Category Archives: Arts, Culture & Entertainment

Bengaluru-based gardener’s idea makes way to France

Deepthi Chandra B made two visits to France in January and February to carry out the execution of her design, which is now open to public till November 1 this year.

Garden designed by Deepthi Chandra BGarden designed by Deepthi Chandra B. (Photo| EPS)
Garden designed by Deepthi Chandra BGarden designed by Deepthi Chandra B. (Photo| EPS)

Bengaluru :

Deepthi Chandra B’s fairytale moment came complete with a castle. The city-based landscape architect was among the 20 winners at an international garden festival, which takes place in the castle of Chaumont sur Loire, Blois, near Paris.

“There were 400 entries from across the globe and this is the first time an Indian team won in 28 years,” says Chandra, who adds that other winners this year belonged to Belgium, Germany, the Netherlands, Italy and USA. She made two visits to France in January and February to carry out the execution of her design, which is now open to public till November 1 this year.

The theme for the 2020 edition of the festival was Return to Mother Earth. For her submission of the design, which Chandra called Dharitri: The Garden of Mother Earth, she decided to rely on something that would represent Indian culture, borrowing ideas from the harvest festival. The entrance to the 2,000 sq ft space begins with a walkway of bamboo and flowers one would normally use for worship, like rose and jasmine.

“These are also flowers that are used extensively by the French perfume industry,” explains the 30-year-old. As the view opens up, the visitor notices a circular water body, which was inspired by the Rig Veda’s concept of “Father sky and mother earth being complementary,” says Chandra, adding, “This way, one can see the reflection of the sky in the water.” The small pond is surrounded by step terraces that double as benches for visitors to take in the view. This part of the design was inspired by Indian paddy fields.

“If you climb them you can get a top view of the garden. The pathway finally leads to the exit point thereby completing the Pradakshina path as seen in Indian temples, thereby paying tribute to the sacredness of Mother Earth,” she says.

Chandra’s first visit to France in January involved a meeting with the local contractors. During her second trip, her architect friend Chandrakanth GM, accompanied her to execute the design. Besides a slight language barrier, the duo also had to brave temperatures as low as 7 degrees Celsius while constructing the garden.

“But we also got to see the transition to spring, which came with beautiful views of cherry blossoms,” says Chandra, adding that all the teams getting together for meals was a good cultural experience. “The culture there was different. They construct everything themselves. It was nice to see the other winners coming in with their friends, family and neighbours to build the garden together.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / May 24th, 2020

Musician Shyamala Bhave passes away

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Classical musician Shyamala G. Bhave, who was well versed in both the Hindustani and the Carnatic styles and earned the title ‘Ubhayagana Vidushi’, passed away in Bengaluru on Friday morning. She was 79.

Born on March 14, 1941, in Bengaluru to a musical family, she was one of the early practitioners of the Hindustani style in the city and also taught hundreds of students at her school, Saraswati Sangeet Vidyalaya at Seshadripuram.

“Last week, she was admitted to a private hospital as her BP and sugar levels were erratic and she also had breathing difficulties. For the last three days she was home. This morning she breathed her last listening to music,” said one of her senior students, Vageesh Bhat, who is secretary of the vidyalaya.

Ms. Bhave was the daughter of Pandit Govind Vittal Bhave, who sang and played multiple instruments, and vocalist Lakshmi Bhave.

Trained from an early age, she gave her first performance at 12, said Mr. Bhat. She performed, taught and held positions in institutions related to the arts for decades. She served at the Karnataka Sangeeta Nrithya Academy for two terms from 1997 to 2001. She had also composed music for some films, including the first Sanskrit film by G.V. Iyer, Adi Shankaracharya, and India’s first Sanskrit serial Kadambari.

Hindustani singer Sangeeta Katti, said, “I have been associated with Shyamala Bhave for three decades, and she was one of the foremost vocalists to propagate classical melodies in Bengaluru.”

The last rites of the musician were performed at Friday evening at Chamarajapet crematorium.

source: http://www.thehindu.com / The Hindu / Home> News> States > Karnataka / by Ranjani Govind / Bengaluru – May 23rd, 2020

Jest in case

Dermatologist and comedian Dr Anil Abraham has come out with a series, Ungle’s Simbil Solutions, which provides humorous lockdown advice.

Dr Anil Abraham
Dr Anil Abraham

Bengaluru :

Sanskaari yet savvy. Naughty and naati. That’s Ungle Appukuttan, the elderly uncle in every neighbourhood, who means well and helps solve seemingly complex problems with his years of life experience. The creative brain behind a one-episode video based on issue-based content, for every day of the lockdown, is leading dermatologist and trichologist Dr Anil Abraham, who after being flooded with quack remedies, complicated jargon, silly suggestions and completely fake forwards, thought it’s time for a ‘reliable neighbourly uncle’ to deal with situations sensibly and offer simple solutions. “Corona was the crisis. And another avatar of Ungle was needed to offer a bit of advice,” says Dr Abraham, a popular stand-up comedian, known for his series, Ungle’s Simbil Solutions.

Ungle and his advice are spontaneous creatures. A news item, a chat with a friend throws up an idea which quickly evolves into an episode. Since Ungle’s solutions are common-sense based and humorous, it doesn’t involve much research.

“All I need is a little talcum powder sprinkled on my hair and a quiet place with telephone in hand to record an episode,” he says. Minimum frills and fancy have kept this endeavour lockdown friendly. “My wife, Veena and my sons, Anirudh and Aaditya, are my toughest critics. So I have my team at arm’s reach,” says the medico who recently played a key role in the Malayalam movie, Uyare, with Tovino Thomas and Parvathy.

With a house full of family, finding a quiet place to record has been a challenge sometimes. As has been staying clean and funny, as with any work of comedy. “Staying consistent and prolific is also tough, but the lockdown gave creative people enough material to keep creating content. Training in improv and theatre for several years helped to overcome these challenges,” he says.

A popular misconception, Abraham rues, is that doctors are boring, serious people. He believes that meeting hundreds of people every day, and hearing all their stories, involves a lot of communication. “Often, it is delivering philosophy or a message, gift-wrapped neatly in comedy. Laughter is the camouflage that makes the medicine palatable,” says Abraham who has been practising and teaching medicine for 30 years. With his interest in theatre, he has also worked with acclaimed artistes like Girish Karnad, Arundathi Raja, and Prakash Belwadi.

According to Abraham, one of the first lessons of comedy is the forgotten art of listening. This simple trick, he says, makes comedy interactive and alive. “It’s the same skill that makes someone a good doctor. Listen to what is being said and listen to non-verbal clues too. Very often a patient is communicating, not just with words , but with body language and facial expressions,” he explains.

Ungle’s words of wisdom

From sleazy sadhus to ‘whats appu’ gurus everyone is a doc.

Not the city, not the people, our tongues should be in lock

This lockdown should  not be labour only for the mother or wife.

You also help little if  you want to improve   quality of life

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Vidya Iyengar, Express News Service / May 19th, 2020

Mysuru only place in South India to get 5-star garbage-free city tag

The other 5-star garbage-free cities are Ambikapur, Rajkot, Surat, Indore and Navi Mumbai.

Mysuru city (Photo | EPS)
Mysuru city (Photo | EPS)

Mysuru :

Centre has declared Mysuru a 5-star garbage-free city.

Ministry of Housing and Urban Affairs on Tuesday announced the names of 5-star garbage-free cities in India and Mysuru is the only city in South India to make to the list. The other 5-star garbage-free cities are Ambikapur, Rajkot, Surat, Indore and Navi Mumbai.

The effort of Mysuru City Corporation (MCC) to make the city garbage-free bore fruit in the annual Swachh Survekshan ranking and star-based ranking of cities.

The star rating was given based on 25 key parameters across the solid waste management spectrum. Mysuru had submitted a self-assessment and self-verification for achieving the star rating early in the year and a third party inspection was carried out.

Expressing his happiness, MCC commissioner Gurudatta Hegde thanked the health team and pourakarmikas who worked hard to get the 5-star rating to the city for the second consecutive time.

“This is a good recognition to the city and also to the brand Mysuru. Though we aimed for the 7-star rating, we couldn’t bag that due to the stringent rules,” he said.

Meanwhile, MCC health officer Dr Nagaraju thanked the support extended by citizens and organisation in making this feat.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / May 19th, 2020

A virtual tour of Dr Thomas Chandy’s music museum

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Silver Talkies presents the orthopaedic surgeon’s collection of over 300 musical instruments

Bengaluru – The Bengaluru-based Silver Talkies has been holding online sessions for elders during the lockdown. There have been informative talks and fun events that people can enjoy from the comfort of their homes. As part of this endeavour, Silver Talkies is presenting a virtual tour of Dr Thomas Chandy’s collection of musical instruments.

The orthopaedic surgeon and Chief Managing Director of HOSMAT has collected over 300 musical instruments over the last six decades. “I have 80 rare guitars, harpsichords, a clavichord, and a concert harp that was custom-made for me in the US with an image of

King David carved on it,” says Chandy. “The collection also includes a bassoon, flutes, and trombone, a Chinese instrument called Koto, 16 saxophones, six clarinets, two xylophones of concert quality and a South American instrument, marimba. Some instruments date back to the Elizabethan era.” Chandy is an accomplished musician and currently the lead singer of one of the city’s oldest bands, the 17-year-old The Jazz and Rock Revival.

Silver Talkies presents A Dose of Music By Dr Thomas Chandy between 4.30 pm and 5.30 pm on May 15. Entry is free. Register by logging into

https://forms.gle/zPtkUVuGaJUGyD959 / 6362890768 / connect@silvertalkies.com

source: http://www.thehindu.com / The Hindu / Home> Entertainment>Music / Bengaluru – May 15th, 2020

Kannada film ‘Manaroopa’ bags awards at the Dada Saheb Phalke Film Festival

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Kiran Hegde’s psychological thriller has bagged three awards at the 10th Dada Saheb Phalke Film Festival

Bengaluru – Début director Kiran Hegde’s dream of launching his film Manaroopa in style came to naught as COVID-19 swept the world. Kiran was undeterred and started sending his film to festivals, showcasing it on various online platforms and is now reaping the harvest of his hard work. The Kannada psychological thriller has bagged three awards at the 10th Dada Saheb Phalke Film Festival for Best Debut Director; Best Cinematography for Govinda Raj and Best Supporting Actor for Amogh Siddarth.

Manaroopa (Reflection of Mind), deals with issues such as self-obsession, narcissism, loneliness self-destruction, divorce and more. “These awards are precious for me and the entire film crew. The idea was to highlight issues relevant to millennials such as the meaninglessness of life and existential nihilism. In the film, a few characters are absurd and think their life is meaningless. I believe the relevance of its theme which resonates with the times is attracting juries at various film festivals at both national and international level,” says a happy Kiran.

Manaroopa stars Dilip Kumar, Anusha Rao, Nisha Yash Ram, Aryan and Shivaprasad who excelled in their roles as millennials. The film also stars Siddarth, Gaja Ninasam and Prajwal Gowda.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / Bengaluru , May 06th, 2020

Women artisans offer handmade COVID-19 masks

The 60 underprivileged women are employed by a Bengaluru-based NGO

Many non-government organisations have started adapting to a country grappling with the COVID-19 pandemic by making handmade masks.

One such organisation is Craftizen Foundation, a Bengaluru-based NGO. Its founder Mayura Balasubramanian said they have sold over 10,000 plain, reusable cotton (cambric and handloom) masks made by over 50 women. It availed the services of 10 more women to make hand-painted and reversible masks, which was launched last week.

Craftizen Foundation, founded in 2014, helps traditional artisans, especially from marginalised communities. They claim their work — which includes skill development in design, production and marketing — has benefited over 2,000 persons in the last six years.

Craftizen currently runs 15 livelihood centres across Bengaluru and Hyderabad. Of the 60 women, who make the masks, 10 work in the Chikkabyratti centre (in Bengaluru) and the rest in two centres in Hyderabad.

“It’s a great challenge now to keep the artisans relevant,” says Mayura, “Their skills might not be essential in these times. But a lot of them will suddenly be unemployed. Which is why we came up with this idea of hand-painted masks.”

The women who make these masks, she adds, have been involved with Craftizen for one to three years. “The sourcing of raw materials has been difficult due to the lockdown. Which is why, most of our centres are closed. And, the delivery of the masks will take up to three weeks. Despite the difficulties, within the first two days of launching the handmade masks, we received orders for over 500 of them.”

Craftizen has also launched a children’s edition of masks.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Praveen Sudevan / May 13h, 2020

HR Bhargava: ‘He was a genius in masking and trick photography’

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The director remembers his friend and colleague, cinematographer SV Srikanth who passed away on May 8

Noted Kannada film cinematographer SV Srikanth passed away on May 8. Srikanth worked in over 70 films and is best known for his work in the epic Babruvahana, featuring Dr Rajkumar. Srikanth was instrumental in capturing Rajkumar in a double role in a single frame. Srikanth was known as a master trick photographer during an era when graphics were non existent.

Some of his other noted works include Bahadur GanduAde KannuNa Ninna BidalaareShravana BantuEdakallu Guddada Mele. Srikanth won the Karnataka State Award for cinematographer for Gejje Pooje and Upasane. His friend and colleague, director HR Bhargava, known for films such as Olavu Gelvau, Avala Hejje and Bhagyavantharu, recalls the man behind the camera..

“Srikanth lived in Madras. He was a good friend of another cinematographer, Rajaram. Srikanth used to work with Golden Studios. I am not sure if he formally trained in cinematography, but I know for sure that he gained immense experience and knowledge on the job. In the 1960s, Srikanth branched out as an independent cinematographer. A gentleman, Srikanth was always calm and patient. He worked with Puttanna Kanagal extensively — some considered it tough to work with Puttanna as he was a task master and a perfectionist.

While he produced a few films with Jayaram, Rajkumar’s co-brother, later on he focussed on cinematography. When we worked together I would pick him up from his house and we would drive down together to the studios. I still remember his work in Húnsur Krishnamuthy’s Babruvahana. I was an associate director then and we worked together for the entire film. Those days there were no graphics. Srikanth shot everything on his camera, be it triple masking or using five masks. Everything that you saw on screen was created by Srikanth on his camera. He was a genius in this and also trick photography.

After years of success, he slowly withdrew, because of his age. Soon he stopped working completely. Í have never heard him criticise others nor was he ever criticised and he never refused any work asked of him. Though he will be missed deeply, his work will continue to live on.”

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Shilpa Sebastian R / Bengaluru / May 11th, 2020

Tributes to historian Settar today

Dr S Settar. Photo/Giridhar Khasnis
Dr S Settar. Photo/Giridhar Khasnis

The Bengaluru International Centre, Domlur, in collaboration with Prof D S Achutarao History Endowment, has organised a programme on Tuesday to pay tributes to Dr Shadakshari Settar, a well-known historian. Settar passed away on February 28.

Aerospace scientist Roddam Narasimha, translator Vanamala Viswanatha, writer Rajendra Chenni and historians Shivasharanappa, K Aruni and H S Gopala Rao and D A Prasanna, the convener of the Endowment, will speak on the occasion.

The event will begin at 6.30 pm.

source: http://www.deccanherald.com / Deccan Herald / Home> City> Life in Bengaluru / by DHNS, Bengalurur / March 10th, 2020

Bengaluru redux: books about our past

Three books help you rediscover the city’s fascinating past

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Nothing makes you nostalgic about a city like being told that you can’t go there. The irony of the current raging pandemic is that inhabitants are shut out from a city that they are living in. So, Metrolife scrambled through its library to send you on a nostalgia trip. We found three pieces of writing that illuminate Bengaluru from a time far gone. All the pieces refer to the city come from the time when the city was still officially called ‘Bangalore’ and not ‘Bengaluru’.

Bangalore: the explorer’s sourcebook

One book that we found is Sourcebook Publishing Company’s ‘Bangalore: the explorer’s sourcebook’. Published in 1995, the book, which is a guide for the uninitiated tourist, has been cornily subtitled ‘Breathtaking Bangalore’ and ‘The Heart of South India’.

For a tourist book, the book catches you off guard by getting too personal at times. You can feel the lump in the throat when the publisher says, “Used to writing long notes, this once, I am short of words”.

Being a relic, we are separated from the milieu of this book by 25 years, and the fonts and advertisements are not ones you have seen in decades. As a book that lists out suggestions for people, it may be vastly outdated, but that is what makes it such a great document to understand what the city used to be.

Readers today may feel alienated by instructions about catching an auto, such as “The minimum charge is Rs 4.60 and the drivers have charge charts which give the corresponding charges to those on the meter”. Another shock: “One can also hire an auto for a whole day for approximately Rs 120”.

Being a book for the outsider, ‘The explorer’s sourcebook’ celebrates the city’s impressive multiculturalism.

It is pleasing to hear the book talk about different languages and ethnicities living together in harmony. While it is always simplistic to think of any era as a utopia, it is still a sparkling vision.

Bangalored: the expat story

If the explorer’s sourcebook was our window into the 90s, ‘Bangalored: the expat story’ is a window to the decade that came after. But what sets Eshwar Sundaresan’s book apart from the tourist guide, among other things, is the excellent prose and sense of humour.

For instance, the writer, in the acknowledgments page, thanks BESCOM “for their delightful inefficiency. Had it not been for their erratic power supply, I would have met all my deadlines and life would have been a drab.”

Published in 2006, the book is an attempt to unpack the newly minted term ‘Bangalored’. It had gained prominence during the 2004 US presidential election and came with a lot of anger because it denoted that people in the US were losing jobs as they were outsourced to Bengaluru.

Sundaresan’s intention is to take the word, borne out of hate and fear, and make it “rounder”. So, he interviews the expatriates themselves. “In other words,” he says, “I believe the expatriates can teach Indians something about India.”

Despite the heaviness of the subject, the writer is very indulgent about the city. His introduction, for instance, starts, “A light fog envelops the calm of the November morning. Inside the Indiranagar park, joggers and walkers of all ages are  beginning their workouts. A couple of college students are holding hands in silence as they occupy seats in the farthest corner of the park. Suddenly, a volley of shrieking laughter pierces the heart of the fog and startles the mynahs into flight. The laughter therapy group, too, has begun its workouts.”

The book says that as of 2006, 12,000 foreigners, that is more than half the expatriate population in the country, live in Bengaluru. The book sought to examine the levels at which they interact with the locals and the impact that they have on the cultural, financial, social, political and educational spheres.

“Most of the expatriates featured in the book are resourceful, some are quirky and eccentric, and a few are stubbornly idealistic, but they are all memorable. What emerges is a whole new perspective on urban India and its ambiguities,” the book’s  blurb reads.

So, for Sundaresan, Bengaluru is about the meeting of the old and the new. A man driving an army truck, to him, is emblematic of Bengaluru’s cantonment past.

A 20-something IT professional tying the knot of his tie while waiting for his company bus, is emblematic of the city’s present. When they look at each other, representing two different eras, yet brought together in time, it is a waltz of history.

But reading the book fourteen years later, we see a very different Bangalore. The vision of a city covered in chrome in long gone. There are no longer pizza parlours whose advertisement taglines read “gigabytes of taste”. In 2020, in the era of Donald Trump and his ‘America First’ policy, all this may be retro or even kitsch.

But reading certain parts of the book, we realise that some things about the city will never change. In the introduction, Sundaresan writes, “Turning into Old Madras Road, I find the traffic gliding along as if on autopilot. In an hour’s time, this stretch would mutate beyond recognition. People will be conversing in the language of honks and expletives”.

‘Mysore and Ramrajya’

While writings on the city are not scarce, there is one that is hardly mentioned. Written by M K Gandhi, the article, originally written as a speech, has been titled ‘Mysore and Ramrajya’ and published in a NIAS compilation. He was recovering from an illness in 1927 and had stayed near Bangalore and near Nandi Hills. He used to hold prayer meetings under a peepal tree at this time.

In the piece, Gandhi spoke about the then Mysore state, expressed appreciation for the work of Krishnaraja Wadiyar IV and outlined what had to be done to make princely Mysore “Ramarajya”. The editors of the book in which this speech was included say  Mahatma’s vision did not survive, “but it is worth remembering that, if nothing else, it tells us that there was a time when Bangalore was not always preoccupied with modernism”.

Gandhi had delivered the speech in English, but he didn’t seem too happy about it. He says that he wished all his listeners in Mysore understood Hindi, but adds “I do not know when that time is going to come”. While praising M Visvesvaraya’s works such as Krishna Raja Sagar Dam and Bhadravati Iron Works, he makes an appeal to the state of Mysore to use the charkha so that the economic situation of the peasantry will go up.

He urges Mysoreans to give up drink and beef, and deplores many Sanskrit scholars in the state who refuse to teach the language to ‘Adi Karnataka’, that is the lower caste people of the state.

source: http://www.deccanherald.com / Deccan Herald / Home> Metrolife> Metrolife on the move / by Roshan H Nair, Bengaluru / March 22nd, 2020