Category Archives: Arts, Culture & Entertainment

For this Artist, ‘Pain is Inevitable, Suffering Optional’

Bangalore :

Rohini Sen, the Bangalorean artist whose first solo show in the city opens today, suffered a foot injury a couple of years ago. It left her in extreme, chronic pain. A Chitrakala Parishath graduate, she was teaching arts and running when the pain overtook her life, and marathon plans.

RohiniSenBF19jun2014

Her exhibition of drawings at Five Forty Five (from June 7 to 14), tells the story of her emotions as she grappled with the negativity surrounding her. She tells City Express how the pain changed her life and art:

You have titled your show ‘The Efficacy of Exquisite Pain’. Why do you describe pain as exquisite? And are you talking about its efficacy in making you see the world differently?

My drawing The Choice Between Freshness and Decay deals with how I began to look at pain as an exquisite gift when my injury posed an emotional dilemma—to look at myself as a person decaying from inside or to celebrate the discovery of a new lens with which to look at myself. And so, pain for me was exquisite in terms of the observations it facilitated. The efficacy of my injury perhaps culminates in these 20 drawings — which otherwise would have  been stories I would have never known to tell.

Are you free from pain now? Does your show reflect ’emotion recollected in tranquillity’?

While I think I am free from physiological ‘real’ pain now, anyone who has had a chronic injury will tell you that one is never free from the peripherals that pain leaves in its wake. The fear of the injury relapsing comes back to me every time I am at the gym, training for a run or coming down a staircase. My doctor, Dr KMK Varma of Manipal Hospital, first introduced me to this idea of associations when he sat with me and some of my drawings, trying his best to understand what I was going through!

To reflect on any situation, perhaps quietude is paramount. At the beginning of my injury I was hell bent on looking for a quick fix. Several cortisone shots later (I would get a Cortico steroid shot and get back to training!), I came to realise that it was not about conquering my own body and proving to my injury, “Hey, see? I still finished a 25 km run, so you lost and I won”. Patience, a sense of calm and nurturing my dysfunctional foot really helped me reach a space of acceptance. The drawings Learning to Listen and The Acceptance Conference deal with this idea.

What artistic strategies helped you deal with the pain? Were you drawing and painting through the pain? Any particular works of art that you drew strength from?

I do not think I have ever looked at my drawings as a catharsis of any kind. I was drawing through the second half of my injury: the series started when I was admitted in an ayurvedic hospital. At I-iam Hospital (Yelahanka, Bangalore), between yoga and treatment sessions, I began to reflect on what this injury taught me. More than works of art, I drew great strength from the other patients admitted there. They had come with the determination to transform themselves and begin the process of healing. The 15 days I spent there taught me a certain meditative discipline with which I now approach my art  practice, running and training.

What is the status of your marathon dreams?

While I am now ‘back’ on the running scene and successfully finished the TCS 10k in May with the help of my coach Mutie Mohammad and my extraordinarily supportive running team Jayanagar Jaguar, I do not think I nurture serious marathon dreams any more! I am now grateful for whatever little distance my body grants me.

Your paintings portray a wide range of animal characters, from parrots to emus to rats. What explains the absence of human characters?

I made a conscious artistic decision not to make literal representations of situations, but to find visual metaphors. My animals allowed me to say it so much more beautifully because each animal stands for a certain characteristic. My rats talk about the plague that a painful association gives rise to, my emu and other ratites express the frustration I faced when people who did not run kept giving me ‘advice’, and my turtles represent being alive for long—their slowness allows them to absorb the experiential ambit of life in a profound way.

Tell us about your art training.

I was taught Madhubani art by national award-winning master craftsperson Sasikala Devi while I was at Rishi Valley School. I completed my Bachelor’s in visual art from Karnataka Chitrakala Parishath in 2010. I then went on to become an art and running teacher for middle school children at the Mallya Aditi International School. In 2012 I went to do my MA in Art Education at the Rhode Island School of Design, USA, which was a turning point in my artistic approach. Between 2012 and 2014, I have exhibited at quite a few internationally acclaimed galleries such as The Awagami Gallery, Japan, and the Drawing Box, Belgium. I am now represented by Cade Tompkins Projects in the US. This is my first solo show in India.

What advice would you offer people with chronic pain, and sufferers who want to use art as a way out of pain?

I personally do not subscribe to the idea that art is a way out of pain and injury!

My process of drawing allowed me to reflect and make observations.

What do you do when you aren’t drawing and painting?

I am currently adjunct faculty at Srishti School of Art, Design and Technology, where I offer courses on reflective praxis, drawing as a thinking tool, and narrative form and structure.

How did you deal with other people’s comments about your pain?

They were at times comforting and at others unkind, but most often not useful. Using birds that cannot fly, I wanted to say this kind of advice comes often from a feeling of not being able to help. When a person is injured like the way I was, it is really the whole family that suffers sleepless nights, so a lot of the advice was from my loved ones experiencing a sense of helplessness. I also faced a lot of unkind remarks about the weight gain as a result of my injury.

Anything else you would like to share?

More than anything else, I would like for the running fraternity of Bangalore to engage with my work and recognise that this was one runner’s way of reflecting about injury. As Haruki Murakami says in his book What I talk about when I talk about running, “Pain is inevitable, suffering is optional.” I wish to share this with  every runner and fitness enthusiast who has faced the obstacle of a sports injury.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bangalore / by S. R. Ramakrishna / June 07th, 2014

Bangalore’s own Tudor Taj Mahal

For those who regularly cross the Queens Road-Cunningham Road junction in the heart of the city, this stone building, halfheartedly bordering the road leading towards Shivaji Nagar, is not a rare sight. A few may even know that it’s called the Lady Jehangir Kothari Memorial Hall, but what marks it out as special is the fact that it is dedicated to a Pakistani woman who died in 1923 in Bangalore.

Goolbai, better known as Lady Jehangir, was the wife of Sir Jehangir Hormasji Kothari, a rich merchant of the Parsi community, who was born in Karachi. Sir Jehangir was famous for his philanthropic ways and was the first Indian from the provinces of the Punjab or Sindh to be knighted. A globetrotter, Sir Jehangir visited Bangalore with his wife as part of their south India tour in 1923. The journey ended on a tragic note with his beloved wife taking ill in Bangalore, where she breathed her last. She was interred at the Parsee Aramgah or burial ground in the city.

At that time, Bangalore only had a handful of Parsis. The Iranian Zoroastrians started migrating to Gujarat from their homeland Persia (now Iran) following the Arab invasion in the 8th century AD, says Yezdi N Unvalla, a member of the Bangalore Parsee Zoroastrian Anjuman, tracing the earliest days of the community in the country. “After his wife’s death, Sir Jehangir visited Bangalore again and decided to build a memorial in her name. He felt Bangalore’s Parsis need a place to get together and celebrate community functions,” adds Unvalla. The hall today belongs to the Bangalore Parsee Zoroastrian Anjuman.

The distinctive feature of the building is its archaic Tudor architecture. Even the ceiling is made of granite slabs. Sir Jehangir, who was an unofficial world ambassador for the British Empire, had good contacts with the officials who were in charge of the Bangalore Cantonment. The construction of the hall started in 1931 and it was declared open in 1932. Today, the community pays tribute to the Kothari couple by celebrating Annual Club Day with a prayer ceremony.

“The building is now used for community functions and recreational purposes and is given on rent for conducting exhibitions and annual fairs,” the Parsi association’s president Dinshaw Cawasji says.

Though the once tranquil place has now been engulfed by the expanding city, the community’s timely repairs have ensured that the decades-old building has withstood the vicissitudes of time.

Parsis arrived in Bangalore in view of increasing business prospects and settled in the Cantonment area by the end of 18th century. They maintained good relationship with the Europeans and the hall might have been built in old English Tudor style to suit their cultural taste. Bangalore Palace built by the Mysore royal family is another fine example of this style.

Dr. SK Aruni, Indian Council of Historical Research (ICHR), Bangalore

source: http://www.timesofindia.indiatoday.com / The Times of India / Home> City> Bangalore / by M. Ashtitha, TNN / April 07th, 2014

The Mysore that was … Part 21

 

 Sri Suvidhinath Rajendrasuri Jain Temple in Halladakeri.
Sri Suvidhinath Rajendrasuri Jain Temple in Halladakeri.

by M.L. Krishnaswami

The old Halladakeri is now renamed Mahaveernagar and all the broken tiled roof houses have been demolished and in their place, modern constructions of two or more storeys have come up. The whole area is inhabited by Rajasthani and Sindhi Merchants and gives an entirely new look. A Jain temple has also come up in the area and during early mornings, one can see worshippers — both men and women in their traditional religious dresses — making a beeline to the temple.

A month or so back, in the early morning hours, a having dropped my wife in the suburban bus stand, I decided to park my car on the eastern wing of Irwin Road, opposite the Wellington Lodge and then proceeded to take a stroll along the stretch of road in between the Suburban Bus Stand on the East and Ashoka Road on the Western side. It is about a kilometre or a little more long and was way back called by a peculiar name “Halladakeri” or a street with lot of pits, I do not know why and how?

This Halladakeri, about 60 years or so ago, was dotted on both sides by old tiled roof houses and some of them nearing dilapidation with broken walls, ramshackled in nature, and with low doorways of wood with very small openings in the walls — an apology for windows also of wood. Most of these houses were inhabited by Brahmins and some of them were occupied by a few other people who sold butter, oil etc.

Towards the Circle near the Mysore Bank and Central Police Station — now called Nehru Circle — there was a Choultry by name ‘Jaggulal Chathra,’ a very big building (single storey) built of thick mud brick walls and with tiled roof, I do not remember exactly. If I am not mistaken, this Choultry belonged to members of the Sindhi Community who were a small minority in Mysore in those days. This Choultry building is still there — unused and unkempt — like an ageing elephant in distress. Let it be. If my memory is correct, the small by-lane housing the Jaggulal Dharmashala — that was its real name — was called ‘Hamsarajagalli’, whatever it means or refers to I do not know.

Apart from the above, the old Halladakeri is a remnant of the past. It was early morning when I strolled through — about 7.30 am — and not many people were on the move. There used to be a Ganeshothsav celebrated in a grand scale for about a fortnight or so and, if I remember correctly, one gentleman by name Murthy was in charge of the arrangements for the festival which included very good music programmes in the evenings by well-known musicians of the day who were specially called from Madras, Andhra and, of course, a few local luminaries. Orchestral music was not much in vogue those days and it was perhaps due to the patrons who lent their ears to classical variety and encouraged it.

The Brahmin houses were mostly occupied by Palace Priests who were held in high esteem by the community. Along the road was living one family which was related to our family by four generations backwards. I remember visiting this family for taking part in some ceremonies in those houses. I also remember one old lady by name Kuppa Chikkamma living there and who happens to be the grandmother of the famous Kannada poet K.S. Narasimhaswamy of Mysore Mallige-fame.

The above are only memorabilia now:

The old Halladakeri is now renamed Mahaveernagar and all the broken tiled roof houses have been demolished and in their place, modern constructions of two or more storeys have come up. The whole area — or practically the whole — is inhabited by Rajasthani and Sindhi Merchants and gives an entirely new look. A Jain temple has also come up and early mornings, one can see worshippers — both men and women in their traditional religious dresses — making a beeline to the temple. The road, small in width — hardly 20 to 25 feet or so — reminds me of the Girgaum Road or Kalbadevi Road, both very busy commercial centres of Bombay, with the only difference, this is more a residential area, with only a few business outlets here and there. Strangely and to my utter surprise, in the midst of all the above developments on either side of the road, I saw the old business establishment of Someshwara Steel Traders run jointly by M/s Somanna and Brother. This is like an oasis in a vast desert. May I say, ‘Hold on, Mr. Somanna’ who is a good friend of mine?

On another day, I took a stroll in a locality enclosed in a quadrilateral shape made up of Hundred Feet Road in the North, Thyagaraja Road on the East, Vanivilasa Road in the South and lastly D. Subbaiah Road on the West. This area is intersected into two parts as Chamundeshwari Road and Narayana Shastri Road. Incidentally, Narayana Shastri Road is named after the grandfather of the famous T.P. Kailasam and a fairly big building belonging to the above Narayana Shastri has since been demolished and a multistorey structure is in place now.

The area between Thyagaraja Road and Soppinakolada Beedhi (the road that runs North at right angles to the K.R. Police Station on V.V. Road) is dotted in the north by two or three Agrahara’s which are endless housing schemes built and gifted by the late Maharaja to needy citizens and these are intact even now with more or less the successors of the original owners in occupation.

Beyond this is the Sunnadakeri which has also maintained its original shape with small houses and shops with independent water and electricity connections. Only Soppinakolada Beedhi (now called Renuka Temple Street) is slowly undergoing change with neat housing complexes coming up in place of old houses.

The stretches between N.S.Road as above and Diwan’s Road from double tank side to Chamaraja Double Road has a cluster of housing appendages, very small in size and with poor ventilation and with a majority of housing units depending on street water taps for their water needs. Just behind the now closed (perhaps) Kiran’s Nursing Home, I saw a group of houses where the womenfolk have to make do with street water taps for washing utensils and clothing, as also bathing their small kids in the open. This is really a miserable sight and reflects poorly on our civic responsibilities. The population in this section is composed of backward class Hindus and Muslims living side by side since generations. The situation above needs redressal urgently.

Muharram is a great festival of the Muslims and a number of pendals used to come up in the area where the deities were kept and worshipped. Even Hindus would participate in this festival and the last day function saw the bon-homie of the two major communities in a large measure.

In the above quadrilateral area the redeeming feature is that Hindus and Muslims are living together for generations and I know this as I was a resident of V.V. Road for a long time. It is heartening to know that there is a small unit manufacturing sandal sticks or agarbathies in this locality and founded by the late M.R. Jattappa, a pioneer in this line and his brand name was ‘Premaleela Agarbatti’, emanating a romantic fragrance to the passers-by all around. This is like a rose flower in the midst of a thorn.

There was also a hair-cutting saloon jointly owned by two brothers by name Shivaram and Govindaraju and this used to be visited by the big-wigs of those days like Professors, Doctors, Lawyers, etc. The major attraction was Shivaram who happened to be the hair dresser of the Palace and who used to talk about his experiences there. This saloon is still there and must have passed on to the third generation now. Half a rupee was the charges for a hair cut and affluent people could shell out a rupee for the same.

Note: My humble suggestion in this connection is that educated and enlightened citizens should abandon the use of their vehicles once in a while and take a walk in the lanes and bylanes of the city, to get a real feel of the development that has taken place over a period of time. This will certainly go a long way in improving the lot of the poor and underprivileged citizens by addressing their problems before the powers that be.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / June 17th, 2014

Pandit K.S. Hadapada award presented

Vocalist Dr. Ashok Huggannavar and tabla maestro Pt. Allammaprabhu Kadakola being felicitated with ‘Pandit K.S. Hadapada Award’ at a function organised by Guru Puttaraju Sangeetha Sabha at Nadabrahma Sangeetha Sabha on JLB road in city yesterday.
Vocalist Dr. Ashok Huggannavar and tabla maestro Pt. Allammaprabhu Kadakola being felicitated with ‘Pandit K.S. Hadapada Award’ at a function organised by Guru Puttaraju Sangeetha Sabha at Nadabrahma Sangeetha Sabha on JLB road in city yesterday.

Mysore :

Dr. Ashok Hugganna of the Dept. of Music of SDM College, Honnavar and tabala artiste Pandit Allammaprabhu Kadakola of Dharwad were presented with Pandit K.S. Hadapada Award instituted in the memory of Late S.R. Krishnamurthy at a function organised by Guru Puttaraju Sangeetha Sabha held at Nadabrahma Sangeetha Sabha on JLB road in city yesterday.

Inaugurating the programme, Karnataka State Dr. Gangubai Hangal Music and Performing Arts University Vice-Chancellor Dr. Sarvamangala said that from time immemorial music has remained a major attraction among people of all classes and added that the awards were being presented to artistes for their outstanding contributions to Hindustani and Karnatak music.

Corporator and Hon. President of Sri Guru Puttaraju Sangeetha Sabha M.V. Ramprasad presided over the function in which retired Director of Archaeological Survey of India (ASI) Dr. K.M. Badri and others were present.

Today at 6 pm, there will be a solo tabla performance by Bheemashankara Bidanur of Mysore accompanied by Gurubasava Mahamane of Dharwad on Lehar.

At 6.45 pm, Dr. Ashok Huggannavara from Honnavara will present a vocal recital, accompanied by Pt. Allamaprabhu of Dharwad on tabla, Gurubasava Mahamane of Dharwad on violin and H. Mrityunjaya of Mysore on harmonium.

source: http://www.starofmysore.com / Star of Mysore / Home> General  News / June 08th, 2014

TRAVELOGUE…: 14,000 feet to heaven

Scaling the Saurkundi Pass-1

Trekking through snow is an unforgettable experience for the simple reason, there is no path or trail waiting for you; you have to create your own path, where even a small miscalculated step can be your last, says Aishwarya Sunaad, Trekker, International Academy of Mountaineering and Allied Sports, Mysore.

by Aishwarya Sunaad

As the IAMAS (International Academy of Mountaineering and Allied Sports) team bid good bye to Mysore on the evening of 30th April, nobody could anticipate the adventure that awaited us 3000 kilometres away. We were 47 of us, of all ages and sizes, from 3 different States, making our way to conquer (as we would later learn) one of the toughest expeditions in the past 6 years.

SaurkaundipassBF11jun2014

Our journey took us backpacking through 5 States and several cities before we could officially start our endeavour up the mountains from Manali. There is a certain unexplored joy in visiting a new city everyday and as our team wound its way through each of these new places, it was like unravelling a different world. New people, new cultures, new experiences, new stories.

The star highlights of our backpacking being an exclusive visit to the Rashtrapati Bhavan in Delhi; reliving history in Agra and Mathura, experiencing sanctity at the Golden Temple in Amritsar, reliving the stories of partition at the Wagah Border with Pakistan at touching distance, 14 kilometres of White Water Rafting amidst class 6 rapids in the Ganga at Rishikesh and a VIP visit to the prestigious Indian Military Academy at Dehradun, to name a few.

After these indelible experiences, we arrived at our Base Camp in Manali on the 8th of May. Set in the Beas River Valley in the Kullu district of Himachal Pradesh, Manali is a treat to ardent trekkers and tourists alike. Our base camp, set amidst apple orchards with snowcapped mountains and pine forests on all sides marked the beginning of one of the greatest adventures we could experience. After acclimatising to the cold of Manali from the heat of the plains with some thrilling rappelling and river crossing, we started our trek officially on the 11th of May to Segli, our first camp.

The team descended down to a landmark point called ‘15 Mile’ before beginning the 12-kilometer ascend to Segli, at a height of 7,100 feet. The trail wound through small villages and dense vegetation, with the Dhauladhar mountain ranges surrounding us. Just as the team halted for lunch, we were greeted by the first spells of heavy showers. With raincoats and ponchos and an undying spirit, we trekked through the rain and reached the camp site by evening. Sipping some hot tea to combat the chill, we geared up for the next day.

The rain had subsided as we wound upwards towards the camp of Haura Thatch, at 10,700 feet on May 12; ‘Thatch’ means ‘plateau like land.’ Our camp site was actually on a Plateau up a Mountain! This goes to say, nature has her own mysterious ways. We trekked about 10 kilometres through dense green forests and gurgling streams with occasional glimpses of the mountains through the canopies. The sights that we saw and the scenes that we experienced are beyond description.

Trees, flowers, leaves, mosses, birds, insects and all other wonders of nature of all shapes and sizes ! It was paradise. As we were taking in the surroundings, we were greeted by rain, heavier than before. We couldn’t stop. With the rain and hail pounding, we continued upwards. It was getting cold and we were drenched to the bone. At one point, it seemed impossible to go any further when we reached a clearing that seemed suitable to camp. Tents were pitched and a fire was lit under a rock. After vain attempts to dry ourselves we retired to our tents. It rained the entire night and the next morning of 13th, the weather was so ruthless we couldn’t move camp. It was a truly chilling experience. By evening, on the 13th, the weather cleared and the sun peeped out. As we saw the first rays of sun in 2 days, the world seemed magical. We had set up camp near a small stream in an evergreen forest with pine trees on the fringes. There were colours even our cameras couldn’t capture!

But now, there was a crisis. Before starting the trek, we had already decided to forego our fourth camp at Dohra because of extreme snow conditions. Now we were lagging behind yet another day as we could not trek to Camp 3, Maylee, because of the rain. To make up the distance and keep the time schedule, a bold decision was taken. A decision of risk and daring. A decision that would test our courage and endurance, our mental strength and will power. A decision of ultimate adventure. A decision to cover the entire distance to Saurkundi Pass Summit in one day!

We started on the trail at 4 am in the morning on May 14. With torches in our hands and adventure in our hearts, we continued upwards. We encountered the first patches of snow and the first rays of light around 5.30 am. It was breathtaking. By 6.15 am, we had hit the snow.

[ Part 01…To be continued]

 

TRAVELOGUE…: SCALING SAURKUNDI PASS-2 

Aishwarya Sunaad
Aishwarya Sunaad

Trekking through snow is an unforgettable experience for the simple reason, there is no path or trail waiting for you; you have to create your own path, where even a small miscalculated step can be your last. The temperature kept dropping to subzero values and the sun shone harsher. It was maddeningly white everywhere and without goggles one could go blind. The snow seemed never ending and the summit was nowhere in sight. It was getting colder and colder.

There was snow in our shoes and pants, our feet were going numb and we couldn’t feel our fingers. We had walked for nearly 6 hours up the mountain without stopping and still there was no sign of the Summit. Finally, at around 11.06 am, after a grueling walk, we reached the Saurkundi Pass. The snow was about 3 feet deep and it was snowing heavily.

Despite this, we crossed the Pass and summited, at a height of 13,500 feet. There is no greater feeling than having successfully summited an expedition. You are literally and figuratively on top of the world. We had the frozen Saurkundi Lake on one side and never ending ranges of mountains on all sides. We could almost touch the clouds.

By this time, our feet were frozen and our fingers non-existent. That was the day we realised that cold is the most unforgiving condition you can experience. But the joy of having summited one of the most difficult treks, however easy I may make it look, overshadowed everything else.

The 20 minutes we spent on the summit with the Indian flag and the IAMAS banner fluttering proudly in the wind, I can guarantee, will be the most important moments of our lives. But it did not end there. What we thought was difficult while climbing up was nothing compared to what we encountered while descending.

The snow was falling heavily and there was no route we could follow. We were numb and hungry but had to soldier on. We had no choice but to slide down the slopes ! Slide down with no equipment apart from a rope, which we used occasionally.

That was real adventure and the adrenaline rush was simply superb. With everything at stake, we made it down to the tree line by around 4 pm. We had trekked through the most extreme conditions for 12 hours. We finally reached our campsite at Longa Thatch by 6 pm after 14 hours of ascending and descending. We had done it with zero casualties! It was the most satisfying feeling one can feel.

After a good night’s sleep and merry making, we set off for base camp. The weather was sunny with the city of Manali, which looked like the Map of India from that height, sprawling beneath us. We descended down to Lekhni on May 15. The sights were like a poem. After staying at an authentic log hut that night, we finished our expedition on the 16th of May 2014 after successfully reaching Base Camp.

The next few days saw us exploring the city of Manali and seeking some more adventure while rafting in the Beas River. The team left for Delhi on the evening of 18th, where a privileged visit to the Parliament House added another feather to our caps. We caught the Duronto Express back home on the 19th with truckloads of memories and made it home on the 21st of May 2014, successfully.

Every expedition brings your best side to the forefront because it is the ultimate challenge one can face alone. And if you are an adventurous person and need the adrenaline, it is the call of the mountains you must answer. And finally, if you want to test your daring and mettle, it is the Saurkundi Pass you must conquer. For, if there is a paradise, it is this, it is this, it is this.

[Concluded]

Part 01:

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  /by Aishwarya Sunaad / June 06th, 2014

Part 02:

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  /by Aishwarya Sunaad / June 07th, 2014

Over a cup of evening tea : A most ordinary but unusual man

Rangaswamy
Rangaswamy

by  Dr. K. Javeed Nayeem, MD

Yesterday morning I had a most unexpected visitor, Rangaswamy, at my consulting room. He had come all the way from his native place, Banavara near Arsikere to see me with his young son who had not been feeling too well for the past few weeks. This very small built, ever-smiling man is an itinerant seller of kitchen utensils who goes about from village to village on his rickety and always over-loaded moped from dawn to dusk. But that is not his main job and what he is good at most. It is what he does when he is not selling utensils that makes him unusual.

Rangaswamy is a professional monkey-catcher, much in demand and it is in this unusual calling that his talents and ability stand out most. I first met him nearly two decades ago when he became a sensation with his skills in the town of Kollegal where I used to then practice. I still have a weekly outreach clinic there. The town used to be plagued by a herd of more than a hundred monkeys that used to pillage and plunder the crop in all the coconut and fruit trees in addition to harassing citizens on the streets by jumping on them and snatching away anything edible.

No child could walk home from the neighbourhood shop with an ice-cream stick or a packet of chips and no housewife could walk home safely with her daily purchase of vegetables or groceries. And, because the monkeys loved to play with all the clothes that used to be put out for drying I am not too sure whether the womenfolk there had evolved a laundry sorting service in their respective neighbourhoods, not unlike the postal department, to exchange their misplaced and interchanged clothes! I do not know who gave them the idea but one day the town municipal authorities who were under tremendous pressure to do something about the problem decided to rope in Rangaswamy.

He arrived on the scene with his wife and started a two-day survey of the town and the magnitude of its problem before getting down to work. And when he got down to work it was all child’s play for him. In just a week’s time he had all the rouges, big and small, dancing and prancing to his tunes but now safely behind the bars of a large cage from where they could do no harm. The much relieved municipal authorities would then pack their tormentors off in batches by truck to be let off in the distant forests of Malai Mahadeshwara Hills. Since Rangaswamy used to always be on the rooftops with his magic traps while at work, I could not see his handiwork at close quarters although I was tempted at times to follow him and learn the basics of his art.

Strangely, I have always been and I still am fascinated by anything that can be called ‘monkey business’! But on the terraces and rooftops, Rangaswamy seemed as agile as any monkey and unfortunately this was not my forte. But I used to always discuss his exploits and achievements at his every visit to my clinic and he would tell me all about himself and his art with great enthusiasm. I would always tease him that the monkeys were attracted to him because he looked exactly like one of them which is what made his job easy for him. He would say “Yaay hoogi swamy, neevu sari” and break into a shy grin.

But very strangely, yesterday, although I tried very hard I could not get my friend to smile for his photograph. If you happen to see even a wee bit of a smile on his face here it is largely due to your imagination. I would get to spend some time with him unfailingly at the end of each day of his stay in Kollegal because his newly married wife happened to be a bit hypochondriac and he happened to be a very caring and affectionate husband, not unlike me.

He would wait patiently for the crowd of patients to melt away before bringing her into my consulting room. She would have some complaint or the other for which I would prescribe a new and different looking placebo that would satisfy both husband and wife immensely but just for the next twenty-four hours. The next evening they would be back and the lady would narrate a different set of symptoms for which I would evolve a different remedy.

But taking pity on the poor and hapless man I decided to cure her permanently before they left Kollegal. And, I did it too by resorting to a rather drastic but ridiculously simple trick for which Rangaswamy pledged his lifetime gratitude before leaving. I told her that she would soon find her husband going in for a second wife if she did not stop complaining about her minor aches and pains and this unusual treatment seems to have worked wonders. Rangaswamy yesterday told me that his wife who has borne him two sons after our last meeting now dreads going to doctors and that is why this time he had come to see me without her! In case you have a monkey problem, you can contact Rangaswamy on Mob: 9972146839. And, in case you have a hypochondriac wife, you can contact me!

e-mail: kjnmysore@rediffmail.com

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / by  Dr. K. Javeed Nayeem, MD  June 06th, 2014

Dr. A. Ramalingam passes away

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Mysore :

Dr. A. Ramalingam (78), retd. Professor of Botany, Karnataka University, Dharwad, passed away at his residence in Vijayanagar II stage here in the early hours of today.

He leaves behind his wife and daughter Vijaya Narasimham, Principal, Bharatiya Vidya Bhavan School, Mysore.

Prof. Ramalingam had established Ajay Memorial Water Drinking Foundation in the memory of his son who had died at young age and through this Foundation, he tried to serve the society by organising annual lectures and also providing timely help when people faced water crisis.

Body donated: As per his last wish, the body was donated to JSS Medical College in city.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / June 06th, 2014

Dornahalli fest from June 4

Mysore :

The annual fest of St. Anthony’s Shrine at Dornahalli in K.R. Nagar taluk will be held from June 4 to 13.

Addressing a press conference here recently, Rev. Fr. Gilbert D’Silva, Rector, St. Anthony’s Shrine said that the nine-day festival will be inaugurated at 6 am by hoisting the flag at the shrine on June 4. About the Shrine:The Miraculous Statue of St.Anthony has an authentic history now covering a period over two hundred years. A humble peasant, while ploughing his ragi field suddenly came across a small wooden statue; and thinking it for a ‘doll’, he gave it to his children to play with.

One night he had a dream in which a friar wearing the same dress as that of the statue appeared to him and told him that the object turned up by his plough was not a ‘doll’, as he thought; but a statue of a revered catholic saint, known all over the world as Wonder-Worker, that he would like to have a special Shrine in his honour in that place of discovery and that he and his family would be blessed. But the farmer, however, turned a deaf ear to this admonition and in the course of a week his bullocks died and two untimely deaths of his children occurred, which he attributed to his negligence to carry out the instructions received in the dream.

A catholic priest who used to come from Pondicherry to visit Bangalore and Mysore once a year recognised the statue as that of St.Anthony of Padua and urged the farmer to carry out the instructions received in his dream. The farmer erected a little shrine in the field where he had found the statue.

Thereafter the farmer began to prosper well and the news spread. The Shrine became the centre of devotion in spite of various obstacles and hardships. People began to flock to the shrine to seek the saint’s intercession in their distress and sorrows. The fame of the Shrine grew fast and soon a catholic village grew up in the environs of the shrine.

Rt. Rev. Msgr. I.H.Lobo, the former parish priest of Dornahalli, began the construction of a new church in 1964. On 13th June, the same year the foundation stone of this huge church was laid by the Bishop of Mysore. On 13th June, 1969 the new Church was consecrated by the Bishop of Mysore.

source: http: //www.starofmysore.com / Star of Mysore / Home> General News / June 02nd, 2014

MELANGE: HIDDEN HISTORIES – The original take one

BRV Theatre has donned many roles from armoury to theatre to defence services canteen. /  Photo: K. Murali Kumar / The Hindu
BRV Theatre has donned many roles from armoury to theatre to defence services canteen. / Photo: K. Murali Kumar / The Hindu

The vintage cinema haunt of Bangalore’s movie buffs, B.R.V. Theatre nurtures memories of a bygone era

You may have passed by this building almost every day if you have to go through Shivajinagar and yet, the quaint B.R.V. Theatre may have easily slipped your attention. Located at the entrance of Central Street, the present Golden Palm Army Canteen has a legacy that goes back to over a century. While many may know it now as a canteen and Bangalore’s older residents remember it fondly as a theatre, B.R.V. was initially started as canteen/store and armoury of the Bangalore Rifle Volunteers denoting the abbreviation.

The B.R.V was part of the Madras Army and formed on November 21, 1884 and stationed in KGF, Mysore and Whitefield. The unit was later merged Coorg and Mysore Rifles on April 1, 1917 to become the sixth Bangalore, Coorg and Mysore Batallion.

The original building demolished in 1905 and rebuilt to the present tiled-roof stone-covered structure in 1912. Housing a billiards room, reading room, ladies room and a bar on the ground floor and the regimental offices, stores and other rooms on the first floor, the B.R.V. was famous for its main gallery which is 120 feet long and 60 feet wide and easily accommodates 1,000 people.

It’s all in memory The place has donned many roles from armoury to theatre to defence services canteen / Photo: Bhagya Prakash K. / The Hindu
It’s all in memory The place has donned many roles from armoury to theatre to defence services canteen / Photo: Bhagya Prakash K. / The Hindu

The place has donned many roles from armoury to theatre to defence services canteen. But one of the fondest memories people had of the building before its theatre avatar was the grand balls organised by the YWCA in its initial days on its grooved teakwood floored gallery.

Later, B.R.V. was the place Bangaloreans hung out if they wanted to see the latest English movies in town. A. Premchand, whose father V. Anand was the manager of the theatre from 1960, says the silver screen came to B.R.V. as part of the defence services cinema. “B.R.V. was one of 22 such entertainment hotspots open across India at that time. The first film to be screened here was Ujala in 1959 starring Shammi Kapoor. Opened for public viewing, the city theatre was soon converted into an English movie joint and in 1960, The Captain’s Table, a British comedy film, was the first English movie to be screened here. This was followed up by a David Niven starrer Happy Anniversary, Marilyn Monroe’sThe Apartment and Some Like It HotThe Good, The Bad And The Ugly, the Beatles movies A Hard Day’s Night and Help, the Pink Panther series and The Great Escape were some of the most memorable movies that ran for many months here.”

Prem adds that B.R.V. was the only theatre in those days that was strict about not letting anyone below 18 for adult films. “After dad’s transfer to Madras, the management started to struggle with the film joint and movies were doing well in other theatres like Lido. The theatre eventually shut down and the last movie to be screened was Sean Connery’s James Bond thriller You Only Live Twice.”

Built in the Tudor style of architecture, the building’s gabled entrance-porch and conspicuous battlements is also synonymous with the designs of the Bible Society group of buildings (at the junction of St. Mark’s and Kasturba Roads) and gives Bangalore a very medieval look even today. While the building may have lost their prime status and importance, the legacy and fond memories attached to it will endure in the hearts of the city’s residents.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Melange – Hidden Stories / by Allan Moses Rodricks / Bangalore – June 06th, 2014

BookTalk : Modern education in Mysore and Wadiyars’ patronage

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Title : Modern Education and Social Change’ / Author: Dr. M.R. Ravi / Pages : 216 / Price : Rs. 180 / Publisher: Samvahana, Mysore

Modern Education and Social Change’ is an interesting book which focuses on the advent of modern education in the Princely State of Mysore from 1881 to 1947, when the British left India. The book is a part of doctoral study of Dr. M.R. Ravi, who wrote a thesis about modern education in the Princely State of Mysore during the 66 years prior to Independence.

Dr. Ravi, a senior KAS officer serving as the Additional Regional Commissioner in Mysore, narrates about the pivotal role played by Nalwadi Krishnaraja Wadiyar in taking modern education facilities to the poor and depressed, for whom it was a luxury then.

The Maharaja not only established the University of Mysore with separate schools for the Panchamas (depressed classes), but provided reservation for backward class people in government jobs, implemented social legislations like widow remarriage bill, abolishing child marriage, encouraging girls to get educated and providing forum for fair and democratic discussion through the Mysore Representative Assembly. He also built the Krishnaraja Sagar Dam which now quenches the thirst of millions of people, apart from irrigating thousands of hectares of land in Karnataka and Tamil Nadu. It is also a hydel project.

Mahatma Gandhi, recognising the administrative reforms and social concern of the Wadiyar, called him Rajarshi (saintly king) and his kingdom was described by him as Rama Rajya, an ideal kingdom akin to the rule of Lord Rama of Ayodhya.

Author Dr. Ravi, who had worked as a Sub-Editor in Star of Mysore from 1988 to 1992, appeared for KAS exams and emerged among toppers through sheer hard work and determination. This is when he realised the importance of education and wondered how many children in rural regions, despite having latent talents, lead lives of penury for want of proper education facilities.

Prof. B. Sheikh Ali, former Vice-Chancellor of Goa and Mangalore Universities, who wrote the Foreword for this book, says that the author’s thrust is on mass education, focused particularly on depressed classes and women, pivoted in and around Mysore.

Prof. Ali gives credit to the Wadiyar dynasty of Mysore, particularly to Nalwadi Krishnaraja Wadiyar, for the political will that metamorphosised the education scenario in the princely province during the end of 19th century till the mid-20th century.

Prof. Ali writes that the book discusses improvement in the position of women in the State of Mysore.

“Woman is the masterpiece of God’s creativity. Man is energy, woman is love, man is duty, woman is beauty, man is muscle, woman is mercy, man is thinking, woman is feeling. Woman bears the child and perpetuates the human race. Yet at all times, in all places and all cultures, woman has been denied her rightful place,” says Prof. Ali.

Dr. Ravi narrates about how a Brahmin reformer named Gopalaswamy Aiyer, during 1910s, championed the cause of depressed classes in Mysore. As a member of the Mysore Representative Assembly, he countered the attacks and criticisms against the Panchamas by other members of the Assembly and advocated for opening two kinds of schools, one for vegetarians and another for non-vegetarians. He also suggested that the village committees in every village may decide on the kind of school and whether or not the Panchamas must be admitted – a move similar to decentralisation of powers.

An interesting and informative read interspersed with intriguing historical facts, the book also has rare pictures of schools and colleges of yesteryears in Mysore.

About the author

Born and brought up in Mysore, Dr. M.R. Ravi is a multifaceted personality. He has secured 8th rank in BA, followed by gold medals in his Master’s in History and English literature. He has been awarded Doctorate Degree from the University of Mysore.

As a KAS officer, Dr. Ravi is known for people-friendly approaches in solving problems. His 22-year-long public service is spread across 19 districts of Karnataka. Ravi began his career as a journalist and later became a lecturer. Known for integrity and simplicity, Dr. Ravi is an excellent orator who believes in the principle of ‘be good and do good.’

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / May 30th, 2014