Category Archives: Arts, Culture & Entertainment

City magician’s blindfold ride for 30 kms

SudarshanBF14jul2014

Mysore :

Seated blindfolded on a Honda Activa scooter, M.K. Sudarshan Jadugar, aged 21, resident of Lashkar Mohalla, today rode blindfolded from Siddalingapura to Srirangapatna and returned to Columbia Asia Hospital junction later today, after riding blindfolded for nearly 30 kms. Earlier, he did a trial run near the Palace.

Originally, Sudarshan was supposed to ride blindfolded from Mysore to Srirangapatna. However, he was denied permission by DCP M.M. Mahadevaiah who told Sudarshan to undertake the drive from Siddalingapura.

Before proceeding to Siddalingapura blindfolded, Sudarshan this morning offered pooja at Kote Anjaneya Swamy temple to symbolically begin his blindfolded ride in the presence of Ilai Alwar Swamiji and his friends and sponsors including Heritage Honda in city.

It is said that Sudarshan, who is aiming at entering into the Limca Book of Records, had ridden a bicycle blindfolded across the city in 2008 after being inspired by a show by magicians Ramesh and Uday while he was in a hospital.

Sudarshan, accompanied by an ambulance, an auto making announcement and a few friends on their bikes, claims that he would not violate any traffic rules during his blindfold ride including following traffic signals.

M.K. Sudarshan Jadugar is the son of M.K. Keshavamurthy and Vijayalakshmi, residents of Lashkar Mohalla in city.

source: http://www.starofmysore.com / Star of Mysore / Home> General News  / July 09th, 2014

Nirmala Bharat special drive launched

Rural Development Minister H K Patil said, a target had been set to free Karnataka of open defecation by 2018.

He launched a special drive under Nirmala Bharat by inaugurating a toilet at Keelara, near Mandya, on Monday. He said, the government hoped to construct 10 lakh toilets this year and this target could be achieved if one lakh of them were constructed in Mandya district.

“Under Gaurava scheme, the government plans to construct one lakh units, which would comprise of bathrooms as well as toilets. To make toilets user-friendly for senior citizens and physically handicapped persons, western commodes will be fitted in toilets, wherever necessary,” he said.

Drawing a comparison between south and north Karnataka, Patil said, the southern districts were lagging behind in implementation of various government programmes and schemes.

Directing the officials to lay stress on implementing the programmes, he said, even people demanded only roads and bhavans here. “They do not care to seek grants for playgrounds, drying yards, toilets, etc.”MP C S Puttaraju said, some shameful incidents had occurred in the district due to the lack of toilets, so people should take the issue seriously and make use of the scheme judiciously.

source: http://www.deccanherald.com / Deccan Herald / Home> District / DHNS – Mandya, July 08th, 2014

1,069 stage plays … 27 musical instruments … 1 person

‘Namma Mysooru Huduga’ Subramanya Rao!

Mysore, as we all know, is famous for its culture and artistic people. Great musicians have been born and brought up here from centuries. Subramanya Rao, who lives in Srirampura of the city, is one such young lad who has attained success early in his life and plays instruments as much as his age ! He is now 27 and plays almost 27 to 28 musical instruments.

by Phalgunn Maharishi

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Being born into an artistic family, Subramanya Rao was influenced a lot by his mother who was a violinist and sister, a classical dancer. Subramanya is a graduate from D. Banumaiah’s and also pursued his Diploma in Audio Engineering from SAE Institute, Bangalore.

Subramanya started learning Mridangam under Bhakthavatsalam when he was just seven-years-old which he continued for the next five years. “I always had a keen interest in learning music from my very early age. My desire for the musical instruments led me to Raju Ananthaswamy who was then teaching Karnatak classical music at ‘Natana.’ I had been there to learn Karnatak vocals but instead started laying my hands on tabla and accompanied Raju Sir for nearly seven years,” said Subramanya while speaking about his early music classes.

Subramanya, whom we can consider as a bank of folk musical instruments, plays Djembe, Darbuka, Chende, Dholak, Dufna, Dholki, Tamte, Nagara, Mridangam, Tabla and many other percussion instruments totalling up to 20 and above — all which he can play at a time! According to him, some incidents which took place between himself and his family members have been real inspiration behind his desire to learn different musical instruments. He then explained, “My whole family is into music and my cousins and others used to jam together playing various musical instruments during our family gatherings. When I tried to join them, I was frequently being told to learn music and then touch the instruments. Such incidents helped me make my mind towards learning music.”

Subramanya is an active member of Mandya Ramesh’s ‘Natana’ from the past 11 years and has also worked with Dr. B. Jayashree’s ‘Spandana’ theatre group for a number of plays. He mainly concentrates on theatre music and acting and has worked for 1,069 plays as of now throughout the nation including repeated shows. He and Murali Sringeri have composed music for plays like ‘Dhaam Dhoom Suntaragaali’ which was performed in AHA! International Festival at Ranga Shankara, ‘Noorondu Huli’ and ‘Alilu Ramayana’ with Natana, Mysore. He has also attended Hampi Utsav, Sonda Utsav and National School of Drama’s Bharat Rang Mahotsav with Spandana Theatre Group.

Subramanya said, “My parents have always been my biggest support. Yes! My father was initially not happy with my decision of pursuing a career in music and theatre. He had a feeling of insecurity until I started playing percussion for the early episodes of Ede Thumbi Haaduvenu.” He also added, “Mandya Ramesh and Dr. B. Jayashree have supported me a lot in theatre and when it comes to music, Ravi Shankar of AarKey Creators has always been a backbone for me. Words are just not enough for me to thank them.”

Subramanya has accompanied many great artistes like Shankar Mahadevan, Praveen Godkindi, Ashwath, Praveen D. Rao, Pallavi Arun and Dr. B. Jayashree for their live concerts and albums. He has also worked as a rhythm arranger for many music albums among which “Marathenendare Mareyali Hyaanga,” “Thaaye,” “Ranga Ganapa” and “Bannada Badukina Chinnada Haadugalu” are noted ones. He also has worked with great composers like Harris Jayaraj, Ilayaraja, Shankar Ehsaan Loy and Guru Kiran for their film songs. His recent work was for a Hindi song “Havan Karenge” from Bhaag Milka Bhaag composed by Shankar Ehsaan Loy for which he has played Kanjira.

He also is a part of a renowned Mysore-based folk band known as “Haiklu” for which he handles the rhythm section. Lead vocals are by Nagesh, rhythm guitar by Pradeep Kiggal, bass guitar by Bobby Moyabo and many other folk musicians play on board with the band. The band has so far given several performances in Gokarnothsava, Shivaji Janma Dina at Ravindra Kalakshetra, Adichunchanagiri and Vanaranga to name a few.

While speaking about his work in Kannada Film Industry, Subramanya said, “It is sad, but there seems to be no value for creativity here. Almost all music composers except a few use pre-recorded loops. I am a small person to tell this, but as a musician I would love to be treated well in my own land by our own music composers.”

While speaking about his ambitions and aims in music, Subramanya said, “I am really ambitious to receive the prestigious ‘Ustad Bismillah Khan Yuva Puraskar’ given by Sangeet Natak Akademi. I never apply anywhere, but let’s see where the fate takes me,” with a confident smile. He even commented, “I am interested in teaching music; not in a commercial way but in a social way. I teach music for those children who are not able to pay fees and learn. I am now associated with Mythri Charitable Trust, Nireekshe and Raja Maja by Natana to teach music for such children.” He soon added, “Any such children who are unable to pay fees but interested in carrying forward the folk music can contact me. I would really be happy to teach them. I also admit that I keep travelling across the country and may not be available to teach them on a regular basis, but I surely will find time for them.” Musicians can be found in plenty, but with such great persona are very rare to be seen.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / July 08th, 2014

Ten-and-Half Rules to be a good journalist

“Meet or talk to at least one new person, whom you did not know, every day.” 

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Krishna Prasad, Editor-in-Chief of the national news magazine Outlook, was in city on July 1, 2014 to participate in the PRESS Day celebrations organised by Karnataka Media Academy and the Department of Information at Rani Bahadur auditorium in Manasagangotri. It was Star of Mysore that first discovered the journalist in this talented Mysore boy and published his writings. Later he started out as a stringer for The New Indian Express under the editorship of T. J. S. George while he was still studying electronics in college. He has also worked for The Sunday Observer (now defunct) and The Times of India.

He has edited the English daily Vijay Times (now converted into Bangalore Mirror). He joined Outlook as a reporter and later became the magazine’s special issue editor. In October 2008 he took over as editor of Outlook and now the Editor-in-Chief. Krishna Prasad, who publishes the popular blog, Churumuri, has also instituted the T.S. Satyan Memorial Awards for Photo-journalism (in memory of city’s noted photo-journalist) in association with Karnataka Photo News (KPN), a regional photo news agency based in Bangalore. Here we publish an article titled “Ten-and-a-half rules to be a good journalist” by Krishna Prasad, for the benefit of both the aspiring and working journalists. —Ed

By Krishna Prasad

My father was not a journalist. My mother was not a journalist. Nobody in our family was a journalist. I did not go to a journalism school. Or do a BA or an MA, or get a Ph.D in journalism. No teacher ever taught me how to become a journalist. I have never bought or read a book titled “How to be a Good Journalist.”

I say all this not to boast about myself but to draw your attention to the simple beauty of journalism — “The World’s Best Profession,” according to the Nobel Prize-winning author Gabriel Garcia Marquez — which welcomes thousands of utterly “unqualified” people like me to proudly call ourselves and earn a living as journalists.

This is a power — and a pleasure and a privilege — no other profession offers. Doctors, engineers, bureaucrats, police officers, teachers, beauticians, nurses… all of them have to attend classes, read textbooks, take tuitions, write exams and pass courses before they can “qualify.”

Not us, journalists. We are proud students in the “University of Life.” We are journalists not because we could not become doctors or engineers, but because all we wanted to be was journalists. Passion is the fuel that drives our profession.

Look around you and you will notice that most of India’s most influential names in English journalism are not “qualified” journalists. From George Verghese to T.J.S. George, from Aroon Purie to Arun Shourie, from M.J. Akbar to Vinod Mehta, from Shekhar Gupta to Swapan Dasgupta, from Cho. Ramaswamy to Arnab Goswami… none of them “studied” journalism to become journalists.

Neither did the great Editor-in-Chief of Harijan and Young India, Mahatma Gandhi.

There are fine exceptions, of course, like N. Ram of The Hindu who went to the Graduate School of Journalism at Columbia University, as did Barkha Dutt of NDTV. But, on the whole, it is fair to say that in India, only diploma-holders, graduates and post-graduates in journalism do not become good journalists.

On the contrary, on available evidence, the opposite is true.

To paraphrase the West Indian cricket writer C.L.R. James: “What do they know of journalism who only journalism know?”

This is not to decry the value of journalists holding a formal journalism degree or the fine work being done by specialised journalism schools and colleges in Universities. Just a statement of fact.

Why this is so simple: Journalism cannot be taught but it can be learnt. No one can teach you how to be a journalist but anyone, anywhere — male or female, young or old, urban or rural, rich or poor — can learn how to be a journalist.

This is not a new paradox. Even in the 1930s, the University of Mysore debated whether the subject of journalism should be offered as a course at all, since it is neither an art nor a science.

So, on the strength of having spent 28 years in journalism without a journalism degree, here are 10-and-a-half things which should help any journalist to become a good journalist — or anybody who wants to become a journalist.

10- DO WHAT YOU LOVE: Whether you want to be a political journalist or a business journalist or a cricket journalist or a film journalism, if you do not love what you do, your reader or viewer will not feel your passion. Choose your field not because somebody suggests it but because you want to. Be responsible for your life, don’t blame others for what you become or don’t become.

9- WAKE UP ANGRY, AMBITIOUS: Get the fire in your belly to do something with your life, to set right something in your village, town, city or country. Respond to injustice, inhumanity, corruption. Comfort the afflicted, afflict the comfortable. Don’t think it is somebody else’s job. As Gandhi said, “be the change you want to see.”

8- DON’T BE THE MEMBER OF ANY PARTY, GROUP, CLUB, NGO: Credibility is everything in journalism. Retain your independence. Do not be too close to any politician, businessman, film actor or PRO. Be skeptical not cynical. Don’t mortgage your integrity. It’s like virginity — once you lose it, you have lost it forever.

7- BE CATHOLIC OF WRITERS AND WRITING: Read newspapers, magazines, books, website across the board. Do not read only what you like but what you also do not like. Admire writers/writing irrespective of ideology. In the age of the internet, you have no excuses for your ignorance.

6- FIND YOURSELF A ROLE-MODEL/MENTOR: Have a hero (or heroine) who has been there and done that in journalism. Keep in touch with people who will help you achieve your aims. Meet or talk to at least one new person, whom you did not know, every day.

5- BE A THRIVER, NOT A SURVIVOR: Don’t coast along, don’t be afraid to try out something new. Aim high, dream, have an ambition, set yourself a goal. Take a risk, think big, think differently, don’t be predictable. At the same time, develop the stamina to withstand obstacles and defeats.

4- NEVER WORK WITH SUCCESS/ REWARD IN MIND: Work for fun and satisfaction, the rewards will come on their own. Don’t fall for cheap praise and don’t be stalled by even cheaper criticism.

3- WRITE, DRAW, SHOOT, CREATE EVERY DAY: Eventually your habits become you. Practice makes you perfect. Develop the three Ds — discipline, dedication, determination — and reward and recognition will naturally follow.

2- FEAR NOBODY, QUESTION EVERYTHING: You are in the business to get the answers. Don’t be in awe of big names, power, reputations, status. This business is all about meeting total strangers and asking them questions you wouldn’t ask your parents. There are no stupid questions, only dumb answers. Talk less, listen more. Be humble of your ignorance.

1-CHASE YOUR DREAM: Stop living for others, avoid temptation, life is not all about money. Let your reputation never be under question. It’s true — it’s possible to earn decently and live honourably as a journalist.

1/2 – And this half-rule: IF POSSIBLE, MARRY OUTSIDE THE PROFESSION: There’s nothing more boring and dreadful than waking up with somebody who goes through the same pangs and problems as you.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / July 07th, 2014

Kariya Kanbitta , an eye-opening movie on casteism and untouchability

Mysore :

Dr. B.R. Ambedkar Research and Extension Centre and Nele Hinnale together had organised a function at Rani Bahadur auditorium in Manasagangotri here yesterday to mark the screening of the movie ‘Kariya Kanbitta’ directed by Kavitha Lankesh followed by an open interaction.

The movie is based on the book ‘Dana Kayuvavanu’ written by Subbu Holeyar featuring trials and tribulations encountered by a dalit boy in society.

The audience which viewed the movie lauded Kavita for excellent portrayal of the onslaught of casteism and untouchability on dalits in society.

During the interaction, people opined that there was no discrimination between rural and urban areas as far as untouchability was concerned. They added that urbanites refrain from renting out houses to dalits. They commended Kavita for projecting the social system very close to reality.

Felicitating Kavita, State women’s Commission Chairperson Manjula Manasa opined that women in every sector were virtually turning untouchable.

District in-Charge Minister V. Sreenivasa Prasad viewed the entire movie sitting among the audience.

Dr. Ambedkar Development Corporation Managing Director Dr. R. Raju, litterateur Prof. Kalegowda Nagawara, Mysore University Registrar Prof. C. Basavaraj and others were present.

source: http://www.starofmysore.com / Star of Mysore / Home> General  News / July 07th, 2014

Bangalore to host first Israeli film festival

Project of new Israel consulate to open with classic Israeli tale of Indian Jewish immigrants.

A scene from "Turn Left at the end of the World."
A scene from “Turn Left at the end of the World.”

Israeli cinema continues to find new audiences as Bangalore, India gets its first official Israeli film festival, The Hindu reported Tuesday.

The festival debuts on Wednesday appropriately with the blue-and-white classic “Turn Left at the end of the World,” which recounts the tale of a family of Indian immigrants in a small development town in the Negev and their interaction with fellow immigrants from Morocco.

The year-old Consulate General of Israel in Bangalore is hosting the festival through the end of July jointly with Suchitra Film Society and Bangalore Cultural Partners.

Menahem Kanafi, Israel’s Consul General in Bangalore said he hoped the event would bring Indians and Israelis closer together culturally, according to The Hindu.

“The festival will expose [India to] the facets of life in Israel and point out universal connections between Israeli and Indian art and life,” he told a news conference.
Kanafi said nine films would be screened, including “Footnote,” a 2011 Oscar nominee in the Best Foreign Film Category, and “The Band’s Visit.”

Another film that should appeal to Indians is “Album 61,” a 2013 biopic on Israeli chess player Boris Gelfand, who has played against Indian legend V. Anand.

source: http://www.haaretz.com / Haaretz / Home> Life / Movies & Television / by Haaretz / July 02nd, 2014

City’s music scholar Dr. V.S.S. Acharya no more

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Mysore :

City’s noted music scholar and State Sangeetha Vidwan awardee Dr. V.S. Sampathkumar Acharya (86), a resident of Lakshmipuram, passed away here this morning after a brief illness. He leaves behind wife Sangeetha Vidushi D.S. Leela, son V.S. Mohanram and daughter-in-law Anjana. Last rites will take place in city this evening.

Profile: Dr. V.S.S. Acharya, after passing BA (Hons.) in History from Maharaja’s College, did his B.Ed and later MA from Benaras University. He got a Ph.D in History from Mysore University. He completed Hindi Visharada also.

Dr. Acharya developed a passion for music literature and has authored several books on music. He has also come out with an encyclopedia on music, making it understandable to a common man. During last Dasara, Dr. Acharya was honoured with the prestigious State Sangeetha Vidwan award given by Department of Kannada and Culture, at a function at the Mysore Palace.

source: http://www.starofmysore.com / Star of Mysore / Home> General  News / July 05th, 2014

Paintings of Heritage structures on show at Kukkarahalli lake

Artist Shivakumar explains about his art works to Sri Somanatheshwara Swamiji at the art exhibition being held on the banks of Kukkarahalli Lake last evening. Archaeology Department Commissioner Dr. C.G. Betsurmath and others are seen.
Artist Shivakumar explains about his art works to Sri Somanatheshwara Swamiji at the art exhibition being held on the banks of Kukkarahalli Lake last evening. Archaeology Department Commissioner Dr. C.G. Betsurmath and others are seen.

Mysore :

There are more than 25,000 heritage monuments in the State which need to be conserved, said Dr. C.G. Betsurmath, Commissioner, Department of Archaeology and Museums.

He was speaking after inaugurating a painting exhibition titled ‘Noda Banni Namma Mysoora’ at Kukkarahalli Lake premises in city last evening.

Drawings of heritage structures created by artist Shivakumar H. Doddarasinakere, were on display attracted a huge number of art enthusiasts. The paintings included that of Nalwadi Krishnaraja Wadiyar, Chamaraja Wadiyar, Jayamarthanda and Varaha gates of the Amba Vilas Palace, the Clock Tower, Lawns in front of the Palace, Devaraja Market, etc.

Sri Somanatheshwara Swamiji of Adichunchanagiri Mutt, Mysore branch, Director of State Vokkaliga Sangha Prasanna, member of Niranthara Foundation Prasad Kundur, Principal of Kalaniketana School of Arts K.C. Mahadev Shetty and others were present.

The exhibition will be open to public from 6.30 am to 6.30 pm till July 7.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / July 04th, 2014

Remembering Sir Mirza Ismail

Mysore city is blessed in more ways than many other cities of South India. Its location is ideal. An imposing hill with a temple of Goddess Chamundeshwari. River Cauvery flows just 12 kms away. River Kabini is just 35 kms away. A green cover all around with a salubrious climate. Even summer is forgotten as fast as one started complaining of the heat with the monsoon setting in by May end.

If these are nature’s bounty bestowed on our city, providence too has been kind with the Wadiyar dynasty ruling the Kingdom of Mysore with this city as its capital. And blessed are the people because the Kings who ruled after 1800 AD have all been good kings with most of them being patrons of art, literature and music. And during the long reign of Krishnaraja Wadiyar IV the Kingdom became a Rama Rajya as Gandhiji called it and the King himself was a Rajarishi. Philosopher-king. It was this king who ruled the kingdom with the help of renowned Dewans [Prime Ministers]. One among them was Sir Mirza Ismail.

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For some years I was a member of ‘Freemasons,’ sort of secret club known as The Grand Lodge of India, Lodge Mysore. Recently I was going through its publication known as ‘The Square and Compasses’ and was intrigued to find the name of Sir Mirza Ismail being mentioned in it in glowing terms just as his work in Mysore was much appreciated.

His name was mentioned in connection with the problems the ruler and administrators faced in the Kingdom of Jaipur, Rajasthan, from vested groups. The situation was similar to what happened during the building of the Great Temple in Jerusalem after Jews were freed from their Babylonian captivity after 70 years of exile.

It appears during the year of exile of Jews, there was no government of any kind in the country and many outlaws, murderers, debtors and others with dubious characters from neighbouring countries came and settled in the Jewish country, specially in the city of Jerusalem. These people resented the arrival of Jews, from their Babylonian exile, trying to restore law and order. There was daily strife between the two warring sides which compelled the labourers at the temple area literally to work with the ‘trowel in hand and sword by the side.’ This, of course, has become part of the traditional ritual in the Freemason ceremony.

Recalling this historic ancient incident, the report in the magazine connects it to an incident in modern times. It says, “In our own times, we have heard of Sir Mirza Ismail — Special Officer entrusted with the task of beautification of the city of Jaipur in Rajasthan. With undaunted courage and determination, he went on with pulling down dozens of houses as per his masterplan without fear or favour, even those of big and influential citizens who naturally tried to oppose his doings.”

No wonder the grateful citizens of Jaipur named a major road after Sir Mirza Ismail. Now compare this with ourselves. Is there a road named after this great Dewan of Mysore Sir Mirza Ismail? I don’t know. Is there a road named after Sir M. Visveswaraya? I do not know. Yes, someone told me there indeed is a Mirza Road but it does not run even a km length in Nazarbad. In Jaipur, I have seen Sir Mirza Ismail Road, a double road, running to a few km length in keeping with his stature. Yes, there is also one inconspicuous Circle named after Sir MV ! Could they not have a statue of Sir MV there just like the other two statues of Maharajas?

Incidentally, the message from the Grand Master Most Worshipful Brother Vasudev J. Masurekar, OSM, has the opening paragraph that takes you to 2nd century BC and then brings you to 2014 AD. It speaks of Delphic Oracle in Greece where I had been about five years back, hence my interest. The Grand Master says:

The temple of Apollo at Delphi, built in the 2nd century BC, has three phrases carved into the stone. First is, “Know thyself,” second “Nothing in excess” and the third is “Make a pledge and mischief is nigh.”

These three statements have made the Oracle of Delphi famous universally.

All the three statements are profound and impacts on every individual’s life. Because we do not try to know ourselves, we delude ourselves as someone that we are not. Buddha has taught us to follow the golden path, the middle path. Nothing in excess. Neither more nor less. The third statement is rather complex. No wonder over the centuries there have been many interpretations of these words and debates by philosophers and scholars.

However, let me venture to interpret the third statement in the light, nay in the dim light, of my own wisdom. It says, “Make a Pledge and Mischief is Nigh.” These are the days where politicians in our democratic country keep making pledges, from swearing on our Constitution, to protect and preserve it, to provide a good administration and infrastructure. But, our experience has been that they seldom keep their pledge. That is why I interpret this statement to mean, ‘when you make a pledge, you are near a mischief.’ You are upto some mischief! Read politician in the place of you. Howzzat?

e-mail: kbg@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Abracadabra….Abracadabra / by K.B. Ganapathy  / July 02nd, 2014

Lions Club gifts Auto to City’s First Woman Auto Driver

Veena, the beneficiary of Lions Club’s donation of an autorickshaw, is seen overwhelmed with emotion in front of the gifted autorickshaw along with her mother Lakshmamma.
Veena, the beneficiary of Lions Club’s donation of an autorickshaw, is seen overwhelmed with emotion in front of the gifted autorickshaw along with her mother Lakshmamma.

Mysore :

The first woman auto driver in city, Veena, was all smiles today as she got an autorickshaw from Lions Club of Mysore Heritage City at a function organised at the premises of Mangalore Motors on Dewan’s Road here today.

The Lions Club, which felicitated Veena during Women’s Day celebrations recently, had agreed to get her an autorickshaw and the keys of the same were handed over to Veena by Kiran Bolar, Proprietor of Mangalore Motors and President of Lions Club of Mysore Heritage City.

Speaking to Star of Mysore, Veena, 39, mother of two daughters, said that she was deserted by her husband 10 years ago and was living with her mother since then. She said that she was unable to eke out a livelihood by driving a rented auto and was now happy to have one of her own.

When asked about the behaviour of male auto drivers with her, she said that they were very cordial and had no qualms.

Club Vice-President C.H. Mallepura, Secretary Gangadharappa, Treasurer K.S. Kumar and Veena’s mother Lakshmamma were present.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / July 02nd, 2014