Category Archives: Arts, Culture & Entertainment

This Karnataka artist makes art ‘come out of its shell’

BhatBF05nov2018

Udupi :

His story in a nutshell: He creates art pieces from coconuts. The ones carved by Venkataramana Bhat are beautiful enough to make a collector’s item. The discovery of art in coconut shells has helped Bhat, who stammered for the first two decades of his life, overcome his struggle with speech.

Bhat has been creating intricate works of art such as Ganesha, Krishna, Jesus Christ, Shakuntala, and Geethopadesha using coconut shells for 45 years now. Today, the house of the 72-year-old artist at Padu Alevoor in Udupi showcases over 140 items made from a material that most people discard as waste. Many of the exhibits are a result of backbreaking work.

‘The only equipment I use is a hacksaw blade. It is strenuous and time-consuming. Some of the sculptures such as that of a Chathurveda Ganapathi took around 11 months for me to finish,” he says. “I would have tried my skills in other materials, but coconut shells made me think about why this material could not be put to good use instead of ending up as waste. I then started experimenting with various methods to make art pieces from coconut shells.”

Bhat found his calling when he wanted to explore some media to express his ideas. In a bid to overcome stammering, he thought of bringing his ideas to people through the sculptures. His complete devotion to the craft paid off. He does not stammer now.

Bhat learnt the art himself. Initially, he didn’t know how to tame the hard shells, and used to soak them in water for some days. “But soon I realized that they do not soften that way. I then started using a hacksaw blade to cut the shells in the precise shape,” says Bhat, a BSc graduate who used to run a small shop in Davangere.

The detailed work in the artefacts does not make it easy for most people to guess the material that has been used to create them. Some even touch the sculptures and ask him if he is indeed telling the truth. Bhat uses good quality adhesive to glue the pieces together, and spends hours on each piece to get the desired finish. He has even taken as much as eight months to create one sculpture. One of the creations that he is especially proud of is a ‘Vyasa Ganapathi’ that he created 40 years back.

Among the several fans of Bhat’s work is Dr B G Acharya, a general practitioner at Mitra Hospital in Udupi who purchased a sculpture from him three years back. ‘‘I got a chance to visit his house and was fascinated by the creations,” he says. “Then I chose ‘Kadegolu Krishna,’ which is one-and-a-half-foot high. We have decorated our house with many other decorative items, but our guests particularly enquire about the coconut shell sculpture.”

Acharya, who bought the statuette for `4,000, purchased another ‘Kadegolu Krishna’ that shows him emerging from a lotus, some months back. “I gave the two-foot-high idol to my son-in-law. He placed it in the pooja room,” he says. “Bhat does not have any motive to make profit, and feels happy if his work is recognised,” Acharya adds.

Bhat procures the coconut shells from people nearby who store them and sell it to him at a reasonable price. He first conceives the sculptures in his mind and then devotes his complete attention to give it the desired contours. Various themes such as animals, scenes from Indian mythology, and the famous Gandhi’s monkeys come alive in the sculptures. Some of them also portray the emotions that he deciphers from works of popular poets of Karnataka, such as Kuvempu.

Bhat’s wife and their four daughters have always supported his skill even though it does not contribute much to the family income. In fact, when Bhat’s ideas do not seem to take off sometimes, and all the pieces fall apart, his wife Vijaya steps in to motivate him.

Giving shape to a sculpture takes a lot of patience. The process starts with selecting the right-sized coconut shell. For instance, large shells are required for making a belly. Bhat matches two big shells and glues them together to get a belly-like form. He carves out the two eyes by using his instruments, and sticks small pieces of shells in the background to make it look as if the eyeballs are real. He then moves on to creating more intricate designs.

Bhat’s creations have been displayed at various art events. Koti Prasad Alva, proprietor of Prasad Art Gallery in Mangaluru, has invited him several times to the art gallery and organised training sessions for children under his mentorship. Alva said that Bhat does not do it for earning money alone. He loves the art and is passionate about his creative talent.

SHOWCASING HIS SKILLS

Bhat has been invited by the department of architecture at Manipal Institute of Technology where he demonstrates his art. He has also showcased his skills at a national sculpture’s camp in Alva’s College, Moodbidri; at Rajangana in Sri Krishna Mutt premises, and at Coconut Development Board in Kochi.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Prakash Samaga / Express News Service / November 04th, 2018

Once migrants, they now call themselves Kannadigas

Students of the government school at Indiragrama include children of migrant sculptors and masons, in Madhugiri taluk of Tumakuru district. | Photo Credit: The Hindu
Students of the government school at Indiragrama include children of migrant sculptors and masons, in Madhugiri taluk of Tumakuru district. | Photo Credit: The Hindu

Sculptors, masons who came from T.N. to Karnataka in the 50s have made Tumakuru their home

In the 1950s, around 40 families of sculptors and stonemasons migrated from a village in Karikudi taluk of Sivaganga district in Tamil Nadu to build the Vidhana Soudha in Bengaluru.

Today, the families have embraced Kannada culture as their own, while calling Indiragrama in Madhugiri taluk of Tumakuru district their home.

After the construction of the Vidhana Soudha, they got the job of building the Kannika Parameshwari temple in Badavanahalli in Madhugiri taluk. So, the Karnataka government allotted Ashraya houses to them and gave them land.

For Rangapura Gram Panchayat member Muthanna, it is indeed home. “My father Mahalingappa came to Bengaluru to help build the Vidhana Soudha. I was born and brought up in the State and now my age is 57,” he said. “We have become Kannadigas.”

Though their mother tongue is Tamil, they are fluent in Kannada. Their children participated in the Rajyotsava celebrations along with their friends in school.

“We sang ‘Naada Geethe’ and other songs on Kannada and Karnataka today,” said P .Pooja, a class 4 student from one of the families.

Pitching in

Teachers at the government school have also done their bit to help the children learn the local language. Headmistress D. Hemalatha, told The Hindu, “We teachers have learnt a little Tamil so that we can communicate better with students from lower classes, and help them learn Kannada properly.”

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by S. Bhuvaneshwari / Tumakuru – November 02nd, 2018

Bengaluru: Dhruva Thare Rajashekar dead

After working as an assistant with noted director Vijay, he made his directorial debut with ‘Dhruva Thare’.

M.S. Rajashekar
M.S. Rajashekar

Bengaluru: 

Sandalwood filmmaker M.S. Rajashekar, who directed popular movies like Dhruva Thare’ starring matinee idol late Dr Rajkumar, Mana Mechida Hudugi, Rathasapthami, Nanjundi Kalyana and more, breathed his last here on Monday evening. He was 75, and is survived by his son Raghavendra.

“Renowned filmmaker Rajashekar M.S., aged 75, suffered from widespread infection and multi-organ failure with acute respiratory distress syndrome secondary to viral pneumonia and has demised at the hospital at 4 pm,” Vikram Hospital said.

After working as an assistant with noted director Vijay, he made his directorial debut with ‘Dhruva Thare’. He went on to direct two of the first three movies of actor Shivarajkumar, for which the actor later came to be known as ‘Hat-Trick Hero’ in the Kannada film industry. Rajashekar, who predominantly worked in the late 80s and 90s, directed Raghavendra Rajkumar in his debut movie ‘Nanjundi Kalyana’, which ran for a record time at the box-office. They again collaborated in ‘Gajapathi Garvabhanga’ and a couple more. He directed over 30 movies.

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Nation> Current Affairs / by Deccan Chronicle / Octtober 30th, 2018

A woman of many words

Rare endeavour: cover of the feminist dictionary.
Rare endeavour: cover of the feminist dictionary.

Scholar compiles feminist dictionary in Kannada

Will a “feminist dictionary” help men and women get a better understanding of contemporary rights movements and shift in laws — the #MeToo campaign and the ruling on Section 377, to name a few — that are changing the fabric of society? Women’s studies scholar H.S. Sreemathi thinks so. She has recently published a dictionary in Kannada that interrogates and scrutinises patriarchy.

It is not a dictionary in its truest sense as it doesn’t just list synonyms, but has notes trying to reconstruct words from a woman’s perspective. The dictionary is a compilation of 444 words and includes seemingly gender-neutral terms like “city” and “technology”. “I show how they are actually male constructs that exclude women, but claim to be inclusive and objective,” she said, citing the example of the word “city” with segregated work and residential spaces.

According to Ms. Sreemathi, a city as we define it, was built from the viewpoint of a man who doesn’t shoulder household responsibilities but expects a woman to do so. “This has made the life of women who straddle both worlds difficult pushing many out of jobs,” she said.

Bettering women’s lives

The dictionary entry for the word “technology” explains how feminists including Simone de Beauvoir thought its advent would help better women’s lives. One of the examples given was contraceptives that would give agency to women. “But who controls this technology?,” Ms. Sreemathi asked.

While there are a handful of feminist dictionaries in English, Ms. Sreemathi’s book, titled Feminist Dictionary, is a rare endeavour in a regional language. A retired professor from Kannada University, Hampi, Ms. Sreemathi was a literature scholar who built the women’s studies department from scratch at the university. “Women’s studies has failed to establish itself as an academic discipline. It also faces a lot of resistance from within the system. There is no adequate reading material for women’s studies, especially in regional languages,” she said. To solve this problem, she first translated feminist classics like Simone de Beauvoir’s Second Sex into Kannada. The feminist dictionary was a step to build terminologies in Kannada, she said.

Early feminist theorists argued that women would achieve independence with education and a job. Today, women — especially in cities — have both, but they still find something lacking. “It is because the entire system — society, education and knowledge systems are male constructs. What feminism strives for is to make social life governed by norms, mores, rules and laws that are inclusive,” she said.

“The backlash against the #MeToo movement shows the man is feeling threatened,” she noted.

Knowing one’s rights

She hopes the dictionary will be a useful tool to women in understanding their rights.

“In women’s studies, academia and activism must complement each other. Academia must learn from the experiences on the ground. Academia will give activism the much needed theoretical framework for activism, without which movements can go off track. These thoughts will help women frame the right questions to the system they are fighting and inform them of what they can expect and how to fight the backlash,” she said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by K.V. Aditya Bharadwaj / Bengaluru – October 22nd, 2018

Chaduranga’s family stumbles upon his self-translated story

Chaduranga and (right) his English translation of his short story Nalku Mola Bhoomi. | Photo Credit: Special Arrangement
Chaduranga and (right) his English translation of his short story Nalku Mola Bhoomi. | Photo Credit: Special Arrangement

The writer died on Vijayadashami two decades ago

Exactly two decades after the death of Subrahamanya Raje Urs — Kannada writer and film-maker better known as Chaduranga — his attempt at translating one of his own plays has been found by his family.

The writer’s son S.N. Vikram Raja Urs recently stumbled upon Four Feet of Land, in his father’s hand, a translation of his short story Nalku Mola Bhoomi from the collection Meenina Hejjepublished in 1958.

‘His only translation’

“This is the only translation of my father, who wrote in Kannada throughout his life. Nalku Mola Bhoomi was one of his own favourite short stories.”

Karnataka : Bengaluru : 16/10/2018 . Hand Writing of Kannada writer ' Chaduranga '. Photo Bhagya Prakash K / THE HINDU | Photo Credit: Bhagya Prakash K
Karnataka : Bengaluru : 16/10/2018 . Hand Writing of Kannada writer ‘ Chaduranga ‘. Photo Bhagya Prakash K / THE HINDU | Photo Credit: Bhagya Prakash K

Chaduranga died on Vijayadashami day. “He died as he was speaking to his friends,” recalled Mr. Urs.

Chaduranga authored four novels, seven collections of short stories, and three plays. His first two novels Sarvamangala and Uyyalehave been made into films. While the first was directed by the author himself, the second was directed by N. Lakshminarayan.

Among his collection of short stories, Mrigaya won the State Sahitya Akademi award for the best short story collection in 1994.

His three plays, Kumara RamaIli Bonu, and Bimba, have been translated into other regional languages and also English.

The English translation of his Vaishaka is being published by the Sahitya Akademi.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Muralidhara Khajane / Bengaluru – October 18th, 2018

Life is looking up for Mudhol hound breeders

Venkappa Navalagi with his favourite Mudhol hound Raju in Lokapur village of Bagalkot district. Special Arrangement
Venkappa Navalagi with his favourite Mudhol hound Raju in Lokapur village of Bagalkot district. Special Arrangement

Most of them are Dalits, who now see a spike in the brand value of their dogs

The Indian Army’s growing interest in Mudhol hounds has pushed up their brand value among animal lovers, and in turn, helped the families of breeders escape the cycle of poverty.

The Remount Veterinary Corps (RVC) of the Army in Meerut has been training Mudhol pups for battle duty and this has increased the demand for the hunting breed from Mudhol and nearby areas of Bagalkot district.

Most of the families of breeders are landless Dalits or tribal families and they have been breeding the hound for generations. The new found interest in the indigenous breed seems to be turning around their fortunes.

Venkappa Navalagi, for instance, has turned prosperous. He earns between ₹5 to ₹7 lakh a year and has built a house for his dogs. His two children are in good schools. “But it was not so always,” he recalls. His father used to hunt rabbits and foxes to feed his children. Neither Venkappa nor his three siblings went to school.

When we were children, I remember bartering a pup for a cup of jowar. After a few years, we sold a couple for ₹10. By the 1990s, we were selling them for ₹800 a pair. Now my pups fetch me ₹10,000 to ₹1 lakh, depending on the bloodline, he said.

The Navalgis have eight dogs and Venkappa’s wife Lakshmi Bai calls them her “children”. A month-old pup sells for ₹10,000 while the adult dog earns up to ₹5,000 for each breeding attempt. A few years ago, Venkappa met with an accident and needed ₹1.5 lakh for a surgery. “Two dogs had 16 pups and helped their father get treatment,’’ says Laksmi Bai.

However, there has been significant government effort behind the spike in prices of the breed. Bidar-based Karnataka Veterinary Animal and Fisheries Sciences University (KVAFSU) started the Canine Research and Information Centre (CRIC) dedicated to the Mudhol hound in Thimmapur village near Mudhol in 2009. survey indicated that there were over 600 families, 90% of them from SC/ST families, that were making a living out of Mudhol breeding in Bagalkot district.

The university used Rs 3 crore of state government funds to set up the centre under the Special Component Plan and Tribal Sub Plan scheme. Of that, Rs 1 crore was used for infrastructure and the rest was set aside as an endowment to pay the salaries of scientists and staff.

The centre trains farmers in intelligent breeding and to avoid crossing between blood relatives or with nondescript breeds. “This ensures that the litter is purebred and fetches the best prices,” says Mahesh Dodmani, director of the centre. The bloodline certificates issued by the centre have ensured good prices for the pups, he said.

The centre’s scientists take breeders to dog shows in many States and help them build a network with kennel clubs, dog enthusiasts, and pet keepers. The CRIC keeps a database of lineage of dogs. It issues purebred certificates to pups bred by farmers and fixes prices for the dogs that can be sold. CRIC’s website and social media handles create awareness about the hound and create a platform for buyers to meet breeders.

“Setting up of CRIC using SCP /TSP funds has been a fruitful exercise. I can confidently say that the centre’s activities have ensured the welfare of Dalit and tribal families and fulfilled the objective of the funds,” said Suresh Honnappagol, Commissioner, Ministry of Animal Husbandry. Dr. Honnappagol started pushing for recognition to the Mudhol hound when he was the KVAFSU Vice-Chancellor. He added that the signals from the Army were positive about possible induction of the Mudhols into the forces. A final decision is yet to be announced, he said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Rishikesh Bahadur Desai / Mudhol – October 20th, 2018

How Kulgod wrested the best village tag

KulgodBF21oct2018

It beat all gram panchayats in the country on development of the Ministry of Rural Development

How did obscure Kulgod, in Belagavi district, beat 3.5 lakh gram panchayats across the country to emerge as the best rural local body under the Antyodaya scheme of the Ministry of Rural Development? The answer is simple: Kulgod was not built in a day. It took the concerted effort of officials, panchayat members and enlightened villagers many years to bring it to this pinnacle of development.

“Thankfully, our village has had good officers, who implemented schemes in earnest,” says Govindappa Koppad, former GP member from Kulgod, who is now a zilla panchayat member. “They are serious about their work and realise that they are answerable to the people. That helped us,’’ adds Basavaraj Hegganayak, Taluk Panchayat executive officer.

Back in 2005, officials conducted the first survey of health and hygiene in the village as party of the total sanitation campaign. The results were surprisingly good. Irrigation facilities had reached 97% of the 3,550 hectares of land reducing poverty levels significantly. Over 70% of the dwellings were pucca houses and there were amenities like banks and health centres. Toilet coverage was at 60% above the district average.

Still, the officials focussed on sanitation, drainage, and piped water supply. Construction of low-cost houses and other infrastructure was taken up in phases.

“Now we have three borewells, a pipeline from the Ghataprabha river, a mini-purification unit and an overhead tank with a capacity of 3 lakh litres,” says Mr. Koppad. Self-Help Groups and their bank linkage was promoted, number of students in anganwadis and schools increased and there were doctors in the village hospitaland veterinary treatment centre.

“What works for us is that this GP has just one village,” says Parashuram S.K, Panchayat Development Officer (PDO), who lives in the village and is available to the people at all times.

Two and a half years ago, when ZP CEO R. Ramachandran took charge, he had a lot on his hands. He had to run a district with over 550 GPs and nearly 2,000 villages and hamlets. He used funds as an incentive for better-performing GPs and implemented new projects in villages that welcomed them. This helped officers achieve nearly 100 per cent LPG utilization and 100 per cent toilet construction. The GP also built two community toilet complexes in areas with houses with not enough space for individual toilets. He organised training for GP secretaries and PDOs in computer usage and office maintenance. “These sessions, along with regular follow up with officers ” “This ensured that our documentation was ahead of other districts,” the CEO says.

Shakuntala Chippalakatti, GP president, says, “Nature has been kind to us. The Ghataprabha flows close by. She supplies our drinking water needs and irrigates our fields. What more can we ask for,” she asks.

Kulgod got 94 out of 100 in an assessment based on 47 parameters, including infrastructure, social, economic and other sectors. In the last few years, the local body in Belagavi district has been included among the panchayats that have won the Gandhi Gram award at the State level.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Rishikesh Bahadur Desai / October 20th, 2018

Rolling the dice of history

A still from a Kreeda ancient games workshop | Photo Credit: Special Arrangement
A still from a Kreeda ancient games workshop | Photo Credit: Special Arrangement

Experience a slice of smart heritage in this ancient games workshop by Kreeda, Nazariya and The Courtyard

The names Chowka Bara, Alaguli Mane, Kattayam Vilayattu, or Kalanay Balaney, may evoke a sense of nostalgia in some, and perhaps curiosity, in others who may not know what these words mean.

Nazariya, Kreeda and The Courtyard’s collaboration in this upcoming workshop will cater to both these segments, through their workshop on these ancient games. Titled ‘Let the sacred games begin’, the workshop is part of Nazariya’s Forgotten Cultures Workshop Series.

“One of the objectives of the workshop is, of course, to have fun and enjoy. The other objective is to introduce, or reintroduce traditional games to people,” says Vinita Sidhartha, founder, Kreeda Games. “There are people who have played them before, but have forgotten them; there are people who have seen them or have heard of them, and there people who haven’t heard about them. Through these games, one can build interactions between them, what is also important is that somewhere along the way, we are in danger of losing our games.”

That is why, she says, the purpose of the workshop is to show why these games are still relevant today.

“Though preserving these ancient games for nostalgia is by itself important, we also need to preserve them because in our daily lives, we can learn from them, imbibe lessons from them. That is the third reason why we do this.”

There is learning at various levels in every single game, for children, teenagers and adults, she adds. As more and more people are exposed to the games, she hopes there is movement to preserve them. “And I have seen this over the last 15 years that I have been working on them.”

The games are also known to offer insights into Indian history, mythology, traditions, architecture and antiquity. “Every game comes with its own learning, it starts from the kind of materials we use to play them; to the thought, psychology, and sociology behind the game; and the associated folk tales. Sometimes it is about the types of material, at other times, it is about where you find these games, the kind of monuments, temples, where these games are found, all these in some way contribute to a better understanding of our own psyche as Indians.”

Additionally, many of these stories come from oral traditions, since the rules were never written down. “When more and more play, they trasmit their knowledge. This is a fantastic way of bridging generational gaps, and building relationships.” The workshop will take place at The Courtyard, 105, KH Road, on October 13, from 11 am to 1 pm. For details, call 7338677996.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Harshini Vakkalanta / October 11th, 2018

Now, dine in the sky 180 feet above Bengaluru

So you have tried costumed dining, blind dining and blood-and-guts dining. Next, you can book a table for sky dining.

Bengaluru  :

So you have tried costumed dining, blind dining and blood-and-guts dining. Next, you can book a table for sky dining. Bengaluru-based ‘Sky Lounge’ offers to lift you, your table and your dinner companions up in the air for an hour-long meal. A crane will lift you 180 ft above Nagawara Lake, and the meal will begin. Serving staff will also be with you.

The concept, which is present in more than 45 countries, is operational in India for the first time. The sky dining experience is located at Nagawara next to Manyata Tech Park in Hebbal and has been operational from the last two days. Fly-dining, according to the owners, has been experienced by more than 150 people in just three days.

On Saturday, the first weekend after the launch, a Bengaluru-based youngster got lucky when he proposed to his girlfriend 180 ft above the ground. “He was extremely happy and said the couple had the best experience of their life. The girl was thrilled about the very idea of being proposed at such a height with a beautiful view,” said Avinash J, managing partner of Sky Lounge.

Kishan Kalavadia, director, Sky Lounge, said, “We chose Bengaluru to be our destination as we know people here are ready for an adventure with good food. It is more of an adventurous experience.”Fly-dining is a structure supported by a crane, which can accommodate 22 people around the table and four staff at the centre. “As of now, we have only started the mocktail and dinner options. The mocktail session, which is for half-an-hour, starts from 5 pm while dinner commences at 7 pm and will be for one hour. Limited supply of alcohol, only foreign brands, will be provided for extra charge,” said Kalavadia.

Explaining that there are strict guidelines which need to be followed, Avinash said the primary rule is that the visitor should not weigh more than 150 kg. While children below the age of 13 will not be allowed, the minimum height required is 145 cm. Customers are not allowed to take bags on board, but phones are permitted. If something does get dropped, there’s a “safety” area below.

“Not only is the table supported by 16 huge metal ropes (and just one of them can hold it up on its own), but it is designed and tested by the global provider of technical, safety and certification services TÜV Rheinland. It boasts of a 100% safety record, and you are harnessed and strapped in,” he said.

The diners are expected to pre-book and reach the venue 15 minutes before the dinner as they will be shown a pre-recorded video about the experience and also explained about the brief history of the company. “Just a quick word to a crew member about any kind of emergency will bring you down in five minutes. A health professional is also part of the crew,” Avinash added.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Chetana Belagere, Express News Service / October 14th, 2018

State award for Rajeev Taranath

Sarod maestro Pandit Rajeev Taranath has been chosen for the 2018 ‘Rajya Sangeetha Vidwan Gourava Prashasthi’, given to eminent musicians by the State government.

The selection committee, headed by M. Venkateshkumar, Dharwad, selected Pt. Rajeev Taranath, said an official release.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / by Staff Reporter / Bengaluru – October 09th, 2018