Category Archives: Arts, Culture & Entertainment

New imaging technology to the aid of manuscripts

Professor P.R. Mukund and MegaVision president Ken Boydston with the multispectral imaging.
Professor P.R. Mukund and MegaVision president Ken Boydston with the multispectral imaging.

It is currently being used on rare texts in Udupi’s Ashta Mutts

Thousands of manuscripts scattered across India — many lying in neglect or threatened by the exposure to vagaries of nature — are facing threats of destruction. To preserve them, a Bengaluru-based not-for-profit organisation has procured a highly advanced multispectral imaging technology to capture their images. The technology is currently being used on rare texts in the Ashta Mutts of Udupi.

What is special about multispectral imaging is that it can capture texts in manuscripts that are affected by pests, fungus, over written, scribbled, blackened or scraped and cannot be seen with bare eyes. It uses infrared rays and ultraviolet rays to retrieve texts.

Its importance

“Mapping of knowledge is important in the current context. People are not bothered about these manuscripts because they do not see a direct relation with them and understand the importance of the stuff in it,” says P.R. Mukund, professor, Electrical Engineering, at Rochester Institute of Technology and founder of Bengaluru-based Tara Prakashana. “We have brought the technology for the first time in the country and the services would be offered for free. Our aim is to preserve the important written scripts in the country for posterity,” he said.

Tara Prakashana has acquired the imaging system from the U.S.-based MegaVision, a leading digital imaging company, that has worked in similar projects across the world and MegaVision president Ken Boydston has been training people in handling the multispectral imager over the last week.

Prof. Mukund’s interest in developing technology that would help conserve the knowledge for posterity started more than a decade ago when his guru Bannanje Govindacharya sought his help in conserving the 800-year-old Sarvamoola Grantha, authored by Saint Madhvacharya. The text is in the possession of Palimar Mutt and was found to be in bad shape in 2006.

“At that time, I did not have any idea about processing of manuscripts. Help came from a fellow professor from the imaging department at Rochester,” said Prof. Mukund. Since then, more than 3,000 rare manuscript bundles have been digitised, a small part of which has now been published into 500 archival books and nearly 1,000 more archival books will be ready shortly. Currently, ancient texts belonging the lineage of Saint Madhvacharya that are in the possession of the Ashta Mutts in Udupi are being digitised using the technology.

For Mr. Boydston, his association with the project comes from his love to protect ancient works, though he says cultural imaging is still not profitable. “I get to meet people who really know stuff. Even if no money is being paid, there is a lot of stuff to do. Objects [antiquities] have great value. Experts know historical contents and to be in the project is a great honour,” he said.

“We want to make the imaging complete and accurate following which several bundles of copies can be generated to preserve the knowledge for future generation,” said Mr. Boydston.

The next stage

The conservation efforts does not stop at capturing the images of manuscripts. While creation of e-library of manuscripts for the scholars to retrieve and research is currently under way, Tara Prakashana has published about 500 books of manuscripts.

“We have used the acid-free cotton archival paper for publishing these manuscripts. These special papers can last another couple of hundreds of years,” said Prof. Mukund.

To enhance the time span of the texts captured in images, a patented technology developed by Prof. Mukund called the wafer fiche, is being used. Using photo lithography technology, the images are imprinted on silicon wafers. “These copies can last for thousands of years,” he said.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Sharath S. Srivatsa / Bengaluru – February 17th, 2019

Biggest ever’ Aero India opens with tribute to deceased pilot

12th edition brings back civil aviation, ‘India as global runway of opportunities’

Karnataka CM HD Kumaraswamy, Defence Minister Nirmala Sitharaman and Minister of Commerce and Industry and Civil Aviation Suresh Prabhu at the launch of Aero India Show 2019, Bengaluru, February 20, 2019   | Photo Credit: K. Bhagya Praksh
Karnataka CM HD Kumaraswamy, Defence Minister Nirmala Sitharaman and Minister of Commerce and Industry and Civil Aviation Suresh Prabhu at the launch of Aero India Show 2019, Bengaluru, February 20, 2019 | Photo Credit: K. Bhagya Praksh

Defence Minister Nirmala Sitharaman rolled out a red carpet of opportunities in local defence and aerospace manufacturing to global investors as she launched Aero India 2019 here on Wednesday.

As the 12th edition of the biennial international military and civil expo and air show opened at the Air Force Station Yelahanka, the gathering and airmen showered tributes to Wing Commander Sahil Gandhi, who was killed during a rehearsal on Tuesday.

“Aero India 2019 endeavours to put India as the global runway of a billion opportunities,” Ms. Sitharaman told a gathering of a few thousand invitees. Ministers, heads of global defence aerospace companies, corporate and government policymakers, military brass, entrepreneurs, delegates and exhibitors from across the world were at the event.

The chiefs of the three Armed Forces — Air Chief Marshal B.S. Dhanoa, Admiral Sunil Lanba and General Bipin Rawat — were in attendance at the show organised by the Ministry of Defence.

Minister of State for Defence Dr. Subhash Bhamre, Union Ministers D.V. Sadananda Gowda and Suresh Prabhu, Defence Secretary Sanjay Mitra, Secretary-Defence Production Dr. Ajay Kumar and Defence Research and Development Organisation (DRDO) Chairman Dr. G. Satheesh Reddy were at the event.

Chief Minister H.D. Kumaraswamy highlighted Bengaluru’s establishment of itself as the country’s capital in design, research and production in aerospace and defence.

After many years, the edition brings civil aviation back to a largely military show. The Ministry said it was the biggest so far, with 403 exhibitors and 61 aircraft in static or flying displays.

‘Missing man’

Three IAF fighter jets and a Rafale aircraft paid an aerial tribute to Wing Commander Sahil Gandhi, who was killed in a midair mishap during a rehearsal on Tuesday. The Indian jets Tejas, Sukhoi Su-30MKI and Jaguar flew past in a formation called Missing Man. The pilot of a French Rafale fighter in a flying demonstration made a sombre flypast for the killed airman.

Light Combat Aircraft (LCA) did a jaw dropping vertical climb called the Charlie in memory of the late Atal Behari Vajpayee.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Madhumathi D.S / Bengaluru – February 20th, 2019

Latha Puttanna on her wearable gardens

LathaPuttanna01BF19feb2019

Bengaluru-based designer Latha Puttanna’s summer collection, Bougainvillea, is light, bright and airy

With 27 years of design experience and revival work, Latha Puttanna has often been described as the Design Queen. Known for constantly re-inventing both the sari and blouse, Latha’s work reveals a fine instinct for design doctrine.

“Look at this,” she says pointing to the wall of Srishti, her factory, studio and store at Siddapura. The re-purposed family bungalow has several photos of the women of her family dressed in traditional saris. “I look to these time-honoured saris for inspiration and re-invent their prints and weaves for a present day resonance.”

Latha is passionate about the traditional textile, and aggrieved that a good many crafts are near extinction. “My mission is to revive them all with my designs.”

The collection, Yashoda, which Lata named after her mother, uses six vivid hues in rare combinations for functional saris, salwars, and has taken a cue from the South Indian langa for design and silhouettes. “The flowing, lightweight fabrics use texture-rich weaves on crepe, tissue, Georgette and pure silk yarn. Even if these photos are black-and-white, you can see the colours bursting out.”

In her spring-summer 2019 collection, Bougainvillea, Latha, will also showcase her recently-introduced line of blouses. “There was a demand and I created an equal number of blouses to go with saris, skirts, parallels, trousers and salwars. I decided to create this line with design elements from my work over the past 25 years.”

Latha’s blouses feature kalamkari, ajrakh, bandini, appliqué and aari work on Chettinad cotton, tissue and knit fabric, mix-and-match with embroidery and Orissa weaves. “As I swam through the ocean of fashion and design, I perfected the aari technique. So there is also thread, gold and silver work in this collection,” she says.

LathaPuttanna02BF19feb2019

On what else she has for the hot days ahead Latha says, “The sari does not cease to interest me. I am always in awe of this beautiful outfit with endless possibilities. This is not available anywhere in the world. We should celebrate our sari? We are an end-to-end design house with skilled weavers, artisans and craftspersons from all regions of the country.”

Bougainvillea brings in range of kurtas and tunics in hand-woven mulmul cotton, linen, and pure silk Georgette. They are all done up with bright hand embroidery, not to miss the gold and silver zari-beaten work. “Designed for the hot season, these can be paired with crop-pants and organza dupattas. Bougainvillea also has a collection of tops, shirts, dresses, and pants,” she says.

Speaking of the name of the collection Latha says, “As the name suggests, it is evocative of the freshness of seasonal blooms in the city.

The intricate floral prints or embroidery all sit snugly on hand-woven textiles that I source from my weavers in Kannur, Kerala. Chiffons, silks and Georgettes are used for their lightness and vibrancy.”

The collection has traditional wear, made from natural dyes. “The soft silk saris with table dye in contrast colours are paired with blouses featuring bell-sleeves for a retro-70’s look. A range of light and breezy Ajrak saris are paired with embroidered blouses, while soft silks in striking hues embellished with block dyes are paired with Orissa Ikkat blouses.

“Some of my prints have been digitally transferred on to the fabric from hand-drawn designs.”

The Bougainvillea collection will be showcased on February 19 and 20 at Raintree

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Fashion / by Ranjani Govind / February 18th, 2019

Community radio: making waves in Karnataka’s countryside

Shamantha and Sunil at Sarathi Jalak, all set to go on air. Sudhakara Jain
Shamantha and Sunil at Sarathi Jalak, all set to go on air. Sudhakara Jain

Sarathi Jhalak, a radio station in rural Karnataka run almost exclusively by women, takes on everything from menstruation to lake pollution

The only thing that sets apart the nondescript building from other houses in Anungondanahalli village in Karnataka’s Hoskote district is a board announcing the radio station. RJ Sunil has been waiting for us and shows us around.

The living area is bare save for a big board on the wall; the kitchen has a medium-sized, all-important transmitter; and the bedroom serves as the radio station. There is a wooden door with a glass window through which I can see the RJ. On top of a large table that occupies most of the room are the mixer and microphones. Sensible shelving against a wall has a small portable radio on it.

This is Sarathi Jhalak, a community radio station, run almost exclusively by women and one that has forged a vital connect with its largely rural audience, hosting programmes on everything from menstruation and lake pollution to alcoholism and finance.

“Even before Mann Ki Baat, we had Manadallada Matu (Talk of the heart),” chortles Shamantha D.S., the journalist who started the station in 2012. It reaches some 100 villages within a 30 km radius. This particular show, which aired at night “had so many female listeners,” says Shamantha; “they would call and speak about all their issues.”

Sunil sits behind the desk. The journalism graduate tells us that he barely spoke for the first three months that he worked here. “I was so scared.” It’s hard to tell, looking at him run the station with confidence now.

RJ Nagamani joins us and prepares for the afternoon show. Nagamani has studied till Class X, but says her work with Sarathi has made her “ articulate and knowledgeable.”

Friendly neighbourhood

Sunil decides to interview our photographer. He puts on his headphones and after a silent countdown with his fingers Sarathi Jhalak goes on air.

As they chat, a farmer drops in with his son and sits down with me outside the studio. “I want my son to do better than me,” the farmer says, “I work in the hot sun for ₹400 a week. Maybe Sunil can get him a job.” I am told that another farmer had walked in the other day to complain about a government hospital doctor who had wanted money for treatment. Parents bring their children to the station so the RJs can give them a pep talk.

Shamantha has trained Sunil and the three women RJs to speak simply and from their heart. “Instead of using clichéd phrases like ‘mahila dourjanya’ or sexual harassment of women, I tell the RJs to use a story that highlights it. That way people will listen.”

Nagamani tells me about a programme she did with girls from a nearby high school. They discussed menstruation and the disposal of sanitary pads. When there were reports from another part of the country of children falling sick from their midday meals, the RJs urged parents to check if the vegetables and vessels were being washed well. The women RJs are looked upon as friends by the villagers.

Speaking out

Some like Kala, (who has now quit for other opportunities), became minor celebrities. Nagamani’s children’s friends and their parents hold her in high regard. “My husband is very proud of what I do,” she says.

Shamantha recalls the time she had first come to the region with a group of journalists to conduct a media literacy programme nearly 15 years ago. Almost every woman was illiterate here. “I would tell them to listen to the radio while doing the housework.” After thorough background checks by at least seven different government departments, Sarathi Jhalak got its licence in 2012 and a funding of ₹5 lakh from the government. Hoskote was the obvious choice of location because Shamantha had worked there earlier. Around the same time the Women and Children’s Department of Anugondanahalli wrote asking her to start educational programmes for women. “It became easy for me,” says Shamatha.

Cost factor

But there have been hurdles too. For one, recurring expenses are high. The radio station has been approaching nearby schools and colleges to advertise with them. Though community radio is for and by the people, Shamantha believes that it is not fair for the government to expect RJs to work without pay. Her family pays Sunil ₹15,000 while Nagamani gets a token ₹3,000 a month. The station is always cash-strapped and requires at least ₹2 lakh a month to run. “We could then hire technical support, more RJs with better pay, better equipment, and document our popular programmes.” Encouraging stations like Sarathi Jhalak makes sense at the grassroots level.

As Shamantha says, “A community radio station like ours is not an alternative medium, it is a powerful one.”

The freelance writer believes that everything has a story waiting to be told.

source: http://www.thehindu.com / The Hindu / Home> Society / by Jayanthi Madhukar / February 16th, 2019

Take a walk to discover ‘hidden gems’ of Malleswaram

The guided walk in Malleswaram will be held on February 24 and will be led by Sujatha Balakrishnan, a history teacher, counsellor and theatre actor.

Participants at a previously held walk
Participants at a previously held walk

Bengaluru :

Built as an alternative to the old Mysuru region, Malleswaram, formed in 1889, is awash with history and has since then shaped into a hub of vibrant industrial economy. It has a number of superior academic institutions; restaurants that provide gastronomic delights; resplendent  temples; and a thriving flower market. Another famous part of Bengaluru, the Kempegowda fort and the surrounding ‘Pete’ also have fascinating tales to tell visitors. Both these areas will be showcased through guided walks to be held as part of the ongoing India Heritage Walk Festival.

History buffs can visit the Venugopalaswamy and Kadu Malleshwara temples
History buffs can visit the
Venugopalaswamy and Kadu
Malleshwara temples

The guided walk in Malleswaram will be held on February 24 and will be led by Sujatha Balakrishnan, a history teacher, counsellor and theatre actor. “Participants can stroll across the Sampige and Margosa Roads and visit the 8th Cross Shopping Street. They will also visit the Venugopalaswamy and KaduMalleshwara temples, and experience the delights of the Malleshwaram fruit and vegetable market,” the organisers, Sahapedia, said.

On February 17, participants of the other heritage walk will be taken through the various ‘petes’ or areas which came up around the Kempegowda Fort in the city market area.

Participants will visit the  Yelahanka Gate, Anjaneyaswamy, Maramma and Ranganathaswamy temples, rice Memorial Hall and Mohan Building.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / February 14th, 2019

Sahitya Academy awards 2018 announced

The Academy also announced book awards for 19 writers

The Karnataka Sahitya Academy on Thursday announced special awards for 2018 to five writers B.A. Vivek Rai, H.S. Venkateshmurthy, Deshamsha Hudagi, Saisuthe and A.K. Hamppanna — for their contribution to Kannada literature.

It has also chosen 10 writers for Sahityasri Award 2018. The winners are: K.C. Shivappa, Purushotham Bilimale, C.P. Siddashrama, Parvathi G. Ithal, G. Krishnappa, Satish Kulkarni, Rangaraja Vanadurga, Abdul G. Basheer, Gangaram Chandala and H.L. Pushpa.

While the writers will be presented a cash prize of ₹50,000 each, a citation and a certificate, the Sahityasri award winners would be given ₹25,000 each, a citation and a certificate.

According to a release, they were chosen at a meeting chaired by Academy Chairman Aravind Malagatti. The Academy also announced book awards for 19 writers for books published during 2017.

The book award winners are Chandrashekar Talya, Renuka Ramananda, Guruprasad Kaginele, Nagaraja Ramaswamy Vasthare, Basavaraja Sabarada, Prajna Mathihalli, Indira Heggade, Amrutha Rakshadi, H. Shashikala, F.T. Hallikeri, Sharada V. Murthy, Somashekar B.S., H.T. Pothe, J.M. Nagaiah, R. Sheshashastri, Gopala Mahamuni, Vinaya Okkunda, P.V. Nanjaraj Urs, and Mangala C.

The book award winners will be given a cash prize of ₹25,000 each and a certificate, the release stated.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Staff Reporter / February 07th, 2019

Bengaluru couple opens up home and heart for young girl

The massive engine whirrs beneath your body, wind strikes your face and your hair whips around you.

Meeta and Amit Walavalkar applied for adoption in 2016
Meeta and Amit Walavalkar applied for adoption in 2016

The massive engine whirrs beneath your body, wind strikes your face and your hair whips around you. Every action has an immediate consequence when riding, according to Meeta Walavalkar, whose life motto is to live in the moment. However, the 40-year-old mother of three has not gone riding in the last 45 days.

On December 17, 2018, Meeta, her husband Amit, and their two sons welcomed their three-year-old daughter, Shambhavi, into their home. “My husband and I were so busy with all the paperwork at the time that we did not actually take in the fact that one of the ten children inside was going to be our daughter. We were more concerned about how she would react to coming home or if she would have any language barriers,” said the owner of Soul Bakery, which supplies organic food to Chennai and Bengaluru.

However, she said her two sons, Ved and Darsh, were inside, spending time with their new sister. Shambhavi, who came to Bengaluru from Chattisgarh. Now, she’s seen her 13-year-old and 10-year-old sons become protective of their sister.

In March 2016, after attending an inner engineering workshop with Sadhguru, the Bengaluru-based NGO consultant and her husband came away feeling lighter – spiritually and mentally. Meeta told her husband that she wanted to adopt a girl child, and Amit was onboard. After some discussion with her family, they applied for a girl child through the Central Adoption Resource Authority system, and two-and-a-half years later, they brought their daughter home.

Her name, Shambhavi, is the energy form consecrated in Sadhguru’s ashram in Coimbatore, said Meeta, who is a follower who can perform pujas. The day before Shambhavi came home, Meeta reminded her sons to express any concerns without fear of judgment.

The three-year-old loves school, and wakes up every day excited to learn. “She comes home before they boys do, and asks when her bhaiyas will come home. Before, the boys would come home, eat something, and go out to play. Now, they spend some time with their little sister before going,” said Meeta.

Coming from a family with many male children – Meeta’s father had two brothers, as did Amit’s father, and she has two sons – Meeta has found little changes in her parenting. “With the boys, if they fall and hurt themselves, I just have to put a little dettol and send them off. I’m not used to mollycoddling my children, but Shambhavi wants to be held and cuddled if she falls,” said Meeta.

There was some hesitancy from her and Amit’s parents initially. Meeta had a bustling daily schedule, and caring for a child would take up a lot of time. When the topic was broached to her parents, Meeta’s father was averse to the concept. “Now, he videocalls every other day to see her. You know the Queen song Bohemian Rhapsody? She calls out to him the same way they sing ‘Mama…’ in the song. So she’ll go, ‘Ajuba…’ and call out for him,” said Meeta.

Shabhavi has a high emotional intellect for a child her age, said Meeta. “The other day, my father called, and he had hurt his hand. He showed it to her, and she was very affected by it. She came into our room crying, saying that her Ajuba was hurt,” said Meeta. Another trigger for Shambhavi was when her plate was taken away from her, as in the funds-strapped orphanage she grew up in, that was a sign of having no food.

Meeta and her husband know that eventually, Shambhavi will want to meet her parents. “All I hope is that the process goes as smoothly as possible, for her. We will be there with her, of course,” said Meeta.
It’s too soon to plan for the future, she said. Meeta is not one to live in anything but the present, but for one instance – “When we ride, I take the youngest and Amit takes the older one. Now with Shambhavi, we need to figure out a way to take all of them when we go riding next.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Rochana Mohan / Express News Service / February 04th, 2019

BMTC driver, conductor get Good Samaritan award for saving constable’s life

The duo were felicitated with the ‘Good Samaritan Award’ by HOSMAT Hospital on Saturday. This is the second such appreciation the duo has received and they are very happy.

PolicemenBF03feb2019

Bengaluru :

Little did Gangadhar (29), a BMTC driver, and Srinivas, a conductor, think that their Good Samaritan act of saving a constable’s life will bring them so much appreciation and calls from people across the state.

The duo were felicitated with the ‘Good Samaritan Award’ by HOSMAT Hospital on Saturday. This is the second such appreciation the duo has received and they are very happy.

“From an auto driver who wanted to write our names on the back of his auto to our MD of BMTC, we have been appreciated,” said Gangadhar, who has been a driver with BMTC since the past six years, and a native of Hassan.

Recalling the day, Gangadhar said, “On December 29, around 8pm, after finishing our duty, we (he and the conductor) were heading towards Nelamangala from Yelahanka when we saw a crowd of people. I stopped the vehicle thinking people were waiting for a bus but then I noticed a severely injured man in a pool of blood. There were severe injuries on his head and over 50 onlookers were standing there taking videos.”

He continued, “We immediately shifted the victim into the bus and went to the hospital.”

HOSMAT Hospital’s chairman and chief of Orthapaedics, Dr Thomas Chandy who presented the awards to the duo, appreciated them for their courage and kindness.

“It is rare that we find such people. HOSMAT sees at least 25 to 30 accident cases every day and we come across at least 20 per cent of people who would have died due to people not risking to bring them to the hospital on time. Such compassion is needed,” he said.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / February 03rd, 2019

Students tracing origins of the city come up with book

A visual spectacle unfolds at Sampangiramnagar Kalyani (tank) in the last week of Karthik Masa when devotees light lamps. Bengaluru was considered a holy place, as it had many temples and kalyanis (tanks).   | Photo Credit: K_MURALI_KUMAR
A visual spectacle unfolds at Sampangiramnagar Kalyani (tank) in the last week of Karthik Masa when devotees light lamps. Bengaluru was considered a holy place, as it had many temples and kalyanis (tanks). | Photo Credit: K_MURALI_KUMAR

A group of heritage enthusiasts attempt to look at the pre-Kempe Gowda era and how the region might have been

What was the ‘IT capital’ and ‘garden city’ like before it became one of the fastest growing cities in the country?

The Revival Heritage Hub, a city-based group of heritage enthusiasts, most of whom are students, will be releasing a book on Bengaluru in February. Titled ‘Kalyanapuri Bhudrushya’, the book in Kannada will trace the origins of the city pre-Kempe Gowda.

“We chose to keep Kalyanapuri as the title of the book because according to legends, it was the city’s old name. It is believed that after the 12th century Veerashaiva revolution in Kalyana, Kodikal became the second Kalyana. Later, this was shifted to south Karnataka to a place called Gumbalapura, located near Hosur in Tamil Nadu. Soon after this, Shiva Sharanas shifted to Bengaluru, and this place was called as the 4th Kalyana. Bengaluru was considered a holy place, as it had many temples and tanks (kalyanis). It is believed the name Kalyanapuri might have been derived from the word kalyani. ‘Kalyanapuri’ is also mentioned in the Karagpurana of Bengaluru Karaga. The name is also documented in a 19th century inscription found in a temple in Nagarpet,” said Rajeev Nrupathunga, a history lecturer, who started the group along with his students.

The book will give glimpses of the ‘pete’ area and its surroundings. “We have tried to trace and research local gymnasiums (garadimane), bhajan mandalis, temples, waterbodies, and major festivals. The book will also comprise old photographs and community stories, apart from history,” he said.

Manteswamy Mahakavya

The Revival Heritage Hub will also be releasing a documentary on Manteswamy Mahakavya, one of the most celebrated oral folklore figures of Karnataka, in February to showcase its richness and cultural importance.

“Manteswamy was a Veerashaiva saint, who is believed to have lived during the 15th century. He was a revolutionary figure who fought against caste-based division in society. There are many stories about him. Some see him as a man who performed miracles and fought demons and evil forces. There are stories of him uplifting communities such as the Kumbaras by breaking the monopoly of the blacksmith community over use of iron, which was essential for making agricultural tools. There are also stories that speak of connections between Manteswamy and Adi Yaduraya, the founder of the kingdom of Mysuru. We want to present these various facets on this saint’s life to the people,” said Mr. Nrupathunga.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Staff Reporter / January 27th, 2019

This Lightning-Fast Mangaluru Artist Is Asia’s 1st Speed Painter, Finishes Painting In 3 Minutes

Painting is seen as one of most niche forms of art, but speed painting is a rare skill where an artefact is painted at a breathtaking pace. 35-year-old Vilas Nayak from Mangaluru is being hailed as Asia’s first speed painter who paints on stage in just 3 minutes.

Vilas is unique and so is his art. He had started painting when he was just 3. He began speed painting 2004.

Vilas Nayak
Vilas Nayak

“There was a point when I failed (in academics) and was not so confident. But when I concentrated on painting and fine arts my confidence and dedication started reflecting in academics as well. I was a rank holder in college,” smiles Vilas. “Parents often tell their children not to focus on anything else but concentrate on studies — I don’t believe in that personally. I feel your passion for anything helps you grow in every aspect,” Vilas told The New India Express..

Making your passion your profession is quite a decision as it brings many concerns including the financial ones and Vilas thinks one should always do it if he has a comfortable fall back option.

“I earn an average of one to two lakh rupees per show in India. If it’s outside the country I charge more. I do charity events for free though. When you follow your passion and work 24/7, you do have advantages too. Whatever I have earned in the last eight years, I wouldn’t have been able to earn the same at my corporate job,” he said.

Vilas had heard from someone about an artist who did the speed painting on stage 40 years ago and it triggered the hidden passion within Vilas.

“I followed it up with research over the internet and YouTube and I was inspired by Denny Dent, a US painter. I started with a small piece of paper, then moved to a bigger canvas. Facing the crowd was the biggest challenge as I grew up being an introvert kid. However, the confidence painting gives me is unexplainable,” he recalls.

He started it in 2004 and his first-speed paint took 15 minutes to get completed. But gradually, he bought his time in between three to six minutes to complete a painting.

Before he decided to breathe the art he loves every moment, Vilas was working as an HR executive in Bengaluru. He worked there for six years before quitting his job in 2011 to pursue his passion. “In 2010, I performed at a regional reality show in Karnataka, then waited one year to take part in India’s Got Talent in 2011. I was still working for IBM at that time. After the show, I waited for six more months before I finally quit my job. I wanted to see how it goes before I took such a massive step and start speed-painting full-time,” says Vilas.

Vilas was the finalist of the third season of India’s Got Talent and also the winner of ‘EC live quotient Most Innovative Act Award’ 2012 and he currently one of the known speed painting artists in the world.  “After eight years of performing as a speed painter professionally, now the challenge is to come up with different themes and paintings for each show in a very short span of time. I am almost always travelling. It gives me extremely less time to ponder and come up with something unique every time,” he says, adding, “Every show is different too. What I paint at a college show it would not be the same as what it would be at a corporate event or a fundraiser. There’s a different crowd each time, they have separate vibes and that needs to be kept in mind while painting.”

For the budding artists and people who want to follow their passion, Vilas advised, “Take risks but calculated ones. You can’t just quit your job with no backup plan when you wish to do something ambitious. Follow your heart but use your brain too in the process. At the end of the day, you have to come back home and eat something to fill your stomach,” says Vilas. “I have seen a lot of aspiring artists just take to it because they have interest. One must have the right aptitude for it too. Thus, spend more time with yourself because that’s how you know what you are actually good at.”

source: http://www.indiatimes.com / IndiaTimes / Home> News> India / by Maninder Dabas / January 25th, 2019