Category Archives: Arts, Culture & Entertainment

Belagavi based lyrics writer’s song in ‘Bajirao Mastani’ enters into Guinness Records

Belagavi :

Prashant Ingole, Belagavi based lyrics writer is now shining in Bollywood. His recent song, written for still unreleased film ‘Bajirao Mastani’ is entered into Guinness Book of Records.

Ingole has written four songs for Sanjay Leela Bhansali’s film ‘Bajirao Mastani’ in which ‘Gajanana..’ is making buzz. The launch of film’s first track was done in record breaking fashion at Pune last month, by creating biggest human formation of Lord Ganesha. More than 5,000 students from across India created 194 foot versions of Ganesha at the time.

Ingole said song has entered into Guinness Book of Records because it has been sung by Sukhavindar Singh along with the chorus of 15,000 students. “In the song of 3.37 minutes, I have used 17 names of Lord Ganesha. Initially, Bhansali asked me to write a song on Ganesha. Being a devotee of Ganesha, I planned to make it differently which he liked immensely. Now the song is making big sound before release of film”, Ingole said.

Born in Belagavi, Prashant Ingole studied at Bhatkkhande School here till SSLC. Although he started lyrics writing for Hindi movies since 2001, his struggle for eight years to get recognized. He got first break in 2008 for writing a song for the film Paisa Hai Power. His first hit came in 2012 through the song ‘Party On My Mind’ in Race-2. Song became hit with 26 million hits. Later in 2014, he got opportunity to write four songs for hit film Merry Kom. So far, overall 13 movies to his credit.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Hubballi / byu Ravindra Uppar, TNN / October 06th, 2015

Passions: Bringing ethnicity home

The ethnic connect Roshni Puthukudy
The ethnic connect Roshni Puthukudy

Roshni Puthukudy started EthniChic to reach out to the modern Indian woman who is fashionable yet connected to her roots

A civil engineer by training with a degree in financial management, city-based Roshni Puthukudy, is a Malayalee who grew up in nine different states, thanks to her defence background. It was during these years that she was exposed to various art forms and her passion for crafting took root. However, it was only when she took a break from her corporate life in 2014 that she decided to do something more serious with her oodles of creativity.

Roshni decided to answer her calling to be a crafter while on vacation in her hometown. “While dusting out old school books and papers, I found a preserved file which contained all my childhood paintings and drawings. That visual inspired me to take up my long lost passion. I started attending art classes where they specifically taught traditional art forms. I would accompany my son to his drawing classes as well. I started learning new techniques through YouTube videos. And then it was all about experimenting. I am blessed to have the support and encouragement of my husband and kids. When things started falling in place and I found my products saleable, EthniChic was born,” she recalls.

Reaching out to the modern Indian woman who is fashionable yet connected to her roots, EthniChic is an initiative that brings Indian ethnicity to one’s home, in the form of home décor, accessories, and apparels that are hand painted or decoupaged. Roshni’s products range from jewellery boxes, trays, votive stands, khullads, hand mirrors, lamp shades and palm leaf fans to bangles, neck pieces, earrings and much more. She also hand paints saris, skirts, jumpsuits, kurtas, waistcoats and dresses. “Each piece of art is crafted with utmost care and passion. I still don’t like calling it a business because for me it feels like meditation,” says Roshni. Prepping up for her journey as an entrepreneur was interesting. “The biggest challenge was to take the risk and see if my idea would work. Then, I had to understand what customers really want. I did at least six to eight months of research and exhibition hoping to understand how and what works. I’ve tried out various products in the first six months of setting up before I finally arrived at the current product line. I attended various training programmes on Indian art forms to learn with a deeper sense.”

Of her challenges so far, she says: “Time is the biggest challenge. Then there’s tons of competition in the market so much so that handmade items are often not given their due. Also, since it takes lot of time and effort to hand paint/hand craft things, they are slightly costlier than the mass produced/printed items, and therefore our market is not as large.”

While plans to expand her business are in the pipeline, she says: “I keep trying new products regularly. I started with hand painted apparels and then moved on to home decor and accessories. I love to innovate. There is always a quench to try out new things to keep myself active creatively.”

(This column features people who have veered off the beaten track)

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Neeti Sarkar /Bengaluru – October 13th, 2015

‘Mysore Memories’ : Mysore in the 1920S

by Girija Madhavan

Mysuru has a tradition of holding concerts for festive occasions like Ramanavami and Vinayaka Chathurthi. Lovers of music eagerly look forward to these events. The concerts held at 8th Cross in Vani Vilasa Mohalla have been going on for decades. Even earlier there were recitals in Bidaram Krishnappa Prasanna Sri Rama Mandira in the heart of the city. A temple as well as a venue for “kacheris,” it is the confluence of two streams of art. As music swirls around the room, the walls display precious paintings in elaborately carved frames. Some of them are in the Mysore tradition of art, depicting themes like Durga’s victory or Rama’s coronation. Some are adorned with gold leaf and some are in the style of Raja Ravi Varma.

MysorePaintingBF12oct2015

In a folder of sketches by my mother, Mukta Venkatesh, I found two water-colours. The first depicts a Karnatak concert (kacheri) with the musicians seated on a striped durrie. The small picture hanging above the door is the ‘Ala-ele Krishna’ (the infant Krishna on a peepul leaf), a theme favoured by both Tanjore and Mysore style artists. The paintings of Goddesses Lakshmi and Saraswati in traditional style flank a larger picture of Rama Pattabhisheka. Mukta depicts herself and two sisters in the audience. This is a sketch of Bidaram Krishnappa Prasanna Sitarama Mandira, a personal portrayal of a heritage landmark of Mysuru.

The second picture is set in Lakshmipuram of those days. The architecture is drawn with care. The people on the street belong to different classes of society. The vendor woman, accompanied by her small child, is dressed in a crumpled cotton sari, the head covered with the end of the sari or “seragu.” In contrast, the ladies in silk saris worn in the “kachche” style (perhaps of Madhwa origin), flowers adorning their hair, have returned from a puja, holding coconuts and betel leaves in their hands.

Just beyond these figures is a mendicant with a white beard. A toddler rides on his shoulders. This poor man and his child “Vasuki” occasionally visited my mother, had a meal and left with a present of money, clothes or toys. She was attached to Vasuki and was distressed when the visits suddenly stopped. Perhaps that is why she painted them as pale, ghostly figures.

In the Tonga, a dignified, Muslim gentleman travels to his appointment. Another older man in a three-piece suit wearing a Mysore Peta is walking down the pavement. A young man lounges against the wall. This picture was a microcosm of life in suburbia.

Old photographs capture past reality in their sepia tints. But drawings like these can be even more evocative, bringing up a flavour of a bygone time through the eyes of a person who lived then and translated these perceptions into art.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Monday – October 12th, 2015

BAI confers “Builder of the Year” and “Project of the Year” Awards

City-based builder P. Nithyanand (left), who was conferred ‘Project of the Year’ award and A.S. Yoganarasimha of Sharp Engineers, who received ‘Builder of the Year’ award during the Builders Day-2015 function organised by Builders Association of India (BAI), Mysuru Centre, at Kalamandira last evening, are seen with (standing from left) BAI Mysuru Centre Chairman M.S. Ramprasad, Builders’ Day Convenor M.S. Nandakumar, Industrialist Dr. M. Jagannath Shenoy, BAI State Chairman A.R. Ravindra Bhat and BAI Mysuru Centre Hon. Secretary J.V.R. Naidhruva. Picture right shows noted dancers Nirupama-Rajendra and troupe of Abhinava Dance Company, Bengaluru, presenting a scintillating cultural programme ‘Rang’ on the occasion.
City-based builder P. Nithyanand (left), who was conferred ‘Project of the Year’ award and A.S. Yoganarasimha of Sharp Engineers, who received ‘Builder of the Year’ award during the Builders Day-2015 function organised by Builders Association of India (BAI), Mysuru Centre, at Kalamandira last evening, are seen with (standing from left) BAI Mysuru Centre Chairman M.S. Ramprasad, Builders’ Day Convenor M.S. Nandakumar, Industrialist Dr. M. Jagannath Shenoy, BAI State Chairman A.R. Ravindra Bhat and BAI Mysuru Centre Hon. Secretary J.V.R. Naidhruva. Picture right shows noted dancers Nirupama-Rajendra and troupe of Abhinava Dance Company, Bengaluru, presenting a scintillating cultural programme ‘Rang’ on the occasion.

Mysuru :

Marking the Builders Day-2015, the Builders Association of India (BAI), Mysuru Centre, conferred ‘Builder of the Year’ award to city builder A.S. Yoganarasimha, proprietor of Sharp Engineers and ‘Project of the Year’ award to builder and promoter P. Nithyananda of Nithyotsava Convention Hall, at a function held at Kalamandira in city last evening.

Speaking after receiving the award, builder Yoganarasimha said that he was ever grateful to his parents for always supporting him in his endeavours.

Expressing his gratitude to his guru and city’s well-known architect M.S. Vijayashankar for guiding him on discipline, commitment and honesty, Yoganarasimha recalled the support extended by BAI Mysuru Centre to the staff of his company over the years.

Industrialist Dr. M. Jagannath Shenoy, BAI State Chairman A.R. Ravindra Bhat, Mysuru Centre Chairman M.S. Ramprasad, Hon. Secretary J.V.R. Naidhruva, Event Convenor M.S. Nandakumar and others were present at the programme which also marked the inauguration of year-long Platinum Jubilee celebrations of BAI.

The programme was followed by a cultural event titled ‘Rang’, celebrating colour, culture and creativity, an enchanting evening of dance by Nirupama and Rajendra troupe of Abhinava Dance Company in Bengaluru. Endowed with brilliant talent and stage presence, appropriate expressions, timing and razor sharp precession in synchronisation, the couple’s performance was truly a connoisseur’s delight.

‘Rang’ took the audience into an enchanting world of Indian traditional and contemporary sequence, providing a spectacular view of creativity through exquisite thematic compositions, soulful music, period costumes combined with unique artistry.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Friday – October 09th, 2015

‘Bharathada Anarghya Ratnagulu’ book released in city

Picture shows senior litterateur Dr. C.P. Krishnakumar, Folk Scholar G.S. Bhatta, Writer Bannur K. Raju, senior litterateur Dr. Malali Vasanthakumar, Social Worker K. Raghuram and author D.N. Krishnamurthy, during the book release function held in city recently.
Picture shows senior litterateur Dr. C.P. Krishnakumar, Folk Scholar G.S. Bhatta, Writer Bannur K. Raju, senior litterateur Dr. Malali Vasanthakumar, Social Worker K. Raghuram and author D.N. Krishnamurthy, during the book release function held in city recently.

Mysuru :

Writer and columnist D.N. Krishnamurthy’s book ‘Bharathada Anarghya Ratnagalu’ was released at a function jointly organised by Sri Sharada Vidyapeetha Trust, Swajanya Samskrutika Vedike and Sri Vasavi Prakashana at Rotary Centre on JLB Road in city recently.

Writer Bannur K. Raju, speaking after releasing the book, regretted that groupism was raising its ugly head in the literary world.

Pointing out that the literary field has made its own contribution to the society, which is different from others, he stressed on the need for the literary world to be in its purest form and not get polluted for any reason.

He complimented the author Krishnamurthy for his work, which he said was an excellent one on the personalities and great leaders of our country.

Senior litterateur Dr. Malali Vasanthakumar, in his address, said that the work was a feather in the cap of Kannada literature.

He also said that the book, if published in a text book form, will be of much help to students.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Wednesday – October 07th, 2015

Meeting the Book Man of Pandavapura

BookManBF05oct2015

An inside view of the Book House. Another inside view of the Book House. The Book House as seen from road.

Sometimes, I wonder what would be this world for many, like me, without books. Not that I am a book-worm or an voracious reader, but surely one who loves books generally. An ideal friend when alone, whom you can leave easily and choose another, let me say, book-friend who will expect nothing from you yet keeps you engaged, entertained or educated. Which is why, while on holidays, when my wife goes for shopping, I choose a book shop, with her permission, to spend the time till she calls me on cellphone. Happiness for both! Let it be.

I broach on the subject of books because of my recent visit to a store house of books of all sorts, over five lakh in numbers I was told, in an unlikely place and location — Pandavapura, in Mandya district on the Mysuru-Nagamangala road running through a village called Harala Halli. In Kannada it is called Pusthaka Mane, Book House. And, therefore, a store-house of knowledge, since knowledge is power, a store-house of power! Officially it is known as Ankegowda Jnana Pratishtana (R).

Since few years my friend K. Vijaya Kumar has been gently urging me to make a visit to this library, as he called it, giving me some description of its significance and about the man behind this library M. Ankegowda, who has now retired from service at the Pandavapura Sugar Factory. An MA in Kannada from the University of Mysore, collecting books has been his passion, along with coins, postal stamps, greeting cards and even wedding invitation cards that come these days in a variety of shapes, sizes with contents that would make the Royal invitation from the Palace pale into ordinary. To deviate from the library, these invitations are generally from the nouveau-riche, the upstarts in society and the upstart politicians.

To revert to the Book House, it took its birth in Ankegowda’s house to begin with but later when the number increased, the famous Industrialist — Liquor Baron — L.Sri Hari Khoday spent over Rs. 50 lakh and constructed a building to house the books which is where it is now. Many seem to have helped Ankegowda with money to buy books and among them was the former Chief Minister of Karnataka, Sadananda Gowda, who gave Rs. 25 lakh from the Government and promised more but Ankegowda is unlucky.

For his labour of love and passion in collecting books, he was given an award by the Kannada Book Authority in 2009. He is a recipient of over 25 awards in recognition of his achievement by various organisations which is as it should be in a world where interest in books seems waning due to the appearance of electronic and digital world. The Karnataka Government too honoured him with the Kannada Rajyotsava Award in 2014.

I learnt that Ankegowda has been buying books since 1975 and now in 2015, the number is over 5 lakh, according to what he told me. I believe him because I have seen the book stock at the Book House, when I went there with my friend Vijaya Kumar on Sept. 21. The building looks like a factory shed and the books are stored there in heaps and bundles like in a godown. Some books are kept in steel almirahs with or without glass door. There was not as much of space to walk around freely and easily. Books of all sizes, all languages and on all subjects are strewn all over the place on the ground. The sight was shocking for one who loves books as sacred Saraswathi. It was like an orphanage of books, but even in an orphanage the children are looked after well. Such huge space and all it needed was steel shelves made by angles which will not cost much to keep the books the way they are usually kept. Now the books are dumped on the floor and I am afraid beforelong most of them would be damaged and become useless. I was also left wondering on not finding a single fire extinguisher in the hall nor stored water and sand for emergency. God forbid such an accident, but God helps those who help themselves.

Many students and distinguished persons have visited this House of Book (I can’t call it a library as there is no system of issuing of books to the interested and collecting them) and appreciated Ankegowda’s efforts. One among them was Justice M.N. Venkatachalaiah, who apparently visited along with Justice V. Gopala Gowda, the then Chief Justice of Orissa High Court on May 27, 2010. Here is what he writes in the visitors book which is published here below (see pic).

As we were leaving the place, a couple of youngsters, come from the town, urge us to stay for a while to participate in a condolence meeting to the assassinated Kannada scholar and former Vice-Chancellor of Hampi Kannada University Dr. M.M. Kalburgi. Soon, a small group of college lecturers and members of Taluk Young Writers’ Association gathered there inviting me to speak. I obliged and left the place.

I and Vijaya Kumar began to share our experience of the visit. I thought it was a directionless, purposeless spending on books and storing them to pursue Ankegowda’s passion. No doubt it is commendable but certainly not useful to the community if it is not made available to them as in a Public Library. People may visit the Book House, like tourists visit a Power House in Shimsha or Jog Falls or a Zoo. Then?

Vijaya Kumar gave me a side-long look and gave his last words to my question and doubts:

“Only Goddess Saraswathi must come to his rescue.”

Tailpiece: During the course of our conversation about the Book House, I told Vijaya Kumar that it was like a Power House without a distribution system.

e-mail: kbg@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Abracadabra….Abracadabra / by K.B. Ganapathy / Monday – October 05th, 2015

Vintage cannons ready to boom

Policemen cleaning the vintage cannons as part of the forthcoming Dasara festivities.— PHOTO: M.A. SRIRAM
Policemen cleaning the vintage cannons as part of the forthcoming Dasara festivities.— PHOTO: M.A. SRIRAM

As Dasara approaches, seven cannons, which had been housed at the iconic Mysuru Palace, had been handed over to the Gun Shed Troupe, a team of police personnel attached to the City Armed Reserve (CAR) which operates the cannons.

The vintage artillery, used to fire 21 gun shots on the day of Jamboo Savari, is being readied for the big day.

A 32-member police team has cleaned the cannons, which are installed on two-wheeled carts.

The team is expected to start rehearsals to acclimatise elephants to the booming sound of the cannons firing.

The rehearsal is done under the watchful eyes of Forest Department officials and the elephants’ mahouts and kavadis.

On the day of Vijayadashami, cannons are fired 21 times outside the palace fort to signal the beginning of Jamboo Savari.

Rehearsals are conducted three to four times in the run-up to the Dasara finale every year to prevent the elephants from getting nervous as a result of the sound and smoke.

Siddaraju, a head constable of CAR, who is part of the Guns Shed Troupe, said ammunition for the cannons – gun powder – is procured either from Arsikere or Channarayapatna in Hassan district.

The powder is first dried and then about 1.8 kg is packed in a cotton bag and tied with a thick thread.

The bag is then inserted into the barrel of the cannon for firing. Three rounds each are fired from seven cannons to complete a 21-gun salute. The cannons are fired at the palace and also at Bannimantap, where the procession concludes. Each round of fire needs cleaning to remove leftovers inside the cannon, before another round.

Earlier, two kg of gun powder was used for firing but the quantity had been reduced over two years. Each cannon needs about five persons to operate.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / by Shankar Bennur / Mysuru – September 30th, 2015

Fourth Anniversary of Devagitam

Vidu. Kalavathy Avadhooth to perform tomorrow

Family members of reputed music composer and Sanskrit scholar late H. Yoganarasimhan (1897-1971) have formed Devagitam Charitable Trust to perpetrate his legacy. As part of its fourth anniversary celebrations, the Trust has organised a special function on Oct. 2 at 5.30 pm at Veene Sheshanna Bhavan in Kuvempunagar. Prof. Gowri Kuppuswamy, retd. Principal, Fine Arts College, Mysuru and a senior musician will be the chief guest. Dr. T.V. Venkatachalashatry, reputed Kannada scholar will preside. A special music concert will follow after the formal function.

Vidu. Kalavathy Avadhooth from Bengaluru will present a Karnatak vocal concert. Stalwarts Nalina Mohan on violin, Tumkur Ravishankar on mridanga and M.R. Manjunath on ghata will accompany Kalavathy.

Profile: Born on 9th September 1969, Vidushi Kalavathy hails from a family of musicians. Daughter of the illustrious musician couple Sangeetha Kalaratna Bangalore K. Venkatram and Gamaka Kala Kogile G. R. Jaya, Kalavathy had music running in the whole family.

Her father was a ghatam maestro, an organiser par excellence and Founder-Director of Percussive Arts Centre while her mother is a veteran Gamaka artiste and vocalist of repute. Brother V. Krishna is an eminent Mridangam artiste, presently Director of Percussive Arts Centre and has accompanied veteran artistes on the Mridangam.

Kalavathy, married to D. Avadhoot, a connoisseur of music, is a gold medallist in MA (Music).

After the initial training under her mother Vidushi G. R. Jaya and then under Vidushi Usha Char, Kalavathy had her intensive training under Ganakala Bhushana Anoor. S. Ramakrishna. She also learnt under Vidushi Seethalakshmi Venkateshan and is now learning under Vidwan P. S. Narayanaswamy of Chennai.

Kalavathy Avadhoot has performed all over India in major Sabhas of Chennai, Mumbai, Kolkata, Delhi, Trichy, Mysore, Bangalore, Shimoga, Bellary etc.She has toured the USA, Amsterdam and Netherlands. Kalavathy has lent her voice for Art movies like “Madhwacharya,” “Ramanujacharya” and “Bhagavadgeetha” under the direction of G. V. Iyer and B. V. Karanth with the musical legend Dr. M. Balamuralikrishna.

Endowed with a rich and mellifluous voice, Kalavathy’s vocal stands out for the feel (bhava) she imparts to her music. She also has to her credit many laurels and awards. —KRM

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / October 01st, 2015

The breeze of yore

Unique hobbies

HobbiesBF30sept2015

Junk is old and everything old is collectable’ believes Sharath Namburi, a passionate hoarder of antique objects.
A businessman by profession, he can  be rightly called curator of an unexplored museum, which is his house.

While it is the vintage bicycles that welcome one at the gate, it is the breeze from the 100-year-old, 40 kilogram fan belonging to the Nizams of Hyderabad, which gives the rustic air as one enters the living room.

Watches, cameras, lanterns, tricycles, clapboards — ‘antiquity’ shouts from every corner of his house!

“This interest started as a boy. I used to collect stamps and coins. I collected cricket cards (from the 1990s) that came with the ‘Big Fun’ (chewing gum).”

“Then I went on to currencies and more authentic and antique objects. Since then, there has been no end to this passion,” says Sharath. It was his frequent business visits that helped him explore the various ‘scrap shops’, which added a lot of value to his invaluable assets.

He has a collection of 185 models of reel cameras, 780 mechanical watches, a 100- year-old-dressing table, a tricycle and a toy jeep that belonged to the Nizams, 40 types of kerosene lamps; the list goes on and on.

“I do not just collect them, but use them too. The kerosene lamps come in handy during the power cuts, the tricycle and the toy jeeps have been restored for my four-year-old son Tejal, the wall clocks still tick in all the rooms and I change my watch three times a day to keep them all going!” he explains. Ask him if his wife is supportive about his passion and he jokes, “I think she is forced to support me. She believes – if you can’t beat them, then it’s better to join them.”

His Sundays are spent winding the 780 mechanical watches and he says, “I am a HMT watch collector and since the factory is shut, a bunch of watch collectors have started a club and we meet once in two months.”

Among his camera collection, the reputation for being the oldest one goes to his 1885 Eastman Kodak, which has the first transparent photographic film. Apart from the antique gadgets, he owns a portable coffee mill — Philco coffee grinder.

“Till date, we  use this at our house,” he details. It is his friends and scrap shop owners who have contributed largerly to his interests.

“I have a lot of friends in Hyderabad who  also collects antique stuffs. There was a guy working at the Falaknuma Palace in Hyderabad, which is now run by the Taj, who helped me get the 100-year-old fan. This ceiling fan had once fallen off the roof and it was kept aside for 20 years without any repair. My friend informed me about this and the next morning I was on a train to Hyderabad,” he reminisces.

He visits the scrap shops during lunch breaks to look for more antique objects.
However, he goes back in time and says, “Initially I have lost a lot of money as I could not differentiate between authentic and fake objects. It was a learning experience. Now, I know what to collect from where.”

Some day, he hopes to open a walk-in museum to exhibit his collection to the next generation.

He is hopeful that his son will take forward this passion. The next priced possession he wants to own is the Penny-farthing bicycle, which has a large front wheel and a smaller rare wheel. “I wish I could insure all these collections,” he says as a parting shot.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> Metrolife / by Prajna GR / DHNS – September 28th, 2015

Golden jubilee of St Michael’s Seminary in Belagavi on Friday

Belagavi :

The alma mater of many priests in the diocese of Goa, Karwar and Belagavi — St Michael’s Seminary here will be observing its golden jubilee celebrations on Tuesday.

Located at Macche on the Belgaum-Goa road via Chorla, about 12 kms from city, the seminary is well known amongst the Catholic religious circles across the nation and is hailed as one of the finest seminaries where more than 200 priests including two bishops have passed out.

At the celebrations that will be held at the premises of the seminary, three archbishops and six bishops will be taking part in the holy eucharistic celebrations that will be held at 4pm followed by a programme to commemorate the golden jubilee.

Archbishop of Bengaluru Rev Bernard Moras will be the main celebrant for the mass accompanied by archbishops, bishops and about 500 priests from three states of Karnataka, Goa and Maharashtra will be celebrating the mass.

Rev Fr Joseph Rodrigues and team of priests under the guidance of bishop of Belagavi Rev Dr Peter Machado have made elaborate arrangements for the golden jubilee celebrations.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Hubballi / by Ravindra Uppar, TNN / September 28th, 2015