Category Archives: Arts, Culture & Entertainment

BookAdda acquires K12-focused books e-tailer KoolSkool

BookAdda is backed by former Infosys director Mohandas Pai and Growth Story’s co-founder K Ganesh.

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Bangalore-based Ishita Technologies Pvt Ltd, the company behind BookAdda , an online marketplace for books, has acquired rival KoolSkool  from Delhigate Educomm Retail Solutions Pvt Ltd in a cash-and-stock deal.

“This acquisition is complementary to our strength and existing offerings,” said Hemant Kohli, co-founder and CEO, BookAdda, told VCCircle. “While BookAdda is focused on the complete range of books with a catalogue of close to 15 million titles, our other product ACADzone focuses on the competitive exam segment. Now, with the snapping up of KoolSkool, which offers books and stationery items focusing on the K12 segment, we are positioned to offer the entire range of solutions to the learning population in India.”

KoolSkool was founded in 2010 by Suhas Dutta and Vyom Khandelia. Dutta is a technology veteran with more than 22 years of working experience. An alumnus of Berkeley University, he held various roles at Gerson Lehrman Group, Accenture, netdecisions and NIIT, prior to starting the online venture. Khandelia is an IIM Calcutta alumnus, and is currently the director of Position2. In the past, he had held different positions at Afila, Neutron Systems, Ishoni Networks India, and Celstream.

Bookadda.com sells general books in various categories like fiction, non-fiction, mystery, self help, reference and biographies. It also offers books in management, computer, engineering and medical books catering to many university syllabi in India. The firm has partnered with leading online brands such as MeritNation, Edurite, Average2Excellent, Adormi, PracticeGuru, TCY Online, Infinitestudent, Eduwizards, and Oliveboard for the service. BookAdda is backed by former Infosys director Mohandas Pai and Growth Story’s co-founder K Ganesh.

The company has recently introduced a Google preview feature, which allows users to scan and preview books before buying. This feature is available for around 5,000 titles on its platform.

(Edited by Joby Puthuparampil Johnson)

source: http://www.vccircle.com / VC Circle / Home> M & A / by Sainul K. Abudheen / Tuesday – March 11th, 2014

City artists create rocket out of dried bottle palm tree

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Mysore :

The creative hands of three alumni of city’s Chamarajendra Academy of Visual Arts (CAVA), has given a dried Bottle Palm (Hyophorbe Lagenicaules) tree the shape of a ‘ROCKET’ at a park opposite Hemavathi School in T.K. Layout in city.

The three alumni of CAVA who have been credited for the concept are Shivaprasad, working as a Graphic Designer at AIISH; Obaiah, who is pursuing his Master of Fine Arts (MFA) at Rabindra Bharati University, Kolkata and Ravishankar, an artist at Ripple Fragrances of Ranga Rao and Sons Group.

Shivaprasad, speaking to SOM, said that he frequently visits the park as he lives nearby and thought of doing something creative when he saw the dried Bottle Palm tree at the park.

He further said that M.N. Satyanandavittu, Gen. Secretary of Sri Tulasi Parisara Nairmalya Samsthe in T.K. Layout approached him to do something creative out of the dried tree.

Shivaprasad then discussed it with his friends Ravishankar and Obaiah about the same, who in-turn readily expressed their willingness to join him in creating this piece of art.

The trio initially thought of turning the tree into a bottle or a pencil, but zeroed in on the rocket, considering the interests of kids who frequent the park.

From Tree to Rocket: A coat of Plaster of Paris (PoP) was applied before painting the tree with white and red colours. The rocket also evokes a sense of patriotism with the tri-colour painted in the middle with ‘India’ written in bold letters. The park has been drawing huge crowds of people of all age, wanting to have a glimpse of the creativity of the artists and clicking photographs standing next to it.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / March 19th, 2014

Scorching schoolers, teenage models in glamorous world of fashion

Rakshita and Giorgia
Rakshita and Giorgia

So the board exams are around the corner, and obviously students are busy studying! But Rakshitha Harimurthy from St Mary’s High School, Giorgia Valenti and Nikhila Nandgopal from Bangalore International School are doing more than just studying, they are scorching the ramps.

Bengaluru seems to be going the Paris way, when it comes to launching teenage models into the glamorous world of fashion.

Nikhila Nandgopal, a 12th standard student is being grooming for a coveted beauty pageant. “I am one of the 25 finalists and am really kicked,” says the model who has been walking the ramp for almost three years now.

“Bengaluru is the launch pad. It is a testing ground that preps you for the bigger runways. I was so intimidated by all the models, the first time I walked and I was quite starstruck. But the fraternity here is so relaxed and welcoming that it helps you grow as a model,” says this lass who is gunning for a business school abroad.

Incidentally, Bollywood stars Deepika Padukone and Anushka Sharma started modeling in namma Bengaluru in their teens.

While Nikhila was noticed during a summer pageant in one of the city clubs, Rakshitha began her career by walking for a designer and then going on to win the Mega Model Hunt last year.

“Studies aren’t really a problem at the moment considering I never leave anything for the last moment,” she says in an easy-breezy tone.

This 17-year-old who is looking forward to start her own fashion label someday reveals that her friends are her biggest supporters and she has a bit of celebrity status going on in her school.

“I am loving the attention. My friends try and make it for most of my shows and they are immensely proud of me,” she says with pride.

Diya Prabhakar is another 14-year-old who though based in Singapore, comes here during her summer break to model. This dusky, leggy and curly haired lass, has grabbed quite a few eyeballs with her style and elegance on the stage.

Fortunately for these teens, their parents too are supportive. Says 15-year-old Giorgia, “My mom used to model and she asked me to give it a shot after she saw me walking in heels at a store,” says this Italian girl who is settled here.

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Lifestyle> Fashion-Beauty / DC / Zoya Philip / March 06th, 2014

Star Eves : Versatility personified

BhuvanaBF22mar2014You can say versatility is her other name. A Bharatanatyam dancer, a singer, a sought after anchor, a theatre artiste and also a dedicated dance trainer, moulding budding talents is what she is. Meet Bhuvana, a multifaceted artiste from the heritage city.

Bhuvana, who currently is a dance faculty at the Karnataka State Gangubai Hangal Music and Performing Arts University is someone you should know about for the resourcefulness that she is full of. For being all that’s mentioned above and also being good at each one of them is no simple thing.

Let us begin with the 32-year-old multifaceted talent’s dancing experience. She says she took to Bharatanatyam at the age of 14 and enjoyed the privilege of being trained under city’s noted danseuse Vidu. Kripa Phadke, under whom she completed her Vidwat exams in 2006. But her love for the classical dance form did not stop at that. Having performed at innumerable dance shows with the legend at various presentations, she is currently training under yet another dance exponent Dr. Vasundhara Doraswamy for advance training in Dance and Yoga.

And being the Master of Ceremonies and gripping the attention of audience at shows through her anchoring skills is what she took to when she was just 20. And having been compeering shows of all kinds from stage to television and radio ever since, she can boast of having hosted and anchored hundreds of programmes till date, apart from winning several awards and appreciations in all fields of her expertise, all of which fill her heart with a sense of happiness.

The charm of this talent lies in her simplicity for she believes she is no achiever yet to be talked about. Ask her how it feels having done all this and being recognised for the same, she replies, “I don’t think I have achieved anything yet. I have a long way to go. I indeed love dancing and hosting shows as a MC but I wish to do a lot more.”

But talking of theatres, Bhuvana says she had no intention of becoming a theatre artiste and it just happened by choice. “Yet, once I started it, I was very comfortable and happy doing the shows, probably because I had no trouble with expressions or dialogue deliveries, all thanks to my dance skills. I started acting in plays under the direction of theatrist Mime Ramesh in 2001 and it was fun. Medea, Urubhanga, Samsaradalli Sanidapa, Kraunchapakshi, Uriyauyyale, Ekalavya, Yayathi, Jothegiruvanuchandira are a few plays I have acted in.”

Lessening her involvement in all other things that interest her, she has returned to her first love – dancing with which she is more involved now. She delights her involvement anchoring that she started in 2002 which helped her meet many noted personalities, singers and artistes but dance is what she is mostly into. “Competing helped me involve more with the audience. I have hosted several shows like Yuva Dasara, shows on Doordarshan, radio talks, political stage shows, and much more.”

At present, she is delighted at the vista of moulding young talents by training the budding stars through Samskruthi – a cultural academy of music and dance which actively conducts State and National level festivals to encourage young talents every year.

Bhuvana is a resident of Vivekanandanagar in city and can be contacted on Mob: 98453-28355.

Bhuvana’s Feats

• Bhuvana who holds a MA in Dance from the Bangalore University, has also completed her Ph.D in “Analytical Study of Folk Dances for South Karnataka and Relation with other Indian Classical Folk Dances” at Indrakala Sangeeth Vishwa Vidyalaya, Khairagarh (Chattisgarh).

• Has anchored shows for DD Bharti, DD-9; provided voice over in Kannada and English for Kalyan Jewellers; more than 1,000 stage programmes for music and dance festivals; compeered for Yuva Dasara (2006-2007).

• As a dancer, she has won many prestigious awards for her performances at Aryabhata, Kannada Culture, Yuva Prathibe, Mysore Dasara.

• As a theatre artist, she has won the National level Best actress award from the Mumbai Kannada Sangha and State level Best actress from Udupi Rangabhumi.

• Has made paper presentations at Suruchi Ranga mane, at Indian mime theatre Kolkata on Navarasa and At Himachal Heritage Centre, Sikkim, organised by Sangeet Natak Akademi, New Delhi.—AN

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / March 16th, 2014

Bangalore’s first dance music festival, Cirkus Indigo, starts today

Dance music enthusiasts rejoice! Nikhil Chinapa and Rohit Barker are all set to bring to you an experience of a lifetime with the best acts across a spectrum of dance music genres this weekend.

Rohit Barker and Nikhil Chinapa flag off Cirkus Indigo
Rohit Barker and Nikhil Chinapa flag off Cirkus Indigo

Starting today, over the next two days, the grounds of Jayamahal Palace will host a festival this city can call its own — Cirkus Indigo. With one massive stage, 18 DJs and visuals by VJ KayCee, the first edition of Cirkus Indigo is set to pay homage to a city that’s been the cradle of dance music in India. The festival, though, is not just about music. Guests can check out the wares at the flea market, grab a bite at the food court, or just spend time in the chill-out zone. And if a party is on your mind, hang around as the Cirkus moves to the hanger from 10 pm tonight.There’s a Cirkus-style Sunday brunch for early risers on Sunday morning.

Cirkus Indigo is on March 1 and 2 from 12 pm to 10 pm (with a party thereafter on March 1) at Jayamahal Palace. For more information, log on to www.cirkusindigo.com

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Entertainment> Kannada> Music / TNN / March 01st, 2014

Many notes, many masters

She not only has a collection of hundreds of musical instruments from across the world, but has learnt to play all of them too.

Dr Anasuya Kulkarni was learning Hindustani music from her ustaad in Kabul in 1965, when he invited her home to sing in front of his family and guests. Pleased, he decided to give her a token of appreciation, his swaramandalam. That was the start of what is today a diverse collection of musical instruments. “I haven’t counted,” she says, “but there are at least 200-300 instruments. I have categorised them into separate genres of wind, string, bow, plucked, idiophones and percussion instruments.”
The second instrument in her collection also came from Kabul of the ’60s. After a snowstorm, Kulkarni was basking in the sunlight outside her home when she heard music from the neighbour’s house. It was a rubab, a lute-like instrument. She bought one in the local market.

Dr HS Anasuya Kulkarni (78) Trustee, Institute of Ethnomusick
Dr HS Anasuya Kulkarni (78) Trustee, Institute of Ethnomusick

Collecting a variety of instruments became easier after her husband, who was working for the United Nations, was posted to different countries across the world. There are also different varieties of the same instrument, like flutes, of which she has more than a dozen, each distinct. The flutes from Papua New Guinea, for instance, have religious connotations.

The collection also hosts an instrument called the angklung — a series of bamboo tubes attached to a bamboo frame. When Kulkarni first heard it in Jakarta, Indonesia, in the late ’70s, she was bowled over by the intricate sound. “I first bought an 8 note angklung and kept meddling with it to try and play Indian music on it.”

Customising the stand proved to be the key, after which she was successful in creating the right notes of Indian music. She demonstrates Bhagyada Lakshmi Baramma on a 13-piece angklung and soon, the perfect notes of the classic song chime melodiously.

Kulkarni has made it a point to learn to play all the instruments, receiving specific training from experts. For instance, she learnt to play the flutes of Papua New Guinea from a local musician. The only self-taught instrument is the angklung, says this doctorate in music. She now hopes to propagate its use in Indian music.

Next on the agenda is to train students who wish to learn any instrument, through the institute.

source: http://www.bangaloremirror.com / Bangalore Mirror / Home> Bangalore> Work  / by Jayanthi Madhukar  , Bangalore Mirror Bureau  / March 15th, 2014

Karnataka to get its first institute for ethnomusicology soon

The first registered institute for ethnomusicology in the State will be inaugurated here on November 21 at 6 p.m. at the Indian Institute of World Culture, Basavanagudi.

Founder managing trustee of the Institute of Ethnomusick and angklung artiste Anusuya Kulkarni says, “Our goal is to spread awareness on this branch of music study among Indians, particularly the younger generation.”

People's music: Ethnomusicology is a branch of musicology that deals with the study of folk music and its relation with cultures. — File photo / The Hindu
People’s music: Ethnomusicology is a branch of musicology that deals with the study of folk music and its relation with cultures. — File photo / The Hindu

Cultural interactions would be a lot more meaningful with the familiarity and comprehension of music, and knowledge of its cultural and ethnic background.

Non-Western

Ethnomusicology, a branch of musicology, is a discipline that is said to have developed after World War II in Western countries because some experts were passionate about studying non-Western styles passed on from generations, especially among the tribal communities. Talking of her own experience with the angklung, Ms. Kulkarni, who has made it to the Limca Book of Records for playing Carnatic style on the rare musical instrument, says she is really happy to know that the Jaganmohan Palace museum has the instrument in its collection, and that it was being used by the police band.

Although she is familiar with the bamboo version of it, which is played in Indonesia, Malaysia and Thailand, the palace, she came to know, had imported the metal angklung with a bamboo resonator, from England, nearly 135 years ago.

Details

She says talks and discussions would be a regular feature at her institute. Those interested in sharing knowledge can call 080 26586826 or 93419-64662. The institute will be inaugurated by vocalist Suguna Purushottam.

source: http://www.thehindu.com / The Hindu / Home> National> TamilNadu / by Ranjani Govind / Bangalore – November 19th, 2010

Coming soon: A 360° view of Hampi online

Hampi World Heritage Area Management Authority will digitise and document 1,600 monuments at the world heritage site.

Photographing of Hampi’s monuments has started. Once it is over, digitisation and documentation will follow
Photographing of Hampi’s monuments has started. Once it is over, digitisation and documentation will follow

Get set to see the unseen Hampi online soon. After the ASI showcased important monuments under its jurisdiction, HWHAMA (Hampi WorldHeritage Area Management Authority) has decided to digitise and document every monument, including minute details like survey number, brief and real-time updates on changes, if any, creating a virtual Hampi online. It will cover over 1,600 monuments under the state archaeology department’s jurisdiction.

The ASI (Archaeological Survey of India) has such a facility in place for protected monuments that are under its jurisdiction, with a 360-degree view of a few.

Several of the 1,600 monuments are listed, but not documented, and the HWHAMA’s initiative will give a better perspective on the heritage site, and it is hoped, it will attract tourists too. Photographing of the monuments has started and once this is over, documentation and digitisation will be done, said sources. “There are more than a thousand of them and showcasing them will not only help tourists but also help researchers. In some cases, the monuments are almost forgotten and abandoned,” a source told Bangalore Mirror.

State officials have already started demarcation of ASI- and state-protected monuments. The ones protected under the state archaeology department include Purandaradasa Mantapa, Koti Linga, Hastagiri Ranganatha, Yantrodharaka Devastana, and more than a hundred entry gates like Harishankara Gate, Bhima Gate, etc, to the historic city. These monuments will be photographed first. Later, they will be documented with details of origin, historic importance, current state and proposed conservation details.

“The work is to be taken up in phases,” the source added. “This is an effective move towardconservation as most of them are in bad shape. Now that they are getting attention, they will be restored and protected.”

Authorities at Hampi confirmed the documentation, but preferred not to divulge details on the initiative.

“We are documenting all the monuments protected under the state archaeology department’s jurisdiction. The process is on,” Dr R Gopal, commissioner, HWHAMA, told Bangalore Mirror.

source: http://www.bangaloremirror.com / Bangalore Mirror / Home> Bangalore> Others / by  Chetan R , Bangalore Mirror Bureau  / March 15th, 2014

Awards do not make this man

A rebel writer if there was ever one, Devanuru Mahadeva has been conferred an honourary doctorate, but will he accept it ?

Devanuru Mahadeva is as famous for refusingawards or other kinds of recognition, as he is for his writings. He first rejected, in 1990, the government’s offer to nominate him to the Rajya Sabha. In 2010 he rejected the prestigious Nrupatunga Award instituted by the State government, that carries a purse of Rs 5,01,000. It was his way of expressing his protest against the government for not making Kannada the medium of instruction in schools and colleges. In a letter to the president of Sahitya Parishat he said, “When Kannada is being neglected totally in seats of learning, it is not prudent to accept an award instituted by the Parishat.” He further added, “Kannada in its own state is struggling to exist. We cannot keep quiet and accept awards in its name.”

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Agrahara Krishnamurthy, former secretary of Sahitya Academy, says when the Academy wanted to confer a fellowship and pay Rs 25,000 per month for his works, Devanuru refused to accept both.

VC of Mysore University KS Rangappa once revealed that Devanuru refused to accept an honorary doctorate for his magnum opus Edege Bidda Akshara. Instead he suggested that Ragi Lakshmanaiah be awarded the honour for his extensive work on Ragi breeds. The university accepted the suggestion.

Finally, when the Padma Shri was announced, Devanuru didn’t go to Delhi to receive it. It came to hisdoorstep; then Deputy Commissioner of Mysore Harsh Gupta presented it to him at his residence in Kuvempunagar.

Eventually, he was conferred the Karnataka Sahitya Academy award and Sahitya Academy award. The Hampi Kannada University decorated him with the Nadoja title. He was also given the VM Inamdar Award at MGM College Mangalore.

Now, the Mysore University has announced an honorary doctorate for Devanuru, to be conferred on March 22 at Mysore University, by the Governor Hamsaraj Bharadwaj. We have to wait and see if Devanuru will accept it this time.

Dalit Swaraj What makes Devanuru Mahadeva special? His close associate, journalist and activist Agni Sreedhar, says, “Mahadeva is way above any sort of university or government honours.”

Born in 1948 in the Devanuru village, he was a teacher before turning farmer. Today he is at theforefront of the farmer’s movement in Karnataka. He is hailed as the messiah who brought in Dalit Swaraj. Devanuru has published only five books till now, but the influence they had on launching the Dalit literary movement in Kannada is stupendous. His works Dyavanuru, Odalala, Kusumabale and Edege Bidda Akshara are literary gems.

When he floated Sarvodaya Karnataka, a political party with the aim of bringing the haves and the have-nots, landed and the landless together on one platform, many called it “a captivating idea founded on a naive, utopian ideal.” But the party won six seats in the previous State Assembly election.

Devanuru stands for freedom, equality and fraternity.(Swatantra, Samanathe, Sodarathe). He felt, “the mining and real estate mafia will soon start bidding for legislators as corporate houses did for cricketers in the IPL.”

In a special lecture titled The Elusive Peacock – Devanuru Mahadeva and Dalit Imagination, Dr Prithvi Datta Chandra Shobhi of Manipal Centre for Philosophy and Humanities said, “Mahadeva is largely misunderstood. Though his friends and readers have tried to seek him out, the writer himself has remained elusive.” He describes Devanuru as “almost Gandhian. He advocates constructive programmes, similar to those of Gandhi.”

Yet Devanuru is not a recluse. His speeches are six to seven minutes long at the most, full of anecdotes. It is always a pleasure to speak to Devanuru because he connects with you. Hope he accepts the doctorate this time.

source: http://www.bangaloremirror.com / Bangalore Mirror / Home> Bangalore> Others / by  Prathibha Nandakumar  / March 15th, 2014

Kundapur: Indian Theater Fest begins in City

Kundapur :

Udupi – Chikmagalur MP Jayaprakash Hegde inaugurated Indian theater fest at Bhandarkar’s College, here on Friday February 28.

Bhandarkar’s College principal Theater Study Centre secretary Dr M P Narayan Shetty in his welcome address said that such a mega theater fest is being held for the first time in Kundapur and its great pride for the locals, said Dr Shetty.

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Theater Study Centre convener Professor Vasant Bannady in his introductory address said, ‘It’s the first time that such a mega theater fest being held in entire Karnataka.  The theater fest has the blend of both north and south India,’ elaborated Vasant.

On behalf of the convener of southern Cultural Centre – Tanjavoor theater study centre, P R Umashankar said that theater fest was the confluence of drams all southern Indian states and union territories.

Theater director Suresh Anagalli briefed on the dramas that will be presented at the mega event, about playwright and directors.

Speaking on the occasion, MP Hegde said that the audiences gathered at the proves that art and music has no language, as plays of different languages will be staged at the theater fest.  The people have inherent talent that dies out because of lack of encouragement in later years.  He offered assurances within his limit in this regard, assured MP Hegde.

The chairman of mega event Dr H Shanta Rao said the mega theater fest enhances the scope for the audiences to savor the wide varieties of plays, said Dr Shanta.

Professor Ranjit Kumar proposed vote of thanks.  Professor Dr Parvati G Ithal compered the programme.

source: http://www.bellevision.com / Bellevision / Home> News / by Bernard J D’Costa – Bellevision Media Network / Kundapur – March 01st, 2014