Category Archives: Leaders

Resurrecting Roerich

The first phase of Roerich Estate restoration work has been completed. Bangalore Mirror has the first pics of the internationally renowned artist’s dwelling

A few metres away from the house are the huge  tombstones place
A few metres away from the house are the huge tombstones place

Russian ambassador Alexander Kadakin’s primary concern when he landed in the city in January was the beautification of tombstones of Russian artist Svetoslav Roerich and actress wife Devika Rani. His visit to Tataguni Estate – the residence of the couple on Kanakapura Road – came at a time when the state government was restoring a part of the property.
And now the first phase of Roerich Estate restoration work that kicked off about a year ago has been completed. The tombstones are spruced up, the quaint cottage where the couple lived has been restored without disturbing the aesthetics, a five-acre rose garden has been laid and the property has come alive. The Phase I work has cost the government Rs 2 crore.

Abode of an artist
The stone building has been restored along with its old charm with the stone left exposed in its original state. Some repairs on the flooring, painting of the building, a fresh coat of polish on the red-oxide flooring, etc gave the house the traditional look.
A few metres away from the house are the huge tombstones placed. The couple’s names are written in Russian apart from English and Kannada.
The pathway leading up the tombstones is done up with granite, with steps. The walkway along the estate and into the wild has been cleaned up. The lake, that once was alive is dead now and the Lake Development Authority is taking up work on clearing out the natural vents to the water body from the adjacent catchment, that have been blocked.
“Due to rampant constructions in the adjacent areas and reckless earth filling up, water from the natural source has been blocked and the lake has dried up. LDA is now opening up the blocked channels and this monsoon, the lake should see some water,” says Manu Baligar, the chief executive officer of the Roerich and Devikarani Roerich Estate Board, which functions under the state government’s revenue department.
On the bund of this lake Roerich couple spent their evenings, Baligar said. The bench has not been altered, unlike the other fancier benches on the bund. The five acre land opposite the house has been turned into a beautiful rose garden.
The 468.33 acre estate is rich with fauna, has sandalwood trees and Bursera plantation from which the couple extracted linoloe aromatic oil. The sprawling plantation regularly has elephants and leopards as its uninvited guests. So much so, Kadrappa, one of the labourers is always armed with a sickle and escorts the guests into the wild with his weapon. Kadrappa, has been a loyal at the estate since 25 years and has seen Svetoslav and Devikarani in their last stages, before they shifted out of the estate and moved into a five-star hotel following ill health.

With a touch of Van Gogh

After a long drawn legal battle at the Supreme Court, against property encroachment, the state government set up the Board in 1996 to protect the heritage left behind by the renowned artist. While a lot of antique jewellery reportedly went missing from the house after the death of the couple, the government moved Roerich’s 241 paintings from his studio in the house to Venkatappa Art Gallery which is now under lock and key. “In the second phase of work, there is a project to set up a world-class art museum on the lines of the Van Gogh Museum in Amsterdam. We have asked the archaeology and museums department to come up with concepts. This will be a cultural centre and once the work is completed, all the Roerich paintings from Venkatappa Art Gallery will be shifted here,” Baligar told Bangalore Mirror.

source:http://www.bangaloremirror.com / Bangalore Mirror / Home> Bangalore> Others / by Kushala S, Bangalore Mirror Bureau / June 23rd, 2015

Prof. Padma Shekar of Mysure is Sanskrit University VC

Dr. S.R. Niranjana Gulbarga Varsity VC

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Bengaluru :

Governor Vajubhai Rudabhai Vala on Monday approved the names of six Vice-Chancellors for State Universities. They are Pramod B. Gai (Karnatak University, Dharwad), S.B. Hosamani (Rani Channamma University, Belagavi), S.R. Niranjana (Gulbarga University, Kalaburgi), Jogan Shankar (Kuvempu University, Shivamogga), M.S. Subhas (Krishnadevaraya University, Ballari) and Padma Shekar (Sanskrit University, Bengaluru).

Dr. S.R. Niranjana and Prof. Padma Shekar are from Mysuru. While Prof. Padma Shekar is Head of the Department of Jainology, University of Mysore, Dr. S.R. Niranjana is serving as Professor and Chairman, Department of Studies in Biotechnology, University of Mysore.

The appointments came after Chief Minister Siddharamaiah on Monday evening met Governor Vajubhai Vala, who is also the Chancellor of Universities and explained to him that the State Government had followed all norms and procedures on the issue of appointment of VCs to six State Universities.

source: http://www.starofmysore.com /Star of Mysore / Home> General News / Tuesday – June 16th, 2015

Satyanarayana Nadig passes away

Satyanarayana S. Nadig
Satyanarayana S. Nadig

Mysuru :

City’s prominent industrialist and builder Satyanarayana S. Nadig passed away early this morning at a hospital in Bengaluru after a brief illness. He was 70.

He leaves behind his wife Jayalakshmi Satyanarayana, sons Vikram S. Nadig and Raghav S. Nadig, a host of relatives and friends.

The body of Nadig, which is expected to be brought to city this afternoon, will be kept at his residence on 4th Main, Jayalakshmipuram. Last rites will be performed tomorrow (June 15) at 10 am at Chirashanthi Dhama in Gokulam.

Profile: Born on Feb. 3, 1945, Satyanarayana S. Nadig, a civil engineer by profession, was the Managing Director of Nadig Promoters and Developers Pvt. Ltd., and Nadisons Resorts Pvt. Ltd. He was the Past Chairman of the Builders Association of India (BAI), Mysore Centre.

A cricket enthusiast, Nadig was the KSCA Mysore Zone Convener from 2007-2010 and was representing the National Cricket Club (NCC). He was instrumental in reviving several cricket grounds in city.

Apart from being the Founder-Member of Sarawathipuram Recreation Club, Nadig was the member of JWGC, Vonti- koppal Club and Babbur Kamme Sangha.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Sunday – June 14th, 2015

Roundle Table India and Ladies Circle India Felicitates 12 ‘true legends’ from Karnataka in Bangalore

Seagram’s 100 Pipers Music CDs in association with Pride of Karnataka, an initiative of Round Table India and Ladies Circle India felicitated 12 ‘true legends’ from the state.

Ashwini Nachappa and Pramoda Devi
Ashwini Nachappa and Pramoda Devi

Among those felicitated were Priya Mani, Ricky Kej, RK Misra, Prasad Bidpa, Manoviraj Khosla, Shukla Bose, Ashwini Nachappa and Robin Uthappa. Kartik Mohindra, Business Head, International Brands, Pernod Ricard India, said, “True legends are successful people who lead a positive change on society. The True Legends awards recognizes and felicitates successful personalities who have risen above the material pursuits of success, and believe in giving back to humanity. Each True Legend story is very inspiring and will forever be remembered for good.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Bengaluru / TNN / June 19th, 2015

Bengaluru misses Charles Correa too

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The Hyderabad-born architect had strong links with Bengaluru too.

“One has to open up to the skies… only then will your buildings look up to light and ventilation in a scientific way,” renowned architect Charles Correa, who passed away at 84 in Mumbai yesterday, had said during one of his visits to Bengaluru.

He had many ideas on art and architecture and their role in shaping the building environment and urban landscape at large, particularly public spaces of Bengaluru. He passionately combined old-world charm and new age design philosophies that spoke of his strength to retain green values. His book, “A Place in the Shade” strongly exhort habitats to “respond to the overriding parameters of climate, culture and financial resources”.

He was known for his forthright comments on changing Mumabai’s landscape and bringing in local sensibilities into its architectural make-up. The Hyderabad-born architect had strong links with Bengaluru too.

Some of Correa’s buildings well-known in Bengaluru are the Jawaharlal Nehru Science Centre, off Jakkur, his own house that he built for his daughter at Koramangala where Fab India presently operates from, and the renowned LIC Tower or the Vishweshwaraya Centre where his exposed concrete work comes into reference even after 40 years of its historic handling for architects today.

He had strong views on the laying of Metro on M.G. Road. “The track on M.G. Road should have gone underground; or at least the elevated part should have been in steel instead of the ugly concrete expressions with gigantic pillars running all along,” Mr. Correa had said in an interview with The Hindu.

He, however, wanted the metro running elevated especially on the Vidhana Soudha Road. “Although I haven’t studied the buildings and the flow pattern near the Vidhana Soudha, it could have proved a heavenly addition to be above-ground. I can visualise the rail running 20-feet above the ground in steel, this gossamer being a typical contemporary narrative adding to the drama amidst the traditional looking State Assembly and the Karnataka High Court,” he had said.

Architects mourn death

Well-known architect Nagaraj Vastarey says about Correa: “There would never be a masterly figure as him in architecture anymore. Correa, apart from Balakrishna Doshi, was a point of reference to most of us growing up as architects.” Mr. Vastarey explained that in those days studying architecture was different as there wasn’t much of theory, but practical buildings from Correa meant lessons to all of us for references.”

Says architect Sandeep J. of Architecture Paradigm, “Correa rode the architectural world like a colossus, leaving behind a trail of master-pieces that are hard to match. The very aura around the man indicated that you were in the presence of a master architect, making you think twice before you decided to start a conversation.”

We have many architects who create wonderful forms and also those who create great spaces. “Charles Correa stands tall in Indian architecture as a creator of both form and space, as could be seen in Bharath Bhavan, Bhopal,” says Architect Sathya Prakash Varanashi. “His sense of scale, colour and visual aesthetics compliment the overall design, which together resulted in projects like Jawahar Kala Kendra in Jaipur, adding a new dimension to the history of modern architecture in India.”

Mr. Varanashi explained that Correa did not experiment with innovative structures or international styles, which possibly helped him to perfect his ideas across varied building locations and types. Alternately, he explored each project without getting stuck to the earlier projects, to the extent where one building appears totally different from the other. The Bengaluru projects Vishweshwaraya Tower opposite Vidhana Soudha and Jawaharlal Nehru Center for Advanced Studies may not even appear as designed by same architect. Correa had a mind that never got stuck, letting him explore designs like very few world architects could.

Those who have frequented the earlier Fab India showroom in Koramangala, Bengaluru have walked into the house which Correa designed for his stay in Bengaluru! “The fact that a house gets the new avatar as a shop, without losing its spirits, shows the flexibility with which the house has been conceived,” said Mr. Varanashi.

The early buildings of Correa, including the famous Gandhi Smarak Sangrahalay at Sabarmati Ashram, synthesized his international exposure with the local contexts, charted a new road map for architecture in India. His fluency in dealing with residential houses – from LIC Colony in Bengaluru to Kanchanganga Apartments in Mumbai – shows a variety very few architects have been able to even think of.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Ranjani Govind / Bengaluru – June 17th, 2015

Pages from History : Musings on Royal Saint Pipa

by Prof. A.V. Narasimha Murthy, former Head, Department of Ancient History & Archaeology, University of Mysore

Royal Saint Pipa or Pipadeva was the king of a small State called Gagaraunghra. Actually his correct dates are not known but he is said to have flourished in the 16th Century. He was famous as a righteous king and particularly showed great respect to saints and his position did not come in the way of serving them. His family deity was called Jagadambadevi (mother of the earth). According to stories current in that area, Pipa was capable of talking to the Goddess and he even fed her. Thus she would accept the offerings directly from king Pipa.

He led a simple life and never indulged in royal luxuries. He was very regular in reading scriptures and meditation. Ascetics who passed that way would normally visit his Palace and talk to him about dharma. Once a group of ascetics came to the Palace. He welcomed them and made arrangements for their comfortable stay. As usual he went to the temple of Jagadamba for worship. To his surprise she told him that she would take the offerings only after his guests had their food. Accordingly, Pipa offered them food and had their blessings. Then Pipa requested them to guide him to have the darshan of Lord Rama. They told him to start this procedure through a Guru and asked him to go to Varanasi and became a disciple of Swami Ramananda.

Pipa went to Varanasi and sent a message that he wanted to meet him. Ramananda sent the reply saying that his hermitage is open only to poor people and not kings. Immediately Pipa gave up his kingdom and distributed his wealth among the needy and the poor. To test his devotion, Ramananda asked him to jump into a well. Pipa was ready to do that. Ramananda stopped him and went to his Palace. Pipa was impressed by his guru Ramananda and wanted to be his follower listening to his religious discourses. Ramananda disuaded him and told him that it would be difficult for a king who had so much of royal responsibilities to be a disciple of an ascetic because of the hard life involved. He asked, ‘Can you fast for days together because you may not get food at all. Even if you get something to eat, it will be so simple and may be unpalatable because of its tastelessness. That too you have to beg and get the food. Nobody will supply the food.’ Pipa agreed.

But to test him further, Ramananda sent him to a place where no offerings were available. Pipa came back empty handed. The Saint asked him what he will do for food. Pipa replied, God wants that I should fast and try to understand how poor people led their lives days together. This is a lesson for me from the God divine. He fasted but concentrated on reading the scriptures and doing meditation.

In the meantime, Ramananda wanted to go to Dwaraka, the place of Lord Krishna. Pipa expressed his desire to go with the saint to Dwaraka. Ramananda told him that the journey by walk would be highly difficult for a king like Pipa. But Pipa was steadfast in his resolve to go to Dwaraka, the great pilgrimage centre of Lord Krishna. Then Ramananda told him that he could go with him as an ascetic and not as a king. Pipa immediately abdicates his throne and becomes an ordinary man. Hearing this news his wife too refuses to live in a Palace where her husband is not there and hence expresses her desire to accompany him to Dwaraka. Thus both husband and wife go to Dwaraka.

After reaching Dwaraka. Pipa is supremely happy and worships Lord Krishna with all devotion. He refuses to take food and is simply immersed in meditation at the holy feet of Lord Krishna. Lord Krishna is pleased with Pipa, gives him darshan, blesses him and tells that he would get moksha or salvation if he continued in the same path uninterrupted by worldly desires. Pipa returns to his place.

The people of the State to whom he was a king were surprised and adore him as a great saint. They come in large numbers and pay respects to him. He tells them not to bring any worldly offerings but to come with devotion to Lord Krishna. Some jealous people kidnap his wife but Pipa prays to Lord Krishna who saves her through some pious people. Pipa was very happy and his devotion to the Lord increased manifold.

Another incident is equally interesting. Once Pipa and his wife were passing through a forest and suddenly a lion accosted them. His wife was afraid but Pipa told her that God would reside in a lion also and we should not be afraid of him. Pipa spoke to the lion as if he was his friend and advised him not to trouble the people who did not harm him. The lion came nearer Pipa and licked his feet showing friendship and affection. Pipa patted him and prayed to the Lord to give him a human birth next time and whispered Rama- Krishna mantra in his ears. The ferocious lion became a tamed animal and local people were surprised at this sudden change in the lion. They knew it was the magic of Pipa. It is said, this lion was born as Narsi Mehta in the next birth.

Once Pipa found a vessel full of gold coins. When he mentioned this to his wife, some thieves overheard this and went there to take away the gold coins. But to their disappointment they found a snake in the vessel. But when Pipa went there, he found the gold coins which he distributed among the poor people.

Pipa had a cow which supplied milk to the ascetics. One day some thieves stole the cow and ran away. Pipa ran after them along with the calf and shouted, ‘Friends, you will not get the milk without the calf, please take the calf also.’ The thieves were taken aback and ran away leaving the cow.

Once Pipa went to a friend’s house for food. He noted the absence of his wife as the husband alone was serving food. Pipa understood that she was hiding herself because she did not have decent clothes to come out. Immediately Pipa blessed her and there was no dearth of clothes and food at her house thereafter. Impressed by this, the friend and his wife became devo- tees of Pipa.

Many devotees came to Pipa for advice and guidance. He refrained from giving them discourse or lecture but asked them to lead a simple life following ethical principles. He specially told them to avoid luxury. Rich people can see God if they can serve the poor. God is a friend of the poor people. Many rich people came to him and offered gold and money to exhibit their richness and show their vanity. The first advice of Pipa to such people was to come with empty hand after distributing all money to the poor and needy. Then only one would understand the secret of life. Thus many rich people went away disappointed and Pipa felt sorry for their ignorance of the divinity.

Once a rich merchant came to Pipa and requested him to visit his mansion so that he could show him his wealth. But Pipa did not accept his invitation because he did not want to disappoint the common people. The rich merchant tried to entice Pipa by telling him that his visit may enrich his wealth. Pipa did not go to his house and told him to distribute his wealth to the poor. A disappointed merchant went back cursing him. In the meantime, the merchant incurred heavy losses and became poor. Even then his greed for wealth did not diminish. He came to Pipa and requested him to bless him with original wealth and in return he would give him some wealth. Pipa advised him to pray for permanent divine wealth and not temporary monetary wealth. Ultimately he became his disciple.

Thus Pipa became a household name in 16th Century for his simplicity and religious life. Though he is not known widely in South India, his impact on dharmic way of life is felt in North India. That is the greatness of king Pipa.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Sunday – June 07th, 2015

Wadiyar Portraits : A tradition of capturing grandeur

 

1) Mysore style portrait painting of Srikanta Datta Narasimharaja Wadiyar seated on the Golden Throne based on the 2013 Khas Darbar. Artist: K.S. Shreehari, 2014. Size: 41x51 cms. Collection: Ramsons Kala Pratishtana, Mysore. 2) Portrait painting of Yaduveer Krishnadatta Chamaraja Wadiyar seated on the silver Bhadrasana. Artist: Manish Verma, 2015. Size: 37x51 cms. Gouache on paper. Collection: RKP, Mysore.
1) Mysore style portrait painting of Srikanta Datta Narasimharaja Wadiyar seated on the Golden Throne based on the 2013 Khas Darbar. Artist: K.S. Shreehari, 2014. Size: 41×51 cms. Collection: Ramsons Kala Pratishtana, Mysore. 2) Portrait painting of Yaduveer Krishnadatta Chamaraja Wadiyar seated on the silver Bhadrasana. Artist: Manish Verma, 2015. Size: 37×51 cms. Gouache on paper. Collection: RKP, Mysore.

by R.G. Singh, Secretary, Ramsons Kala Pratishtana, Mysore

Peacock pavilion of the Mysore Palace is where the coronation of the new Scion of the Mysore Royal family is scheduled to be held tomorrow. In the hall adjacent to this pavilion is the portrait gallery that has on its walls the official portraits of several Wadiyar rulers along with their family members. It is here that one begins to realise the importance that a royal portrait played in private and public life of the nobility.

Nalwadi Krishnaraja Wadiyar IV

But it was also special events that were to be immortalised on canvas or photographed or painted. The Daly Memorial Hall of the Mythic Society in Bengaluru greets the visitor with a portrait officially commissioned of Nalwadi Krishnaraja Wadiyar IV on the him being conferred the honour of Knight Grand Commander Star of India on January 1, 1907.

The oil on canvas portrait shows the king partly in profile. The Honour is pinned to a sash. The bejewelled necklace covering the neck of sherwani only adds to the richness of the attire. The fluted and feathered plume with a jewelled brooch holding it in place to the turban also adds to the portrait’s grandeur.

11-year-old Krishnaraja Wadiyar IV

Royal portraits have hidden sutras embedded in them that takes the viewer back in time. The Official Coronation portrait of the 11-year-old Krishnaraja Wadiyar IV is one such portrait.

This is a stylised photographic portrait and has several artfully placed emblems; the jacquard seat of the chair, the three-legged table with a curved triangular holder, a clock and some leather covered folders. The young prince is shown resting one hand on them while the other is on his hip. A Beagle stands motionless under the table.

Photographer Buranuddin of Mysore has used all possible elements that signify royalty in composing this photograph.

Nalwadi Krishnaraja Wadiyar

The autographed official photograph of Nalwadi Krishnaraja Wadiyar to mark the Silver Jubilee of his coronation in 1927 shows the then King dressed sombrely resting one hand on the back of a chair. The single-row bejewelled necklace and the chain and fob in the upper coat pocket add a touch of elegance. Even the Mysore peta is unembellished. The photograph was printed in Germany on water-marked archival paper.

Chamaraja Wadiyar

Another painting at the Jaganmohan Palace is the coronation scene of Maharaja Chamaraja Wadiyar. The painting was created by the artist Venkata Subbu in 1868.

There is an official portrait of Chamaraja Wadiyar on being conferred with the Knight Grand Commander of the Order of the Star of India in 1892. The above photograph reproduced here was ‘clicked’ by the famous Raja Deen Dayal of Hyderabad.

While the English royalty painters used pastoral themes their Indian counterparts used the very ‘Indianness’ of such public events of those days to display their virtuosity.

For instance, the 1927 Silver Jubilee of Nalwadi’s coronation has been commemorated with a beautiful portrait done by artist Keshavaiah; this masterpiece is on display at the Banquet Hall of the Vidhana Soudha. Interestingly, the advent of photography did not deal a death knell to the art of portrait paintings. Instead it led to another innovation – the painted photograph.

Jayachamaraja Wadiyar

By the time Jayachamaraja Wadiyar ascended the throne, both photography and painted photographs were very much in vogue. But such was the ingenuity of the Indian photographers that their photographs of the Royalty was a marriage of these several stylisations. Thus you have photographs of Jayachamaraja Wadiyar shown in what was supposed to be a candid form. At various times you had special photographs of Jayachamaraja Wadiyar ‘clicked’ by the then well-known City Studios like Star Studio, Palace Studio and Raj Studio. The variation was of course the painted photograph of Jayachamaraja Wadiyar by M.N. Murthy.

The photograph taken by the unknown photographer of Palace Studios of Jayachamaraja Wadiyar in 1940 to commemorate the king’s coronation has been replicated as a painted photograph by artist M.N. Murthy and is now in the RKP collection. But at no stage did photographs or painted photographs replace the portrait painter.

The tradition of painting historical events continues to this day. The last scion of the Royal House of Mysore, the late Srikanta Datta Narasimharaja Wadiyar along with his sisters and their husbands have been painted as several individual portraits by M. Ramanarsayya, the former Superintendent of Jaganmohan Palace.

Keeping the art of Painted Portraits alive

Ramsons Kala Pratishtana, in its efforts to keep alive the art of painted portraits, first commissioned artist K.S. Shreehari in 2014 to paint a classical portrait of Srikanta Datta Narasimharaja Wadiyar in the Mysore style (see pic. top right) based on photographs of 2013 Navaratri Khas Darbar.

This was followed by commissioning artist Manish Verma to recreate a Mysore style painting using a photograph of the Yaduveer Krishnadatta Chamaraja Wadiyar. This classic Mysore style portraiture shows the young scion accoutred in his royal vestments and Mysore peta adorning his head while his posture follows the classic from that can be seen in many of the older Wadiyar portraits. He is seated on the silver Bhadrasana which suggests that he has just been invested with the (symbolic) royal authority of Mysore Kingdom.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Wednesday – June 02nd, 2015

Tribute : Meenakshi Devi a multi-faceted personality

Seen in the picture are (standing) The Maharaja of Mysore Sri Jayachamaraja Wadiyar and H.H.Thakur Saheb of Sanand; (sitting from left): Rajkumari Maya Devi, Rajkumari Usha Devi, Thakur Rani Sujaya Devi of Sanand, Tripura Sundarammanni, Rani Vijaya Devi of Kotada, Maharajkumari Gayatri Devi, Rajakumari Geetha Devi and Rajkumari Urmila Devi; (squatting from left): Maharajkumari Kamakshi Devi, Maharajkumari Meenakshi Devi, Yuvaraja Srikanta Datta Narasimharaja Wadiyar, Rajkumari Shakuntala Devi and Rajakumari Indrakshi Devi. (File photo)
Seen in the picture are (standing) The Maharaja of Mysore Sri Jayachamaraja Wadiyar and H.H.Thakur Saheb of Sanand; (sitting from left): Rajkumari Maya Devi, Rajkumari Usha Devi, Thakur Rani Sujaya Devi of Sanand, Tripura Sundarammanni, Rani Vijaya Devi of Kotada, Maharajkumari Gayatri Devi, Rajakumari Geetha Devi and Rajkumari Urmila Devi; (squatting from left): Maharajkumari Kamakshi Devi, Maharajkumari Meenakshi Devi, Yuvaraja Srikanta Datta Narasimharaja Wadiyar, Rajkumari Shakuntala Devi and Rajakumari Indrakshi Devi. (File photo)

by Dr. M.R. Bharathi

She was a lifetime connoisseur of classical music, an entrepreneur, a photographer and a philanthropist. Meenakshi Devi, the second daughter of late Jayachamaraja Wadiyar, and late Tripura Sundarammanni, was an apostle of a brave and independent woman. Though shy, Meenakshi Devi was straight forward, refined and a lovable person.

Meenakshi was called “Miniput” by her father, which meant, ‘my beloved little one.’ She was strongly attached to her father. The death of her parents and her husband — Sirdar M.R. Lakshmikantha Raj Urs, an advocate at High Court of Karnataka — transformed the playful and mischievous Meenakshi into a strong and matured woman.

An ardent aficionado of both Indian and Western Classical music, Meenakshi was a piano player and saw to it that she never missed the “Beating Retreat” of Republic Day celebration. She was a student of history and tried to update herself about Mysuru history in general and about the Wadiyars of Mysuru in particular.

Meenakshi’s travel across Europe, Japan, Africa, USA, Canada and India, encouraged the hidden entrepreneur in her that made her open a boutique called “Duckling” and a travel agency called “Regal Voyages” at Bengaluru. Her love for horse-riding made her start the “Princess Academy,” a horse riding club. She was instrumental in organising the South Indian Equestrian Championship and Horse Safari to promote tourism in Mysuru.

Her interest in photography and wildlife made her visit Kabini, Bandipur and Ranathambore National Parks and learn photography under the guidance of her father.

As a philanthropist she helped a number of Institutions and was the President of ‘Altrusa Club’ and was on the committee of Philomena Hospital, Bengaluru. She was a member of the Karnataka Social Welfare Board. She offered her grounds in the Bangalore Palace, free of cost to ‘Awake,’ a women’s organisation for a programme to educate its members on global marketing.

Despite her failing health, Meenakshi tried to be cheerful and benevolent, inspiring the young and the old alike. She passed away on May 7, 2015. May her soul rest in peace.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Sunday – May 24th, 2015

Pages from History : I am 80 and a big thank you

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by Prof. A.V. Narasimha Murthy, former Head, Department of Ancient History and Archaeology, University of Mysore

I am eighty now and I write this in all humility and gratefulness to my readers for following my weekly column and for your affection. Time and chance have always helped me. Eighty years ago I was born to a highly traditional family which had intimate connections with the Jagadgurus of Sringeri Sharada Peetha. I proudly remember my grandfather Aradikoppam Subramanya Sastri, a great scholar in Sanskrit who was a tutor to the great pontiff His Holiness Chandrasekhara Bharati Swamiji. At the invitation of the Maharaja of Mysore, he was sent to Mysore to become a Professor at Maharaja’s Sanskrit College and he served that institution with great distinction and consequently became close to the Mysore Palace. As a young boy of ten or so I wanted to become a scholar emulating my grandfather and that became my aim.

After passing my Intermediate (PUC), I joined the MA Indology course to study under the great South Indian scholar Padma Bhushana K.A. Nilakanta Sastri at Maharaja’s college, Mysore. This was a turning point in my career because I was a student of Nilakanta Sastri who was held in great esteem throughout the country. Just a telephone call by Sastriji to Dr. B.K. Thapar of the Archaeological Survey of India got me a job of Exploration Officer in ASI. At that time I was noticed by Prof. Oruganti Ramachandrayya of the Andhra University and he took me to his Department as a Faculty, even without an application. Professors had such powers in those days. But my mind was wandering in USA and I wanted to study at Harvard, perhaps the best and reputed University in the world.

At that time, an advertisement calling for Fullbright Scholarships appeared in newspapers. I applied to this scholarship with the blessings of my Professor Nilakanta Sastri. Dr. Olive Reddick was the Director of United States Education Foundation in India. I cleared the tests and interviews at National and International-level and being a student of Nilakanta Sastri was an added advantage. I was selected to study at Harvard University, a wish I had expressed in my application. I had the good fortune of studying under world famous Gordon R. Willey and Hallam L. Movius at Harvard, which perhaps no other student from Karnataka can boast of. I salute all these scholars for moulding my career in Archaeology.

I was dreaming to settle down in Harvard and at that time Pandit Jawaharlal Nehru gave a call to all Indians working or studying in foreign countries to return to India and serve their motherland. It touched my heart and immediately I came back to India.

Another chance presented itself to me. My Professor at Mysore University wanted that I should return to Mysore and take up Readership in Archaeology. My entire family was in favour of this proposal. I returned to Mysore and faced an interview when K.L. Srimali was the Vice-Chancellor. Prof. Dejagow was the Dean and he recognised my potential and with his blessings I became a Reader at a young age. He has been showering the same affection towards me till date and it was he who inculcated in me the workaholic culture. Many of the books I have authored have the stamp of his guidance. This I would say is another chance which came my way.

With Dejagow’s guidance and my own enthusiasm, I built up a Department of Archaeology which won the admiration of scholars not only in India but also abroad. When the Fifth Plan Academic Committee visited my Department they were greatly impressed and sanctioned many faculty positions and a vehicle (jeep) for conducting archaeological explorations. I also organised a small University Museum which used to be visited by distinguished visitors to the campus. I could not have done this all alone and naturally all my colleagues helped me. I also introduced excavation as part of our training and excavated Banavasi, Heggadehalli etc. I retired from the University in 1995 when I was 60 and I thought I could write some books. At that time I was made Professor-Emeritus by the UGC for two years. I completed that also.

One day Mathoor Krishnamurthy and N. Ramanuja came to my house and asked me to be the Chairman of Bharatiya Vidya Bhavan (BVB), Mysore. His Holiness Sri Ganapathy Sachchidananda Swamiji’s blessings were there for this proposal. Having lot of respect for the Swamiji, I accepted the offer. I immediately roped in K.B. Ganapathy, Editor, Star of Mysore and P.S. Ganapathy, owner of a Printing Press. With the enthusiasm of the culture-loving Mysureans, Vidya Bhavan has become a household name.

Another thing which gave me full scope and satisfaction was the publication of Kannada translation of all the literary works of Kulapathi K.M. Munshi. The authentic history and culture of India in eleven volumes planned by Munshiji and executed by R.C. Majumdar is a valuable contribution. This was not available in Kannada. I took up the Kannada translation of these volumes with the help of many good translators. This is available in 25 parts in Kannada. Now most of these volumes have seen many editions.

In the wake of the success of this publication, I initiated translation of all the English works of Kulapathi Munshi into Kannada. Now we have published 22 works in this series so that the thoughts of Kulapathiji can reach the Kannada reading public. I can take great pride because perhaps no other Indian language (excluding Gujarati and Hindi) except Kannada has this great distinction. Many awards have been conferred on me for my academic contribution including the Puratatva Ratna award and Kannada Rajyotsava award by the Karnataka government. Another award which I cherish and value greatly is the Kulapathi K.M. Munshi award.

K.B. Ganapathy, Editor-in- Chief, Star of Mysore and Mysooru Mithra gave me an opportunity to write a weekly column under the title ‘Pages From History’ and this has made me quite popular in Mysuru which is being well-received by the readers in English and Kannada since seven years. Thus I am greatly indebted to KBG.

When I take stock of my life, I become conscious of the fact how various people have helped me in their own way. Without their support, I would not have been what I am today. That only shows the historical truth that man is governed by circumstances and chances. Chances never come again and again. Only a city bus comes again and again though at irregular intervals. Hence, a person with a purpose and aim in life should be open-minded and grab a chance when it arrives or go after it, if necessary.

This is what life has taught me during these eighty years and I have always tried to adjust to the circumstance without compromising the basic values of ethical and purposeful life. I am fortunate that my family members always stood by me during my life’s journey through thick and thin.

Again it is my good fortune that Mysore District Kannada Sahitya Parishat under the leadership of M. Chandrashekar, President, along with T.S. Chayapati of Talukina Venkannayya Publication, have arranged a felicitation function on 29th of this month in Jagadguru Sri Shivarathri Deshikendra Swamiji’s saanidhya. It is my good fortune that MLA Vasu, MUDA Chairman K.R. Mohan Kumar, scholar Dr. N.S. Taranath and Dr. C. Naganna have agreed to take part in this programme. Two of my books, Yadavas and Indian Epigraphy will be released on the occasion. I think, I could not have bargained for a more meaningful 80th birthday. This is traditionally referred to as Sahasra Chandra Darshana ritual. This is next in importance to 60th birthday (Shastipoorthi).

I and my wife Kamalamba consider ourselves fortunate and we simply accept it with gratitude. We look forward to 29th May. However, I continue to meet you all through my column every week as usual.

A Big Thank You to all.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Saturday – May 23rd, 2015

Who is J. Jayalalithaa ?

J born in our city Mysuru

J. Jayalalithaa was born on February 24, 1948, in Mysuru. She began schooling at the Bishop Cotton Girls High School in Bengaluru and later attended the Presentation Convent at Church Park, Chennai, when her mother began a career as a Tamil film actress. The family had moved to Chennai after Jayalalithaa’s father died when she was just two.

Woman, actress, Brahmin, Kannadiga. Conventional wisdom would suggest that resume is all wrong for the hard playfield of Tamil Nadu politics and in a Dravidian party.

But then J. Jayalalithaa’s life and career are the stuff fairy tales are made of. Or movie scripts with happy endings.

The fame and celebrity she earned as a successful actress would pale in comparison with what she would achieve in later years.

At 67, Jayalalithaa is a political giant not only in Tamil Nadu, where she took oath as Chief Minister for the fifth time today, with two of her three terms punctuated by brief spells of political exile. Brand Jayalalithaa is an undeniable presence at the national level, most emphatically after last year’s national election, when her party swept 37 of Tamil Nadu’s 39 seats, making her AIADMK the third largest party in the Lok Sabha after the BJP and the Congress.

Her stunning victory in the Assembly elections of 2011 had ensured that her party’s tally of 11 in the Rajya Sabha or upper house of Parliament cannot be scoffed at either, especially in times when the BJP-led Central government is in a minority in the house and often depends on regional parties like Jayalalithaa’s to help it pass crucial legislation.

When Jayalalithaa was convicted in September last year in a corruption case by a Bengaluru trial court, her political rivals celebrated the possibility that she would not be able to contest elections for another decade. That, they reckoned, would mean the end of AIADMK, a party that revolves completely around its chief.

But eight months later, the Karnataka High Court has acquitted Jayalalithaaa and she is back.

To her many supporters, Jayalalithaa is Amma (mother) or Puratchi Thalaivi (Revolutionary Leader). She was Ammu to M.G. Ramachandran or MGR, her political mentor at whose statue she paid tribute in her first public appearance in eight months today.

She acknowledges MGR as one of the most important influences in her life. The other is her mother, Sandhya, an actress who fell on hard times and had to send her 15-year-old daughter to a film studio rather than college.

Jayalalithaa was born on February 24, 1948, in Mysuru. She began schooling at the Bishop Cotton Girls High School in Bengaluru and later attended the Presentation Convent at Church Park, Chennai, when her mother began a career as a Tamil film actress. The family had moved to Chennai after Jayalalithaa’s father died when she was just two.

Jayalalithaa was a good scholar and is said to have wanted to become a lawyer and be rich. She wouldn’t be a lawyer, but she would be rich — a successful film career lay ahead. Chinnada Gombe, her first film (in Kannada) was a major hit.

She was revolutionary and is said to have been the first to wear skirts on screen.

Jayalalithaa also acted in a few Bollywood films.

She starred in 28 films with Tamil Superstar MGR, who would later found the AIADMK.

Jayalalithaa’s last film was Nadhiyai Thedi Vandha Kadal in 1980. In 1982, at the age of 34, she joined the AIADMK and went straight to the top echelons of the party as Propaganda Secretary, much to the chagrin of many seasoned partymen and was soon nominated to the Rajya Sabha.

MGR died in 1987, in harness as Chief Minister. The next year the AIADMK split with one faction supporting MGR’s wife Janaki and the other supporting Jayalalithaa, who laid claim to her mentor’s political legacy.

In 1991, Jayalalithaa became Chief Minister for the first time. She lost the 1996 Tamil Nadu elections and the DMK government that succeeded her filed the corruption case that she was acquitted in earlier this month.

She won her second term in 2001 and her third in 2011.

Jayalalithaa, who is single, speaks English, Tamil, Telugu, Kannada and Hindi fluently. MGR is said to have sent her to the Rajya Sabha as she spoke English very well.

An accomplished dancer, Jayalalithaa trained in classical dance forms like Bharatnatyam, Mohini Attam, Kathak and Manipuri and performed all over India. She also started learning Karnatak music at the age of four and sang several songs in her own films.

The AIADMK chief is a voracious reader and has a large private library with a huge collection of books. Her favourite authors are Charles Dickens, Jane Austen, Oscar Wilde and George Bernard Shaw. Also Sidney Sheldon, Danielle Steel, Pearl S. Buck and James Hadley Chase.

Even as an actress, she would always carry books with her to the studio, and would sit quietly by herself in a corner and read between shots.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Saturday – May 23rd, 2015