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D. L. Narasimhachar: The Epitome Of Scholarship

Narasimchar01BF06mar2019

He was an ace linguist, grammarian, lexicographer, editor of numerous volumes, epigraphist and literary critic. He roughly churned out 80 research articles in 40 years in both Kannada and English. Always seen in a close collared coat and dhoti, he was humility personified. The Government of Mysore conferred on him the Kannada Rajyotsava Award. And in recognition of his Lifetime contribution to the world of Kannada Studies, the University of Mysore bestowed on him an Honorary D. Litt in 1969. He is D. L. Narasimhachar, the epitome of scholarship.

By Dr. S. N. Bhagirath

Doddabele Lakshmi Narasimhachar was born on 27th October 1906 in Chikkanayakanahalli, Tumkur district. His father Shamayya Iyengar was a clerk in the Sub-Registrar’s Office. His mother Lakshmamma was daughter of Annaswamy Iyengar, known for his rendition of Mahabharata (Bharathavachana). D.L. Narasimhachar (DLN) spent most of his childhood at Annaswamy Iyengar’s house and he had mastered “Jaimini Bharatha” by the age of 12 ! His family had migrated from Salem during the Vijayanagar Empire’s reign.

Narasimhachar had his schooling at Pavagada, then at Madhugiri and Sira. He learnt Sanskrit through private tuition. While in school, he was an avid contributor to the school magazine “School Folk” which was started by Principal Krishnaswamy Iyer. His earliest articles were an English article titled “The Story of a Cotton Seed” and a Kannada article titled “Dodda Manushyaru Yaaru?” In his school years, he had read works of Raghuvamsa and Champunarayana. During these school years, B.M. Srikantaiah once paid a visit to DLN’s school and took a class on “Stories from Aeneid.” This class captured DLN’s attention and fostered an ardent devotion to B.M. Srikantaiah under whose aegis he would later complete his Master’s qualification.

Narasimhachar joined Central College, Bangalore, in 1927 for his Bachelor’s Degree. His chosen subjects here were Chemistry and Physics. As he scored high marks in Kannada, he joined MA Course (in Kannada) at Maharaja’s College, Mysore. Here, his classmates included K.V. Puttappa, K.V. Raghavachar, Anantarangachar and K. Venkataramappa. While at Maharaja’s College, he came under the tutelage of B.M. Srikantaiah, Rallapalli Anatha Krishna Sharma, C.R. Narasimha Sastry, T. S. Venkanayya and A.R. Krishna Shastry. During his free time, he would frequent Oriental Research Library to peruse old Kannada manuscripts. Narasimhachar completed his MA in 1929 and was awarded the H. V. Nanjundaiah Gold Medal.

DLN was among the first to secure a research grant set aside for the Kannada Department. The Research topic was on the period during which Veerashaiva Literature developed in Karnataka. His first job was as a resident lecturer at Oriental Research Library. Concurrently, he was taken in as a part-time lecturer at Maharaja’s College Kannada Department.

DLN married Muthamma, last daughter of Tiruvallur Sreenivasa Raghavachar, who was himself a great Kannada Scholar. Raghavachar’s residence was a treasure house of rare Kannada books. Narasimhachar utilised this veritable library and penned “Pampa Ramayana Sangraha.” The couple’s first issue was a daughter by name Rajalakshmi. Their second child, a boy, died early in his childhood and this was a great loss to the parents. They would have four more children — Prabha, Padmini, Jayashree and Madhavi.

DLN is famously believed to have dissuaded his first daughter from pursuing Kannada Studies for BA degree. He felt that if she happened to secure a first rank in BA degree, then the gossiping tongues would blame him for favouritism and nepotism !

DLN had a penchant for ‘snuff’, something he picked up from his close friend Kuvempu. Interestingly, Kuvempu is believed to have later given up the habit, whereas his friend continued it till his later years.

D.L. Narasimhachar (standing second from right); T.S. Venkanayya (sitting second from left), B.M. Srikantaiah (sitting third from left) and G. Venkatasubbaiah (squatting on floor – extreme right). Others’ name not known. (File photo)
D.L. Narasimhachar (standing second from right); T.S. Venkanayya (sitting second from left), B.M. Srikantaiah (sitting third from left) and G. Venkatasubbaiah (squatting on floor – extreme right). Others’ name not known. (File photo)

Narasimhachar was appointed full-time lecturer in Kannada in 1932 at Maharaja’s College. He remained here for the next seven years and was deputed to the Intermediate College in Mysore (present day Yuvaraja College) from 1939 to 1941. His promotion to the post of Assistant Professor saw him being transferred to Bangalore Central College in 1945. By 1948, he was promoted and consequently transferred back to Maharaja’s College, Mysore.

In 1954, he was appointed Chief Editor of the ‘Kannada-Kannada’ Dictionary Project — a role which required him to again relocate back to Bangalore! Two years hence, by 1956, he was promoted to the post of Professor and came back to Maharaja’s College where he would teach for the next six years before retiring in 1962. His teaching tenure spanning thirty years from 1932 – 1962 was divided almost equally between Mysore and Bangalore.

Following his retirement in 1962, he was appointed UGC Research Fellow for the next six years at the University of Mysore — Department of Kannada Studies. On the demise of T.N. Srikantaiah, he took over the position of Chair of ‘Kannada-Kannada’ Dictionary Project. He eventually presided over the official release of the first edition of the Dictionary. During these years, he published his magnum opus on the art of ‘editorship’ titled “Kannada Grantha Sampadane.” This hectic schedule sadly resulted in him suffering his first heart attack in 1965. Between 1959 and 1963, he edited the prestigious academic journal “Prabuddha Karnataka” on behalf of Prasaranga of Mysore University.

Narasimhachar delivered many lectures on Mysore Akashvani (later AIR). His radio address in 1943 on contemporary Kannada poetry dealt with many elements, which critics later considered to be an early foretelling of ‘Navodaya Literature.’ He penned a memorable preface to K.S. Narasimha Swamy’s famous work “Shilalathe.” His love for ‘Halegannada’ saw him evince keen interest in Epigraphical studies — resulting in a close involvement in the publication of successive volumes of ‘Epigraphia Carnatica.’

His closest acquaintances included T.N. Srikantaiah, N. Shivarama Shastry, K.V. Raghavachar, T.P. Krishnachar, K. Venkataramappa. S. Srikanta Sastri and Kuvempu. Among his list of friends were the likes of V. Raghavan, N. Anantarangachar, Pu.Ti. Narasimhachar, Gorur Ramaswamy Iyengar, D. K. Bhimasena Rao, Manjappa Bhatta, M. R. Sreenivasa Murthy and A. N. Murthy Rao.  Among his illustrious students were Parameshwara Bhatta, D. Javare Gowda, H.M. Shankar Narayan Rao, M. Chidanandamurthy and T.V. Venkatachala Sastry.

DLN authored four major works in Kannada, edited about nine comprehensive volumes, penned about eleven prefaces, close to eighty-odd articles across three decades, seven monographs in English and four masterly introductions to various books. His introduction to ‘Vaddaradhane’, ‘Pampa Ramayana Sangraha’ and ‘Sukumara Charitam’ are the best of their kind in Kannada.

Narasimhachar’s scholarship was vast. In fact, it is believed that T.N. Srikantaiah once remarked that “DLN’s name was synonymous with scholarship!”

Maharaja’s College Group Photo (undated) shows (sitting from left) Prof. Chandrashekhar Pattankar Bhat, M.R. Varadachar, Lakshminarasimaiah, M.H. Krishna, A.R. Krishna Sastri, Name unknown, Name unknown, Dr. S. Srikanta Sastri and Ralapalli Anantha Krishna Sharma; (standing bottom row from left) Name unknown, Name unknown, Name unknown, V. Sitaramaiah, K. Venkataramappa, Prof. Nam Sivarama Sastri, Dr. D.L. Narasimhachar and Chengalvarayan. Others’ name not known.
Maharaja’s College Group Photo (undated) shows (sitting from left) Prof. Chandrashekhar Pattankar Bhat, M.R. Varadachar, Lakshminarasimaiah, M.H. Krishna, A.R. Krishna Sastri, Name unknown, Name unknown, Dr. S. Srikanta Sastri and Ralapalli Anantha Krishna Sharma; (standing bottom row from left) Name unknown, Name unknown, Name unknown, V. Sitaramaiah, K. Venkataramappa, Prof. Nam Sivarama Sastri, Dr. D.L. Narasimhachar and Chengalvarayan. Others’ name not known.

He was an ace linguist, grammarian, lexicographer, editor of numerous volumes, epigraphist and literary critic. He roughly churned out eighty research articles in forty years in both Kannada and English. Always seen in a close collared coat and dhoti, he was humility personified.

He was honoured on multiple occasions by the Kannada Sahitya Akademi. He presided over the 41st Kannada Sahitya Sammelana at Bidar in 1960. He received two Felicitation Volumes — “Jnanopasaka” (1960) and “Upayana” (1967) with rare articles penned by subject experts and close friends. The Government of Mysore awarded the Kannada Rajyotsava Award. In recognition of his Lifetime contribution to the world of Kannada Studies, the University of Mysore bestowed on him an Honorary D. Litt in 1969.

The relentless pace of work sadly resulted in a second fatal heart attack on the night of 7th May 1971. He was 65-years- old at the time of his death. He is cherished by generations of Kannada scholars (many of them his students) who remember his affable, affectionate bearing which often concealed a mountain of intellect.

The Mysuru City Corporation (MCC) has named the Fifth Cross Road in Saraswathipuram after this great soul.

(bugs2beatles@gmail.com)

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / by Dr. S.N. Bhagirath

 

Two museums to come up near Yelahanka

The Department of Social Welfare is set to establish two unique museums — Interactive Constitution Museum and the Maharishi Valmiki and Ramayana Museum — in the city.

These museums will be set up in Nagadasanahalli near Yelahanka at a cost of ₹120 crore and ₹60 crore, respectively. The museums will be of international standards and will be constructed on eight acres, Deputy Chief Minister G Parameswara stated in a press release.

“The State government hopes to encourage dialogue between Constitution guarantees and rights that govern the Indian republic, and the spirituality and philosophy that has created one of the richest cultures in the world,” said the release.

The project was spearheaded by Minister for Social Welfare Priyank Kharge, and he said, “The two museums will be the most befitting monuments to the father of the Indian Constitution Dr Babasaheb Ambedkar, and Maharshi Valmiki, who immortalised the epic Ramayana and inspired people with great values.”

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Special Correspondent / February 28th, 2019

M N Krishna Rao park pavillion now a library, move irks family

The MN Krishna Rao park in Basavanagudi, one of the oldest parks in the city has an interesting history.

Bengaluru :

The MN Krishna Rao park in Basavanagudi, one of the oldest parks in the city has an interesting history. Possibly the first park in the country meant only for women and children, the 25-acre park was named after Sir M N Krishna Rao, who was the acting Dewan of the Mysore princely state in 1941. This, as he had contributed generously for the  construction of the park pavilion dedicated to women and children.

However, a recent move to change this pavilion into a public library has attracted the ire of Sir Rao’s family, who are worried that it defeats the purpose of the park. In the early 1940’s, his family contributed a huge sum of `20,000 from his personal funds to build the park and he laid the foundation stone. An additional amount of `15,000 was spent on the two-storeyed Krishna Rao pavilion located at the centre of the park. It was especially planned keeping in mind that women and children in the area had  few places for recreational activities.

“The park was built for cultural events and music for the women and children to enjoy. Now, even men enter the premises. I understand it is not possible to stop anyone but the idea behind this park has changed. A library has been built without even informing us,” said Vikram Simha, the grandson of Krishna Rao.
Simha claimed that neither he nor PR Ramesh, Member of Legislative Council (MLC) were invited to the library opening as well. On asking Ramesh, he replied  that he was not aware of the situation and has requested the library department to make the library available only for women and children.

Interestingly, even the Department of Libraries was unaware of the situation. N Saraswathi, Deputy Director South, said, “I will talk to my senior officials and the Director along with Mayor Gangambike and see if I can allow only women and children to use the library.” Mayor Gangambike said, “The pavilion was in a bad state when we spotted it.Turning that into a library is not a bad idea at all. How can I restrict any one from entering the library? The place is to gain knowledge and everyone should be able to access the library in the park.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Aarthi M / Express News Service / February 27th, 2019

Rare rock art found in Udupi district

Nineteen rocks with petroglyph arts were found at a site, Avalakki Pare, 15 km from Kollur, on February 17.

A petroglyph found near Kollur
A petroglyph found near Kollur

Udupi  :

Nineteen rocks with petroglyph arts were found at a site, Avalakki Pare, 15 km from Kollur, on February 17. These were discovered by Prof T Murugeshi of the Department of Ancient History and Archaeology, MSRS College, Shirva, and his team.Prof Murugeshi said these 19 rock etchings were found in 15-20 acres of grazing land in the wildlife reserve forest. These petroglyphs, as per initial understanding, are 12,000 years old, dating back to 10,000 BC.

Of the 19 engravings, 10 are human figures, including one of a baby. Most figures reflect hunting activities. Among the numerous figures at the site, a female figure stands apart. “It was engraved with special care and on the right side of the belly a cup-mark is seen. On the left side over the head, a rectangular cup-mark was created. This forces us to believe that the figure could have had some religious significance,” the professor said.

“These hunting scenes and associated assemblages clearly indicate that the site must have had some connection to the hunter and gatherer culture from the Mesolithic Period. It’s difficult to date the rock art. However, Dr A Sundara, a retired archaeology professor from Shivamogga has suggested they are from the Mesolithic age, from 10,000-3,000 BC,’’ Prof Murugeshi said.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / February 26th, 2019

Folk art forms come alive at women’s college in Mandya

Students of the Government College for Women participating in ‘Janapada Jatre’ in Mandya on Tuesday.
Students of the Government College for Women participating in ‘Janapada Jatre’ in Mandya on Tuesday.

‘Janapada Jatre’ held to create awareness among students

The rich culture, heritage and values of Karnataka’s folklore came alive during Janapada Jatre, a folk festival organised on the premises of the Government College for Women here on Tuesday.

The day-long event was organised to create awareness among students about fading or disappearing folk art forms. Folk expert Kyathanahalli Ramanna inaugurated the programme and addressed the students, colourfully dressed in saris and other traditional attires. The teaching and non-teaching staff also wore traditional clothes on the occasion.

Mr. Ramanna urged students to strive hard to protect folk art forms and cultures in the State.

A colourful procession, including a bullock cart and various folk troupes, was taken out on the Bengaluru-Mysuru highway.

Veeragarse Kunitha, Dollu Kunitha, Pata Kunitha, Puja Kunitha, Huli Kunitha (traditional tiger dance), Sobane Pada, Garatiya Hadugalu, Kanaja Puja, Dhanya Puja, and Hasemane Padya were performed during the event to enthusiastic applause from the audience that included students, lecturers and parents. There was also a rangoli drawing programme.

A “desi-style” mock wedding of two girls was also organised as part of the programme. Many girls opened stalls and sold home-made delicacies at the college.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Mandya – February 20th, 2019

Bengaluru mixologist in high spirits after big win

A 25-year-old bartender from Bengaluru, Rohan Matmary won the Brown-Forman American Whiskey Legacy Cocktail Challenge 2019 held in New Delhi on February 6.

Rohan Matmary
Rohan Matmary

Bengaluru :

A 25-year-old bartender from Bengaluru, Rohan Matmary won the Brown-Forman American Whiskey Legacy Cocktail Challenge 2019 held in New Delhi on February 6. The third edition of the challenge saw participation of 300 mixologists from Delhi, Chandigarh, Gurgaon, Pune, Mumbai, Goa, Chennai and Bengaluru and 17 of them were shortlisted for the finale.

The competition was judged by industry experts, including Yangdup Lama, one of India’s finest and well-known mixologist; Vikram Achanta, CEO and co-founder of the popular portal Tulleeho and Vinay Joshi, Brand Manager, Jack Daniel’s for Indian subcontinent and Maldives, Brown-Forman Worldwide LLC. The annual championship expects mixologists to create some signature cocktail recipes with some of the most well-known American whiskies. Matmary, a mixologist at the Byg Brewsky, Sarjapur Road, prepared Lillianaire and Aztec Mule at the finale. Lillianaire is a combination of whiskey, hibiscus plant and egg white and Aztec Mule is a mix of whiskey, pineapple, jaggery and jalapeño.

He says, “I created these cocktails over three months with several trials and errors and received feedback from my customers. Some said it’s spicy and others found them too sweet. So I worked on creating a balance between sweet and sour so that it suits the Indian palate. Indians prefer their drinks slightly sweeter, while Americans prefer it sour.” He adds that as these combinations for cocktails are rare, people were initially hesitant to try. Coming up with these recipes weren’t easy for Matmary. “These ingredients are a rare combination. Some, for example, would associate hibiscus with whiskey. So, I did a lot of trials before making these creations,” he says, adding that these cocktails will be included in the menu and patrons can try them with some meat options. “Lillianaire is quite velvety while Aztec Mule is very tiki-like, fun-loving and a good drink during a brunch,” he says. But, his personal favourite is
Aztec Mule.

This was the second time Matmary participated in this challenge. Last time, he secured the second position. “This time, luckily, I came first,” says Matmary, who has always been interested in bartending and loves trying out different combinations with whiskey and gin.

Now, the 25-year-old bar chef will go on a guided tour to the Jack Daniel Distillery in Lynchburg, Tennessee, and the Woodford Reserve Distillery in Versailles, Kentucky, USA. Besides the distilleries, he will also attend the Bar Convent Brooklyn, a leading international bar and beverage trade show, as part of a global bartending contingent and rub shoulders with some of the best bartenders globally.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Akhila Damodaran / Express News Service / February 18th, 2019

New haven for art

Art meets heritageAt Kadri Rocks / Special Arrangement
Art meets heritageAt Kadri Rocks / Special Arrangement

An old house is converted into an art gallery called Kadri Rocks

Whenever we think of an art gallery, our minds is flooded with the images of Venkatappa Art Gallery (Bengaluru) or Prince of Wales Art Gallery (Colaba, Mumbai). These galleries are housed in heritage buildings that have their own aura. Now even Mangaluru boasts of one such gallery, Kadri Rocks, which has an old world charm and also offers a glorious artistic space.

The D’Souza family has lived here for nearly a century. “The space has many memories associated with it, which is why I wanted to convert this house into something that everybody, art lover or otherwise, could enjoy, says Harsha D’Souza, proprietor of Kadri Rocks. “Hence, it was turned into an art gallery.”

At a time, when many have sold off their homes to make way for multi-storey buildings, Harsha wanted to use his home to promote art as he once dreamt of being an artist himself. “But life had different things in store for me.” Harsha chose to dedicate a large chunk of his land and the family home, in the uptown Mangaluru to art.

The brick red walls, red oxide floors, tiled roof, long corridors, spacious halls and verandas and wooden grilled windows give a perfect setting for an art gallery. But it is not the art on canvas alone that Kadri Rocks is looking at, Harsha is even open to letting out the space to basket weavers, potters, mural makers and so on.

“I learnt that basket weavers in coastal districts are a dying tribe. During a visit to Naravi, Hebri and Moodbidri, I discovered that basket weavers were disappearing by the day. Their children had gone to the city in search of jobs. We have a treasure trove of art, which is handed down for generations and it can be turned into an entrepreneurial venture.”

In another of his expeditions, Harsha came across a community of potters in Nilambur in Tamil Nadu who specialised in making clay murals. “Kadri Rocks will showcase their work,” Harsha says.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by M. Raghuram / February 25th, 2019

Lambani art soon in fashion spotlight

The distinctive fabrics created by members of the Lambani community may soon get a global push, with the state government providing them assistance to work with the latest trends.

LambaniBF25feb2019

Bengaluru :

The distinctive fabrics created by members of the Lambani community may soon get a global push, with the state government providing them assistance to work with the latest trends. The Lambani women make colourful pieces of cloth, embellished with mirrors and embroidery.

The Department of Skill Development and Entrepreneurship and Livelihood has identified several traditional art forms, including Lambani embroidery, Bidri arts from Bidar, and wooden toys of Channapattana, which would receive encouragement from the state government.

It has decided to open ‘Traditional Art Skill Schools’ to revive these arts forms and promote artisans at Gadag, Hoovinahadagali in Harapanahalli taluk, Suryagondanahalli in Nymathi taluk and Kanakapura taluk. A government order to set up these training schools was issued recently.

Skill Development Minister Parameshwar Naik said many traditional art forms, which are part of our rich heritage, are vanishing. Artisans with no market for their products are moving to cities for work. “In a bid to stop them from migrating to the city, and renew the age-old crafts, we have started the training school where the government will upgrade their skills to cater to the present market,” he said.

Karnataka has the second largest population of Lambanis in India. Naik said they possess skills that are passed through generations. “To give their creations a modern look, we will sign up fashion designers who will train the Lambani women, giving them ideas about the colours and designs that are in trend now. A three-month residential programme will be conducted at our skill training schools,’’ he said.

 
After their training, the women will head back to their villages armed with raw material and financial assistance in form of loans. “These women can then make the cloth, which we will buy. These products will also be sent outside Karnataka and even the country, giving them a brand identity,’’ Naik said. The government will also provide them space at various art exhibitions to give them a market platform.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Ashwini M Sripad / Express News Service / February 25th, 2019

Veteran Kannada writer Ko Channabasappa passes away

Ko Channabasappa | Photo Credit: Special Arrangement
Ko Channabasappa | Photo Credit: Special Arrangement

He died at a private hospital on Saturday morning.

Ko Channabasappa, former judge, writer and a well-known liberal voice in Karnataka passed away on Saturday. He was 97.

He presided over the Kannada Sahitya Sammelana at Vijayapura in 2015. In his Sammelana address, he had defended an individual’s right to expression. He was the recipient of several awards including the Rajyotsava award.

Channabasappa died at a private hospital on Saturday morning. He is survived by two sons and two daughters.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Bengaluru – February 23rd, 2019

Seeing 70mm: Mysuru youth’s novel makes its way to the big screen

A Kannada film, Kalbettada Darodekoraru, based on a novel written by Mysuru youth Anush A Shetty is all set to hit theatres this Friday.

Anush Shetty
Anush Shetty

Bengaluru  :

A Kannada film, Kalbettada Darodekoraru, based on a novel written by Mysuru youth Anush A Shetty is all set to hit theatres this Friday. Shetty, a writer and a musician ventured into novel writing while pursuing his Masters. A multi-faceted personality, he not only writes books but is also an exponent in Tabala, Mridangam and other percussions. Kalbettada Darodekoraru isn’t Shetty’s first novel and he has penned four books in total. Ahuthi was his first work, then followed Kalbettada Darodekoraru, Jodpala was third and then Neenu Ninnolage Khaidi was his fourth.

His fiction novel Kalbettada Darodekoraru turned out to be a milestone in his career as a writer as the novel inspired filmmaker Deepak Madhuvanahalli to bring the story to the big screen. It all began when Madhuvanahalli read an article about Shetty and his book. Having liked the novel penned, the filmmaker decided to transform the story into visual art and contacted Shetty for the rights.

“In the past, many people got in touch with me to make a film or short film on the novel, but most of them did not turn up later. Similarly, when Deepak got in touch with me, I did not take it seriously but was surprised when he came with a producer and asked for the rights,” says Shetty.

He added that since he had watched Madhuvanahalli’s previous film Bhagyaraj, which he found “sensible”, he decided to give the rights to the filmmaker. Shetty played an active role in the scripting process and was in constant touch with the team. “They retained the structure of the novel and have made a few necessary changes to fit the story into the film’s format,” he said.

An ardent follower of columnist Abdul Rasheed, Shetty is planning to publish a book soon, on a collection of stories of Rasheed under Anugraha Prakashana. “I am also penning a few short stories that will be made into a book collection of short stories in the near future,” said Shetty, who has also been associated with two music bands ‘Naavu’ and ‘Rhythm Adda’ as well. Kalbettada Darodekoraru is made under the banner of Bridge Cinemas, starring Nataraj, Shwetha R Prasad and Hemanth Sushil in major roles and has music by composer and singer J Anoop Seelin.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Karthik K K / Express News Service / February 19th, 2019