance to the present day as it talks about a girl’s fight against injustice during the King’s rule. Today, the same situation is prevailing in the city; except that the rule of the princely state has gone.

SOM: What do you have to say about the present day theatre?

Puttannaiah: Theatre, an ancient art, is definitely seeing a downfall. It is the responsibility of the concerned authorities to chalk out programmes to promote and retain the art for the generations to come.

source: http://www.StarofMysore.com / Home> Feature Articles / by  S.N. Venkatnag Sobers / January 07th, 2013

Studies a priority for budding cricketers – Anil Kumble Interview

Anil Kumble is a simple and modest man. Despite being chased by media and fans for his contribution to the game, the legendary leggie remains grounded and has never been carried away by the glories, glitz and moolah in the game.

He is one such sportsman who has emphasised on education and has set an example of being among the very few who have a professional course degree. He is an engineer and passed out of well-known institute called Rashtreeya Vidyalaya College of Engineering (RVCE) in Bangalore and as the president of Karnataka State Cricket Association (KSCA), he expects his young cricketers to focus on studies in the next few months which kicks off the exams fever.

“There has always been competition over the years. For the youth today, it has definitely become more intense, especially in terms of what must be achieved in education,” Kumble, who was in a preachy mood, told Sportskeeda when we caught up with the legend for a quick chat during his evening rounds at KSCA.

“During my days, 85-90 percent was termed as really good. But today, even if you get 90 percent, you are ranked in the 100s. In that sense, the competition in life is more complex and intense,” he adds.

Aware of the increasing pressure faced by young cricketers who are pursuing their studies and are appearing for board exams, KSCA has made a calendar of events, keeping in view the exam season.

“Kumble and Srinath are very particular about studies and expect all young cricketers to do well in their exams. That was the reason why we didn’t go by the request of KPL (Karnataka Premier League) team owners to have the tournament in Feb-Mar,” explained Vijay Bharadwaj, former India cricketer and committee member of KSCA.

“If you see the calendar of events, you will find fewer tournaments in the month of Feb and March. Even if there are any it, would be for U-25 and not for junior cricketers, Bharadwaj added.

So, what’s been Kumble’s mantra to find success in cricket as well as pursue his studies?

“Personally, what held me in good stead was unwavering focus, commitment and work ethic. This was what helped me play for the country for as long as I did and has given me the kind of career I have had,” added the task master.

Who according to Kumble is an ideal role model?

Not himself, not Sachin Tendulkar or even the most hardworking Rahul Dravid. It is actually badminton legend Prakash Padukone. Kumble believes that the living legend is a perfect example of simplicity and being down-to-earth. “It is difficult to be relentless in your quest for greater things when you are playing an individual sport, more so when your achievements don’t get the kind of appreciation they deserve. Padukone didn’t quite get the recognition he deserved but continued to excel at the highest level. He is a great role model for the youth,” he concluded and hoped that the new year would bring glory to Indian cricket and refused to comment on the recent debacle in Test and ODI.

source: http://www.sportskeeda.com / Home> Cricket> Interview

Dr Devi Shetty recognised as Indian of the Year

Dr Devi Shetty, who runs most economical heart care and healthcare institute, Narayana Hrudayalaya in Jamshedpur, was recognised by CNN-IBN as Indian of the Year 2012. At a star-studded awards ceremony held in New Delhi, winners across politics, sports, entertainment, business and public service categories were announced.

Over years, these awards have achieved prestige and credibility unmatched by awards instituted by other media organisations.  The awards adhere  to a transparent and unique four-tier selection process  that includes the IBN Editorial Board drawing a list of nominees, which are authorised by the Jury, followed by voting by Electoral College and India’s citizens.
http://www.dailypioneer.com / Home> PNS> Jamshedpur / Friday, December 21st, 2012

Dheemantha Kannadigaru book released

2-day book expo begins at Kalamandira

Mysore University International Centre Director Prof. R. Indira (third from left) releasing the book Dheemantha Kannadigaru at a function held at Suchitra Art Gallery in Kalamandira here this morning. Others seen are (from left) Indira Sundar, publisher Gowri Sundar, Star of Mysore Editor-in-Chief K.B. Ganapathy, author N. Anandaram Rao and theatre artiste Rajashekhar Kadamba.

Mysore, Nov. 30

Dheemantha Kannadigaru, a Kannada book portraying the outstanding achievements of 25 Kannadigas, was released at a function this morning, held at Suchitra Art Gallery in Kalamandira on Hunsur road here.

Mysore University International Centre Director Prof. R. Indira, who released the book, praised the Publisher Gowri Sundar of Sundara Prakashana, Bangalore, for his commitment towards bringing out such literary works despite facing severe health problems.

Star of Mysore Editor-in-Chief K.B. Ganapathy inaugurated a book exhibition at the Gallery which will be open today and tomorrow from 10 am to 7.30 pm.

Speaking on the occasion, Ganapathy said that if one pursues wealth and also seeks God, will get neither. But they both go to the one who performs his or her duties (karma) without seeking either wealth or God.

Citing the example of invader Bakhtiyar Khilji who sacked the Nalanda University in 1193 and burnt down its library, Ganapathy said that book-burning is not new and there will always be people who burn books for one reason or the other.

Deploring the trend of lobbying to get awards for books, Ganapathy pointed out that even for the Best Teacher Award, three MLAs are supposed to attest their recommendation, despite they having no knowledge about the field of education. He also rued the manner in which candidates are selected for Jnan-pith and other prestigious awards that reeked of political favouritism.

source: http://www.StarofMysore.com / General News/ November 30th, 2012

Azim Premji: Outstanding Philanthropist

For more than a decade, Azim Premji Foundation has been working to improve education. Just like at Wipro, Premji has left it to a professional team to run it

Image: Namas Bhojani for Forbes India

Azim Premji’s work to improve education is one of the largest such programmes backed by individual giving in India

Azim Premji
Award: Outstanding Philanthropist
Age: 67
Why He Won: For making India’s biggest philanthropic contribution for achieving universal quality education.
His Trigger: Was deeply disturbed by growing inequity between haves and have-nots; was afraid growing disparity would threaten society.
His Mission: Improving quality of education; which would improve social and economic conditions.
His Action Plan: Working with government schools, bringing change at the top, improving quality of teachers, increasing capacity of education officers.
His next move: Set up institutions like Azim Premji University, to
produce education professionals, focus on research, set up 200 rural schools to showcase good education.

So when exactly did Azim Hashim Premji, the third richest Indian and ‘Asia’s most generous man’ feel the first tug of philanthropy? Was it when, as a young man studying at Stanford University, he dreamt of joining an international development agency like the World Bank? Or maybe it was when his mother, a doctor, set up a philanthropic children’s hospital in the 1940s. Or was it in the 1950s and ’60s when he was soaking in the spirit of nation building growing up in Nehru’s India? Or did it come much later, when in the late ’90s he watched his millions grow into billions, thanks to the IT boom, all the while becoming aware of the distance between his wealth and the average Indian’s income?

No one knows the answer, not even Premji.

Dileep Ranjekar, who has worked with Premji for close to four decades and started the Azim Premji Foundation (APF), says Premji first started talking about working in the social sector in 1998-99. Ranjekar, who was then head of Wipro’s HR, and Premji were staying in the Wipro guesthouse at Brunton Road, Bangalore. Premji was shifting Wipro’s HQs from Mumbai to Bangalore.

Both of them would sit late in the evenings talking and it was on one such evening that Premji first broached the idea. He had spent the last 30 years building Wipro, which was successful and stable, and now at 54 he felt that he needed to do something more.

After a lot of deliberation he chose to work in education and told Ranjekar to come up with a plan, but with one clear instruction: Whatever area they picked in education, it must have widespread impact.

The conversation that started in that guesthouse has today resulted in one of the largest programmes backed by individual giving in India and perhaps Asia. Premji has pledged close to $2 billion from his personal wealth to APF, which is working to improve elementary education across government schools in India. APF today has 800 employees. Last year the Azim Premji University started three post graduate courses in education and development to beef up capacity in the education sector.

It may take several more years, if not decades, to truly feel the impact of Premji’s efforts, but the work has left a deep impression on him. “As a person I have become more hopeful and optimistic… When you see teachers, government officials, my own colleagues in the Foundation, working in the toughest circumstances possible… it reaffirms faith in the goodness of man,” he says.

Now at 67, he has only one regret. That he waited too long to embark on this journey. “I wish I had started earlier, maybe in 1990, not in 2000,” he told Forbes India in an email interview.

His role as chairman of Wipro takes up most of his time today, but that is set to change. “He is spending more and more time on this [philanthropy]; it will increase going forward,” says older son Rishad who is also on APF’s board. Premji has talked to people about giving away most of his wealth (estimated at about $12 billion) to philanthropy. Rishad says that everyone in his family understands that the wealth does not belong to them. “He’s always told us, ‘I am comfortable giving you something in life but if you want anything above that, you have to earn it for yourself. The rest is meant to be given away, it is an obligation to give it away’,” says Rishad.

Close friend and associate Narayanan Vaghul, former chairman of ICICI Bank who is on the board of both Wipro and APF, says, “Premji is one of those rare people who sincerely believe that philanthropy is not a hobby. Even 20 years ago he was a hardcore businessman, and he is not particularly religious. But this work has changed him spiritually, it has made him a better person.”

Unlike Wipro where he kept his family out for a very long time (Rishad joined in 2007), every member of his family is involved in APF. Wife Yasmeen and Rishad are board members, while younger son Tariq works in APF’s endowment office. Premji says that having the family’s support is crucial in this work. “Your immediate family must resonate with the ideas, the purpose and philosophy. Else, the impact will be much less than it could be,” he says.

After maintaining a laser like focus on education for most of the last decade, he is now thinking of expanding into other areas like health care and livelihoods. “He is deeply worried about the state of governance in the country today,” says Vaghul, and some of his close associates say that he may choose to work in that field next. In January last year he joined 13 eminent citizens in India, such as former RBI governor Bimal Jalan, HDFC Chairman Deepak Parekh, and Godrej & Boyce Chairman Jamshyd Godrej to write an open letter to national leaders on governance deficit and corruption in the country. On November 2, while announcing Wipro’s quarterly results, he exhorted Bangaloreans to protest against non-clearance of tonnes of garbage lying on the streets.

source: http://www.forbesindia.com / Forbes India / Home> Features> Philanthropy Awards 2012 /by Mitu Jayashankar / December 03rd, 2012

Moily’s book Munnade released

Collection of articles written by Moily on administrative reforms

Caption:  Suttur Seer Sri Shivarathri Deshikendra Swamiji holds up the newly-released book Munnade penned by Union Minister M. Veerappa Moily at a function held at JSS Women’s College today. Others seen are (from left) KSP President M. Chandrashekar, litterateur Dr. D. Javaregowda, former DGP Dr. S. Krishnamurthy, litterateur Dr. Hampa Nagarajaiah and ex-Mayor Vasu. [Pic. by Pragathi Gopalakrishna]

Mysore, Nov. 25:

“A good literature can change the world. It is the people and their attitude which constituted Ramarajya and it was not the outcome of Rama’s skills. Even if administration collapses, democracy should not, which is the essence of inclusive society,” said Union Minister for Petroleum M. Veerappa Moily.

He was addressing the gathering at a seminar on ‘Moily’s literary works’ organised jointly by District Kannada Sahitya Parishat (KSP), JSS Mahavidyapeetha and Vidya Vikas Educational Institutions, held this morning at JSS College for Women in Saraswathipuram here.

Moily urged the people to educate children through their mother tongue for better comprehension and added that he will be coming out with his new book ‘Quest for Justice’ shortly.

Inaugurating the programme, litterateur Dr. D. Javaregowda pointed out that Moily was a rare politician with exemplary skills in literature and a person who practiced what he wrote or suggested.

Former DGP Dr. S. Krishnamurthy released the book ‘Munnade’ written by Moily. Several litterateurs and academicians spoke on the works of Moily.

Litterateur Dr. Hampa Nagarajaiah presided. Former Mayor Vasu welcomed. Suttur Seer Sri Shivaratri Deshikendra Swamiji graced the occasion.

Earlier, Veerappa Moily was brought in a colourful procession from Kukkarahalli Government School to the venue.

source: http://www.StarofMysore.com / General News / November 25th, 2012

He was all of music

Balamuralikrishna was cheerful, lively, yet mellow. / Photo: V. Sreenivasa Murthy / The Hindu

The endearing Carnatic vocalist Balamuralikrishna continues to have a huge fan following. Listening to the maverick musician at 83, Deepa Ganesh feels that his pursuit of music now is as obsessive as it was during his heyday

Why was I thinking of the late Pandit Bhimsen Joshi as I sat there listening to the Carnatic maestro M. Balamuralikrishna? In many ways, the non-conformist Balamuralikrishna, is similar to Bhimsen Joshi. For him, like the legendary Joshi, the outcome is less important than the journey itself. At 83, Balamurali was bringing everything into his music that he brought in his heyday – he dared the three octaves, sometimes more; he challenged the violinist and the percussionists with his calculations, and brought the most unanticipated moments for listeners and accompanists. The last jugalbandi concert of Balamuralikrishna and Bhimsen Joshi was in Bangalore. Bhimsen Joshi was ill and on a wheelchair. Balamurali stole the initial moments and one actually felt that it was going to be his concert, before the indomitable Bhimsen Joshi let out his characteristic roar and simply took over. That evening, these two maverick musicians, had greatly enjoyed each other’s passion.

At the recent concert organised by Sri Rama Lalitha Kala Mandira, the audience who were drawn from various other cities also, relished the remarkable spirit of this musician with a huge following. Balamuralikrishna was cheerful, lively, yet there was something mellow about his musical demeanour. He was not singing off his hat, merely from the habit of his golden years – he was in a reflective mode. He was constantly discussing with his disciple Veera Raghavan, there were long pauses, silences and it would perhaps be simplistic to attribute all this to his age.

Balamuralikrishna’s journey has been characterised by his free spirit, his defiance towards the power centres of music, alongside his penchant for experimentation that flows from his vast creative abilities. His student Prince Rama Verma, in his essay on his guru Balamuralikrishna, speaks of how he had been kept away from performing at the prestigious Navarathri Mantapam, but in no way had this upset him. One may have disagreements with Balamuralikrishna’s music, but even his bitter critics may have to agree that his music stems from an obsessive pursuit.

The concert opened with a lively Kannada composition in Mohana raga “Paalisemma Muddu Sharade”. Shorn of all embellishments, the piece was simple, and resonated with chaste notes in Balamurali’s voice that showed no signs of ageing. It soared to the upper octave and sunk with ease to the mandra, which is his signature threshold.

For many years now, Balamurali, a vaggeyakara himself, sings mostly his own compositions. With over 400 compositions to his credit, Balamurali is also a creator of many ragas. Even in this concert, he mostly sang his own, but all in well established ragas. Balamurali brought back the mood of the Eighties with his two most popular compositions, “Ee pariya Sobagu” and “Satyavantarigidu Kaalavalla.” His alapane for the raga Hamsanandi was slow, and contemplative – it had the graces of Hindustani style. As Balamurali took the raga through its various contours, one could imagine why the puritans of the Madras music durbar were left shocked by this unusual musician’s unconventional approach. When he ventured into swaraprastara at “Gaganadali…”, there were a bundle of surprises awaiting the accompanists while Balamurali tried various mathematical possibilities.

“Amba Mamava” in Ranjani was a sparkling reminder of the Ranjani ragamalika, “Ranjani Mrudu Pankaja Lochani”. In his Hindola rendition, Balamurali was constantly trying to craft new idioms and work new expressions. The tani for Hindola was a show stealer. Arjun Kumar on the mridanga and Giridhar Udupa on the ghata elevated the concert with their brilliant performance. Balamurali who was enjoying every bit of it (particularly his exchanges with Mysore Manjunath on violin), made encouraging remarks throughout. “If I don’t sing ‘Satyavantarigidu Kalavalla’ then I will be disappointing many,” the affable musician remarked, referring to the hundreds of requests that he had received. The charming tillana in Kuntalavarali was happy and pleasing.

Balamurali is clearly a man of few words. But the smile on his face rarely fades. The endearing musician refuses to sing Mangalam these days. Ask him why, and he says, “I have stopped singing Mangalam because I want to sing a lot more. I want to do more research and propagate Indian music,” says Balamurali, who believes that Indian music is the basis for all music.

Heap praise on him, and Balamurali will make it seem it has nothing to do with his self. “I don’t sing, music sings. If my music is successful, it’s because of listeners,” says the very same Balamurali, who believes that tradition gets renewed with individual talent. Like Nietzche said, ‘One is fruitful only at the cost of being rich in contradictions.’

source: http:///www.TheHindu.com / Home> Arts> Music / by Deepa Ganesh / Bangalore, November 20th, 2012