Category Archives: Arts, Culture & Entertainment

A person for whom every piece of wood is an inspiration

Intro: Imagine we are driving our car from Coorg to Mysore and on the way we find a bark or a branch of a tree on the road, and what do we do? We just keep moving our car! But that’s not the case with Venkataramana, who works as a technician at BEML, Mysore. He brings such naturally available barks and branches of trees and transforms them into show-pieces or even furniture. Venkataramana, who has stepped into his 50th year recently, is from Kodagu district but settled in Mysore from past 24 years. After completing his Bachelors in Arts and ITI, he joined BEML as an apprentice and later got his permanent job there itself. He has developed a keen interest in his art of creating something productive using the waste wooden pieces found here and there since his early teenage.

“I bring home stems, prop roots, branches or even barks which I come across at any place and dip them inside a tank of water or in a lake nearby my native town for two to three months. Then I remove the outer skin using a screw driver and wash the wooden piece with brush to get rid of dust and unwanted materials to smoothen it. Later, I dry the moisture out and prepare the design completely using a hacksaw blade and even an electric wooden cutter when needed. Once the design is done, I apply varnish to it and it is all set to be displayed majestically.”

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 by Phalgunn Maharishi

When I was in PUC, I frequently saw my grand-father indulging himself in such works and learnt a lot by merely observing him. It always thrilled me to lay my hands on such naturally available wooden pieces and mould them into future antiques and decorative modern art,” says Venkataramana while talking about his early teenage interest in the art. His first work was a small wooden showpiece which resembled a crane for which he had won the first prize in a local exhibition held 25 years ago in Madikeri.

In his home, one can find a number of modern artistic items like TV stand, centre table, helmet stands, dried vegetables hung on the wall in a decorative manner and a lot more. But never get confused and ask where and for how much were they bought ! Each and every piece of such marvelous work has been created by Venkataramana himself after returning home from his work everyday.

While speaking about how he gets the idea for every particular piece of work, Venkataramana says, “Every piece of wood in itself is an inspiration for me. Once I had found a natural wooden piece at my aunt’s place in South Canara which looked a lot more like an elephant head with one side bigger and the other side smaller like a trunk. The moment I saw it, the first thing that struck my mind was that the wooden piece was perfect for an abstract looking showpiece of Lord Ganesha and hence I carried it with me.”

Venkataramana has sold hundreds of wooden showpieces at various exhibitions including JSS Urban Haat, Swadeshi Mela and Dasara Exhibition. He also has sold his showpieces to many wooden furniture dealers from Kerala who have bought from him with the purpose of reselling them in Kerala. His one such modern work can be seen at the city’s Infant Jesus Church on Hunsur Road. A huge wooden candle stand was made by Venkataramana when a devotee approached him in 2006 with the order. He has also been an active member among a group of BEML employees who have worked on the tableau cars every year during Kannada Rajyotsava procession by BEML.

“I bring home the stems, prop roots, branches or even barks which I come across at any place and dip them inside a tank of water or in a lake nearby my native town for two to three months. Then I remove the outer skin using a screw driver and wash the wooden piece with brush to get rid of dust and unwanted materials to smoothen it. Later, I dry the moisture out and prepare the design completely using a hacksaw blade and even an electric wooden cutter when needed.

Once the design is done, I apply varnish to it and it is all set to be displayed majestically”, says Venkataramana while talking about the procedure he follows.

He says that he always completes a showpiece with minimum possible investment and adds “Varnish and time are the main investments for me,” with a mystical smile!

Venkataramana also has his interest in growing herbal plants like Baje, Hippili, Nimbehullu, Madhunashini and Nerugala to name a few. “We never go to doctor or take any other medicine, but we use the herbal juices from our plants and use them as first aid in our family,” Venkataramana proudly says while speaking about his roof top herbal garden. He adds, “My friend B.A. Suresh inspired me in growing plants many years ago when I had visited his home and seen varieties of Bonsai plants. He gave me a few plants to look after and today the number of Bonsai plants in our home has grown to 150.” He says his wife Devaki too helps him a lot and is a moral support for all his hobbies.

He is also a specialist in cross-breeding flowers and fruits. He takes two different types of flower plants, intersects and cross breeds them. He also has received a few awards from various organisations like Dasara Fower Show, BEML Karmikara Samithi, Sthree Shakthi Mahila Prathishtana and more for his vivid interest in his artistic hobbies. Such unique talents and people are to be supported by the citizens more and more.

[Venkataramana can be reached at: 93418-20306]

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / August 08th, 2014

“Yakshagana is a rare art form, preserve and nourish it’

Veteran Yakshagana artiste Kumble Sridhar Rao being presented with late Siddakatte Chinnappa Shetty Memorial Award by cardiologist Dr. Bellippadi Shyam Prasad Shetty at a function held at Jaganmohan Palace last evening. Others seen are (from left) Dr. Bellippadi Satish Rai, Dr. Malali Vasanth Kumar, Sri Maheshatmanandaji, Yakshagana scholar G.S. Bhat, Star of Mysore Editor-in-Chief K.B. Ganapathy, Dr. Sudhir Shetty of Labland Biotech, Kannada Sahitya Parishat President Chandrashekar and SDM Women’s College Principal Prof. Damodar Gowda.
Veteran Yakshagana artiste Kumble Sridhar Rao being presented with late Siddakatte Chinnappa Shetty Memorial Award by cardiologist Dr. Bellippadi Shyam Prasad Shetty at a function held at Jaganmohan Palace last evening. Others seen are (from left) Dr. Bellippadi Satish Rai, Dr. Malali Vasanth Kumar, Sri Maheshatmanandaji, Yakshagana scholar G.S. Bhat, Star of Mysore Editor-in-Chief K.B. Ganapathy, Dr. Sudhir Shetty of Labland Biotech, Kannada Sahitya Parishat President Chandrashekar and SDM Women’s College Principal Prof. Damodar Gowda.

Mysore :

“According to our culture, drinking water is panneeru (rose water) and the food we eat is prasadam. If we imbibe our nation’s culture, every household will become a Nandagokula (the place where Lord Krishna spent his childhood),” said Swami Maheshatmanandaji of Ramakrishna Ashram, Mysore.

He was delivering the presidential address at the valedictory of the five-day ‘Yaksha Panchami’ programme held under the aegis of Bellippadi Yaksha Samskruthika Trust at Jaganmohan Palace in city last evening.

The Swamiji said that Yakshagana is a rare form of art through which the entire epics of Ramayana and Mahabharata can be presented in a night’s dance performance.

“Our culture and traditions must survive and flourish. A total of five crore Sanskrit books were sold at the World Sanskrit Mela which shows that the westerners are more interested in Indian culture and traditions,” he said.

Litterateur Dr. Malali Vasanth Kumar, who was the chief guest, said “Yakshagana is the only art form which depicts literature, art, music and dance simultaneously on the same forum” and added it is not easy to depict the intensity of emotions of a character only through facial expressions.

SOM Editor-in-Chief K.B. Ganapathy, speaking as the guest of honour, said, “I had nothing to do with Yakshagana. I was under the impression that Yakshagana meant lot of noise. But I was introduced to this art form through my friend Dr. B. Satish Rai.”

“Though the art originates from Dakshina Kannada district, the artistes portray a whole story from the Puranas in chaste Kannada, without uttering a single word of Tulu or English languages,” said Ganapathy and opined that the art form must be given more encouragement by the Kannada and Culture Department.

Veteran Yakshagana artiste Kumble Sridhar Rao was presented with the late Siddakatte Chinnappa Shetty Memorial Award by cardiologist Dr. Bellippadi Shyam Prasad Shetty.

Trustee Dr. Bellippadi Satish Rai, District Kannada Sahitya Parishat President Chandrashekhar, SDM Women’s College Principal Prof. Damodar Gowda, Yakshagana scholar G.S. Bhat, Dr. Sudhir Shetty of Labland and others were present.

The programme concluded with staging of Yakshagana Sahasra Kavacha Moksha.

source: http://www.starofmysore.com / Star of Mysore / Home> General News  / August 08th, 2014

Mohare Hanumantharaya Award to KBG, Raghavendra Joshi

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TSR award to Arjun Deva, Eshwar Daithota

Bangalore :

The State Government on Wednesday announced Mohare Hanumantharaya and TSR awards (2012 and 2013) for senior Journalists.

Star of Mysore and Mysooru Mithra Editor-in-Chief K.B. Ganapathy (KBG) has been selected for the prestigious Mohare Hanumantharaya award for 2013 while Nirbheetha Editor Raghavendra Joshi of Belgaum bagged the award for 2012. Joshi was earlier serving as Editor of Nadoja Kannada newspaper published from Belgaum.

Senior Journalists N. Arjun Deva and Eshwar Daithota (P.S. Eshwar Bhat) have been selected for TSR award for 2012 and 2013 respectively.

The selection committee headed by retired High Court Judge Arali Nagaraj and comprising P. Ramaiah and Jayaram, both former Chiefs of Bureau of The Hindu and Dr. R. Poornima, former Editor of Udyavani as members, has chosen these senior journalists in recognition of their contribution to Journalism.

Both awards carry a purse of Rs. one lakh each and a citation.

CM Siddharamaiah will present the awards at a function to be held at Bangalore in October.

About the awards

While TSR Award recognises life-time achievement in the field of Journalism, Mohare Hanumantharaya Award is in recognition of setting up of a Kannada newspaper and dedication to its growth.

Both the above awards given every year by the Karnataka Information and Publicity Department carry Rs. one lakh cash reward.

Late T.S. Ramachandra Rao (TSR), as the Editor of Prajavani, was famous for his column Choobaana.

Late Mohare Hanumantharaya was a freedom fighter from Bijapur district. After working as the Sub-Editor and Editor of Karnataka Vaibhava weekly in Bijapur, he joined Samyukta Karnataka as Editor and later became its Managing Editor. He started Kannada’s first digest Kasturi in 1956.

source: http://www.starofmysore.com / Star of Mysore / Home> General News  / August 07th, 2014

Restore the glory of Jaganmohan Palace

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by Vasanthkumar

Mysoremath

Recently, I attended a function at the auditorium of Jaganmohan Palace and was shocked to find that the famous heritage structure is almost crumbling into bits and pieces. Found even the famous art gallery that holds invaluable heritage artifacts, paintings, etc. badly maintained.

Jaganmohan Palace is one of the seven grand palaces of the former Maharajas of Mysore. It was completed in 1861 and was initially used by the Kings of Mysore as their home (when the present majestic Amba Vilas Palace was under construction after the old wooden palace turned into ashes owing to a fire accident). Jaganmohan Palace then became an alternate retreat for the royal family. It is now known as Sri Jayachamarajendra Art Gallery with a function hall. Nalvadi Krishnaraja Wadiyar, the IV Scion, was installed to the Mysore throne, in a ceremony held inside the Jaganmohan Palace. The Palace was used for his daily Durbar by the king and also the special Dasara durbar. The first session of the Legislative Council was held in Jaganmohan Palace and was presided over by Dewan Poornaiah (the then Prime Minister of the State).

Later, Sri Jayachamarajendra Wadiyar converted the Palace into a trust and opened it for public viewing; in 1955, it was converted as an Art Gallery and was named as Sri Jayachamarajendra Art Gallery.

Incidentally, it is reported that the Bungalow at Yelandur in which Dewan Poornaiah and his family resided has been taken on lease for 33 years and is being developed as a memorial-cum-museum and a park is being developed around the house at a cost of more than Rs.178 lakh (SOM dated July 26).

While this is a welcome move by the State Government, the existing famous heritage Jaganmohan Palace that should have been a showpiece and tourist attraction is very badly maintained. The interiors of the Art Gallery are ill-maintained, invaluable artifacts are gathering dust, paintings are unprotected and are exposed to dust, heat and light; murals on the walls have been damaged due to water seepage, humid condition and poor lighting are robbing the originality and there is utter neglect in maintaining the very structure of the gallery.

The well designed and spacious auditorium is leaking, a lot of waste material is dumped in the first floor with full of dust and grime, window panes that once contained artistic glasses are broken, the roof of either sides of the central hall are full of holes and leaking, the stage is unkempt and there is an air of unhealthiness as one enters the hall.

Vacant premises in and around the Palace is badly maintained, being exploited as a commercial space for parking of visitors vehicles, uncontrolled littering and the entire area is an apology for a park; surrounding vacant space is being misused even as urinals for the thousands of visitors who visit the famous heritage structure.

There is an urgent need to restore the Jaganmohan Palace to its original glory by attending to maintenance aspects of Art Gallery, its priceless artifacts, restoration of paintings, murals etc., by competent team, and proper repairs and periodical maintenance of this beautiful auditorium structure and such other similar heritage structures in Mysore City, under proper supervision. This negligent attitude of all concerned in maintaining this priceless gallery and the Jaganmohan Palace may be brought to national attention so that it may be handed over to a more competent restoration team and management.

In addition, the presence of century old paintings in the art gallery must also be brought to the notice of UNESCO, if not already done, so that the issue can be taken up seriously for gaining international recognition and proper maintenance/upkeep under proper supervision.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / August 05th, 2014

Cirlcle in memory of Dr. H.C. Vishnumurthy

The 8 ft. tall stone sculpture spreads message of oneness; Former CAVA student designs art work

(Top Left ) Stone brought from Sadarahalli being lowered at the circle in Nazarbad. (Top Right) The sketch drawn on the stone for carving the sculpture. (Bottom)  The sculpture that symbolises 'Welcoming all' to spread the message of oneness.
(Top Left ) Stone brought from Sadarahalli being lowered at the circle in Nazarbad.
(Top Right)
The sketch drawn on the stone for carving the sculpture.
(Bottom)
The sculpture that symbolises ‘Welcoming all’ to spread the message of oneness.

Mysore :

A stone sculpture spreading the message “We are all one” has come up in Nazarbad making it as one of the attractive circles in city.

Mysore, known as the Cultural Capital and Heritage City, has added another artistic circle spreading the message of oneness.

The circle is named after late Dr. H.C. Vishnumurthy, Founder of Gopala Gowda Shanthaveri Memorial Hospital, who was also a writer, thinker and a social reformer.

Former MLC D. Madegowda had urged the MCC to name a circle or a road in the surroundings of the Hospital after Dr. Vishnumurthy and the MCC during a meeting decided to name the new circle opposite Ginger Hotel in Nazarbad after Dr. Vishnumurthy.

K. Lokesh, a BFA graduate in Graphic Designing from CAVA and a resident of Kuvempunagar in city, designed the art work. Speaking to SOM, he said that it was decided to install an unique stone sculpture at the circle as the family members of Dr. Vishnumurthy had told him that the sculpture should spread the message of oneness to the public.

According to their instructions, he created a design and showed it to them which they accepted. He further said that a 10 ft. height stone which was six feet wide and weighing nine tonnes was brought from Sadarahalli to the city and sculptor Roopesh with the help of two other artists created the sculpture in 25 days.

The sculpture is now 6 ft. tall, five feet wide in the bottom and three feet wide on the top with a carving of a human spreading the hands etched into the stone. “The open hands symbolises welcoming everyone and is a abstract work,” said Lokesh.

The MCC wanted a statue of Dr. Vishnumurthy to be installed but Dr. Rekha, wife of late Dr. Vishnumurthy and family members did not want that. Instead, they requested the MCC to install a artistic sculpture spreading the message of oneness in society. They also wanted an artistic sculpture as it went with the idea of Mysore being a cultural city.

Interestingly, the family also told the MCC that since there is water scarcity, the circle be developed as a dry one by using pebbles to decorate the circle instead of plants.

Dr. H.V. Santhrupth, son of late Dr. Vishnumurthy, speaking to SOM, said that he was grateful that the MCC and Mysoreans had acknowledged the contribution of his father to health care, education and literature. He said he was also thankful that the MCC agreed to his family’s request not to install a statue or bust of his father and instead have put a artistic sculpture.

Dr. Santhrupth also added that it was time the MCC created circles that were artistic and added ” It not only encourages artists, but also become a taking point among tourists and Mysoreans. It will also promotes Mysore’s image as an cultural and heritage city.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / August 05th, 2014

Groundwater sanctuary

The picture at Lalbagh / The Hindu
The picture at Lalbagh / The Hindu

It looks like Basavanagudi is lucky to have a good water table with a lot of open wells capable of providing water to its residents right through the year.

The Indian Institute of World Culture is located in the locality of Basavanagudi, one of the oldest layouts formed in the city in the 1890s. The road on which the building is situated is called the B.P. Wadia Road and is named after the founder of the IIWC, which was established in 1945. There is an excellent library for adults and for children on the rather large campus with the typical old style Bangalore building. Many old timers come to listen to lectures organised in the evenings on various topics. I was there to speak on the culture and tradition of the open well in India.

Since I was early I wandered about the premises speaking to the person looking after the garden and the premises in general. Casually I asked him if there was a well in the area. To my surprise not only did he take me and show me a functioning well but also assured me that the water was crystal clear and sweet.

The well, safely enclosed in a pumping room, dates at least to the 1940s and has been supplying water unfailingly ever since. Devaiah also told me about a large stone lined and stepped open well next to the building which was also there for long. It has now been filled up and a multi-storeyed apartment has come in its place. The apartment has drilled a borewell to supplement its water needs.

Two recharge wells

The Institute has done a nice thing for the well. It has taken all the rooftop rainwater from the two large building blocks on its premises and put it into two recharge wells 10 ft. deep. This ensures that the entire rainwater goes into the aquifer, thus enhancing groundwater levels.

In front of the Institute is the famous M.N. Krishna Rao Park. Here also is a water reservoir of the Bangalore Water Supply and Sewerage Board (BWSSB). This reservoir is filled daily from waters of the Cauvery a 100 km. away and 300 metres below the city. Ironically it also probably sits on a shallow aquifer with a high groundwater table that it ignores.

The area now known as Gandhi Bazaar was built upon a tank called Karanji Tank. This is close to the Institute. On the other end, not far away, is the Lalbagh Lake. Hyder Ali began the famous Lalbagh gardens with three wells for irrigation, says the traveller and chronicler Buchanan. It looks like Basavanagudi is lucky to have a good water table with a lot of open wells capable of providing water to its residents right through the year.

It only remains that we remember the well as a source of good and cheap water, that we protect and preserve the catchment so as not to pollute the resource and that we enhance it through rainwater harvesting measures. Areas such as these should be designated as groundwater sanctuaries and the groundwater legislation used to sustainably maintain that most precious of all resources for this city — water.

As a famous writer once said, this is a fight between memory and forgetfulness. The memory of the well must be retained and must be integrated with modern water needs but in ecological fashion.

source: http://www.thehindu.com / The Hindu / Home> Features> Habitat / by S. Vishwanath / August 08th, 2014

Now, you can adopt plants at Mysore Varsity

While the animal adoption scheme of Sri Chamarajendra Zoological Gardens has become a big hit among animal lovers, the University of Mysore is mulling over initiating ‘Plant Adoption’ programme in a bid towards nature conservation.

The green friendly plans in the making is part of the Green Campus programme undertaken by the university under the University for Potential Excellence. The previous UPA government had allocated Rs one crore for the plantation drive, and the varsity had received Rs 50 lakh, said, Prof V Ravishankar Rai, Coordinator of the programme.

Rai said that through the Plant Adoption programme, the varsity wanted to involve youngsters, especially students and general public to keep the green cover intact, and also enhance the same with exotic and ornamental plants.

The varsity will provide the sapling for free, and also the space at its 700 acre odd campus comprising Manasagangotri (PG campus), Maharaja’s College and Yuvaraja’s College, he added. He also said that people will be allowed to bring saplings of their own choice. “To develop a bonding towards the nature, they will have to nurture the plants on their own,” said Rai.

A similar endeavour has been taken up at Tumkur University as part of the curriculum. A student who successfully nurtures the plant will be given bonus marks. Similar activities have also been undertaken at a larger scale in several foreign universities, said Rai.

As part of the green drive, works were underway to develop gardens both with natural and mexican grass, besides planting flower bearing and fruit bearing saplings to develop the food chain for birds and flies.

In the last three years around 5,000 saplings have been planted  in the campus by the Horticulture department of the varsity. Under the recent programme, 1,500 of the total 2,000 saplings have already planted. On Friday, the planting exercise was completed in the area surrounding the main building of University College of Fine Arts.

source: http://www.deccanherald.com / Deccan Herald / Home> District / by Sreekantswamy B / Mysore – DHNS, August 08th, 2014

Harish Hande | Here comes the sun

This innovator made the solar lamp a vehicle not just for electricity, but for education and independence.

Harish Hande visits Rosamma Vergies in Vandse village, Karnataka. Her home is fitted with a two-light solar system. Photo: Gireesh GV
Harish Hande visits Rosamma Vergies in Vandse village, Karnataka. Her home is fitted with a two-light solar system. Photo: Gireesh GV

Freedom from darkness | Harish Hande

Harish Hande doesn’t care about electrifying India, he wants the solar lamp to transform this country. Of course he was pleasantly surprised when newly appointed Prime Minister Narendra Modi said he would back the growth of solar power so that every household in India has at least one lamp by 2019, but Hande has also observed, for the last 15 years or so, that the ministry of new and renewable energy unfailingly gets a new secretary every six months. “Some don’t feel it’s an attractive post, some are quickly shifted, some retire,” he says with the air of a veteran who has figured out how to make things work despite policymakers.

But these are all relatively minor niggles. Hande, 47, won the Ramon Magsaysay Award in 2011 because the ideas at Selco (Solar Electric Light Company—India), the solar energy equipment supplier company he co-founded in 1994, shine brighter than the lights it sells to the poor.

Take, for instance, Selco’s Light For Education project whose participants include around 30,000 children in Karnataka. Solar panels are installed on school premises and the battery, about the weight of a lunch box, is given to children. Children charge the batteries when they come to school. If they don’t come to school, there’s no light at home. “We stole the idea from the midday meals scheme,” says Hande. Stole and innovated.

Or the way Selco tackled the unique problem faced by a community of poor drum-makers in Bangalore. They were willing to pay for solar power, but they had one condition. They were often evicted, with only 15-20 minutes to gather their belongings. Could Selco design a system they could run with? No problem, a design school graduate who works at Selco conjured up a solar system on a cart.

Around 1.2 billion of the world’s population doesn’t have access to reliable electricity, and 400 million of these people live in India. Hande, who jokes that while growing up, his bread and butter came from a coal-fired plant in Rourkela (his father worked in power distribution at the Steel Authority of India), understood early that coal and gas wouldn’t be enough to meet India’s growing energy needs.

Yet, as an energy engineering student at the Indian Institute of Technology, Kharagpur, and a doctoral student at the University of Massachusetts, US, Hande’s interest in solar was restricted to its supply security dynamic (the sun as a source of energy is limitless) and its environmental impact. Until a visit to the Dominican Republic in 1991 taught him a new lesson in thermodynamics. He saw the poor paying for solar lights and realized that renewable energy could be a catalyst for social change. So he spent the next two years in Sri Lanka and India—in darkness.

He took time off to see how communities in both these countries lived without electricity. “I realized I didn’t know what happens after 6pm. We were just making decisions based on Excel sheets,” he says. He learnt a few things: The moment you don’t know a language (Sinhalese), the artificial hierarchies of a formal education crumble and you are treated like anyone else; none of his formal education was useful, except perhaps the confidence he had gained by living in a hostel. In Sri Lanka especially, communities came together after dark, usually in Buddhist temples, to vent their frustrations; in India, the lost time was usually spent in isolation and the kerosene lamp made people even more depressed. “It was my most efficient period of time, I joke,” he says. That’s also probably when he realized that the poor don’t want sympathy. They want partners and collaborators.

He worries about the hierarchies he believes English-speaking India imposes on the rest of the country. He knows he may not be able to influence the thinking of a top dog at a Bangalore-based research firm who asks him how he ever manages to have “intellectual discussions” in rural India. Or the suit who eagerly shares that his children “teach” their rural counterparts every weekend. But he hopes he can someday convince urban children to partner with fellow Indians who don’t speak their lingo. “How do I tell kids that we are all part of the same society? That they need to learn from each other to create some sort of social equity? How to make kids interested in solving problems?”

Selco gets hundreds of internship applications from masters’ and PhD students every year but very few are Indians. Of the 300 applications last year, five were from this country. “I’ve now resorted to guilt-tripping parents and students when I speak to them. In the next 10 years if you complain that Americans and Europeans know more about India than you do, then you are to blame, I tell them,” Hande says.

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“How do I tell kids that we are all part of the same society? That they need to learn from each other to create some sort of social equity?”
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At Selco at least, they try to break these barriers. Nearly 85% of Selco’s employees, including chief operating officer Mohan Hegde (a practising folk artist on weekends), come from rural India. Hegde and K. Revathi, president, have been running the company since 1 June when Hande retired as managing director to take charge of the Selco Foundation, the company’s think tank. All the brainstorming for solutions and innovations to help fight poverty takes place at the foundation. The business side executes the ideas and the company’s incubation cell teaches entrepreneurs how to replicate these successes across India (four projects are already under way in Manipur, Rajasthan, West Bengal and Madhya Pradesh; Selco is helping 25 more entrepreneurs raise funds).

Formal qualifications are not a prerequisite for any job at Selco. Twenty-eight-year-old Raghu, who greets me when I arrive and gets us tea at the Selco office in Bangalore, started out as a driver and now handles administrative duties. “He’s going to be a branch manager by the time he’s 32. That’s our goal for him,” says Hande. In rural areas they joke about Selco’s hires: Are you part of the laptop or the non-laptop crowd?

Hande checks all the boxes of someone who truly believes in sustainability. He doesn’t own any asset, he says he has about three-four pants and shirts, he borrows his father’s 1994 Maruti 800 when he needs a car, and his daughter Adhishri was 8 when she first started saying: “Is it needed or is it wanted?”

He got his cues from mentors like Neville Williams, his co-founder and a solar energy pioneer who made it to the CIA watch list after a trip to Vietnam to protest the “American War”; from photographer Jon Naar, who was a British spy in World War II; and from Paul Maycock, who predicted way back that the cost of producing solar energy would plunge by 2015. “These are guys who talked about sustainability in a very different manner. I miss their passion. Now you go to a meeting and it’s all about ties and suits.”

Hande sees the poor as asset creators, and not as a bottom of the pyramid sales opportunity. “Don’t sell to the poor. That’s our fundamental rule. And if you’re selling to the poor, make sure that the value you’re giving to the poor is much more than the monetary value they give you back,” he says.

So when Selco representatives found that 32 Sidi families in rural Karnataka spent more money annually on candles, kerosene and to charge their mobile phones than it would cost to set up a simple solar system, they had to fix this. No bank was willing to lend the money to these families, so Selco offered a 100% guarantee on their behalf. Six months later, the bank reduced this guarantee to 20% as the payments were regular. “The best response was from the Sidis,” says Hande. “They said, light is great but once the solar loan is done, I will take a loan for a sewing machine.” They had become bankable.

source: http://www.livemint.com / Live Mint & The Wall Street Journal / Home> Lounge> Business of Life> Indulge / Home -Leisure / Priya Ramani / Saturday – August 09th, 2014

Wielding a scalpel and strings

Thomas Chandy. Photo: Bhagya Prakash K.
Thomas Chandy. Photo: Bhagya Prakash K.

Dr. Thomas Chandy has a collection of over 400 musical instruments from around the globe.

Meeting Dr. Thomas Chandy is not easy. The chance to see the orthopaedic surgeon’s collection of over 400 musical instruments was cancelled twice as the good doctor is called away for emergency operations. Finally when we do meet up, the musician-doctor takes us through his collection, which is arresting not just for its variety, but also for the insight it offers into Dr. Chandy’s interests. Walking through his house, is like stepping back in time.

A range of antique swords are on the ground floor and a host of musical instruments, including an ancient harp, occupy vantage points in his drawing room.

“I would advise everyone to be associated with music from a young age,” says Dr. Chandy, who first sang in a church choir when he was barely seven. He was later trained to play the guitar, saxophone and the piano. “Learning an instrument is a bonus for surgeons. Like musicians, brain-eye-hand co-ordination is vital for us.”

Dr. Chandy is Chairman and Managing Director of HOSMAT, and has done 30,000 operations in 30 years. After graduating from St. John’s Medical College, Bangalore, he moved to the U.S. in 1976 for his residency and returned to India in 1993 to start an orthopaedic, neuro and accident-trauma hospital.

“I am spiritual and worship my music,” says Dr. Chandy as he leads us into the humidity-controlled space that houses his instruments. Neatly stacked and labelled, he picks up each to play and explain. As he plucks on the strings of the harpsichord, he explains that it usually has two keyboards with two or more strings for each note. The concert harp and the 100-year-old lute from Germany have their sounds intact.

The U.S-based Society of Musical Instrument Collectors has recognised his collection as the biggest in Asia. Amongst his priced possessions are the South American Marimba (a large wooden percussion instrument with resonators;) a pedal steel guitar, a Steinway piano; a vibraphone; the stringed Chinese koto and the oldest 14th century keyboard clavichord from Germany. “I also made an electric guitar while I was in PUC.”

Thomas Chandy. Photo: Bhagya Prakash K. / The Hindu
Thomas Chandy. Photo: Bhagya Prakash K. / The Hindu

Plucking on the psaltery that looks a giant violin, the doctor says: “I have nearly 70 guitars, more than a dozen saxophones and western flutes, several clarinets and host of percussion instruments including drums, marimba, xylophone and the Indonesian Anklung.”

Dr. Chandy, is a jazz vocalist, and heads the 14-year-old ensemble, Jazz Revival Band. The deep-toned native Australian Didgeridoo is an aboriginal wind musical instrument that looks like a straight wooden trumpet. Dr. Chandy remembers the instrument being confiscated by airport authorities as it looked like a missile!

He has travelled 15 times around the globe for his instruments that are from the U.S., Africa, China, Japan, S. America and Europe. Growing up in a family interested in music, young Thomas was warned by his strict father that music could be pursued, but not at the cost of studies. St. Germain High School at Frazer Town provided opportunities for weekly jam sessions at 3 Aces and Gaylords restaurants. “The pocket-money we earned made us enjoy our singing much more,” says Chandy, who nurtured his vocals and tried his hand on the guitar during his college days at St. Joseph’s College days. “Being part of music groups helped me develop team-spirit apart from being noticed by girls!”

Chandy moved from rock to folk music during his third year at St. John’s Medical College forming the Barbershop Harmony group. Later moving over to the U.S. was a boon not just for his post-graduate studies, but for his formal study of Western music at the Brooklyn Conservatory of Music in New York. On his return to India, Dr. Chandy joined the Bangalore School of Music and built the Cecilian Choir. “Music is therapeutic and invigorating.”

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society / by Ranjam Govind / Bangalore – August 05th, 2014

HISTORY OF WHITEFIELD – Once an Anglo-Indian village, now an upmarket suburb

Whitefield’s history dates back to 1882 when David Emmanuel Starkenburgh White decided to set up ‘a self sufficient Anglo-Indian village’. 

Whitefield – what kind of images would this name evoke? most likely IT – a glass and steel building, the Technology Park or maybe even the Sai Baba Ashram, anything but a village. Well, Whitefield or rather the old settlement of that name certainly qualifies as a village and a lost one at that.

I first visited the old settlement more than a year ago in connection with another research project and was fascinated by its circular planning and wished to know more about its history. My starting point was of course, Lewis Rice’s 1887 Mysore Gazette. In it he describes Whitefield as, ‘the principal of the Eurasian and Anglo-Indian settlements in the east of Bangalore taluq’, named after D S White…‘it is 2 miles south of the railway station of the same name and 12 miles east of Bangalore’. I pursued my interest a bit further and finally with the aid of Indian National Trust For Art and Cultural Heritage (INTACH) the first phase of my research into tracing the origin and evolution of the settlement is nearly complete.

The view of Whitefield from Kaolin Hill, with new high rise buildings in the distance./  Pic: Meera K
The view of Whitefield from Kaolin Hill, with new high rise buildings in the distance./ Pic: Meera K

Whitefield’s history goes back to 1882 when David Emmanuel Starkenburgh White decided to set up ‘a self sufficient Anglo-Indian village, one where everyone would work towards the common good and no man would own property. White, himself an Anglo-Indian, was founder and first president of the Anglo-Indian Association of Madras and instrumental in setting up the Coorg and Mysore branch. This branch petitioned the Government on behalf of the Association for land and was granted nearly 4000 acres of it by the Maharaja of Mysore on ‘very favourable terms’! White’s vision was that the settlers would take to agriculture and gradually develop into a community of self sustaining farmers.

Ten years after its establishment, the 1897 edition of the Gazette states that, ‘as of 1889 the settlement had 25 families of which 6 were non-resident, numbered 115 people in total, 12 cottages built on the village site and 14 farmhouses built on the surrounding land. It mentions ‘a Roman Catholic Chapel and parsonage, a Protestant Church and parsonage under construction, a school with 31 pupils with residence for the Head-master and wife, who assisted him in the teaching’.

So did the idea of a farming village succeed? There appears to have been doubts about this even way back then. At the least, did any physical remains of the village survive? Yes and no, but first, the route to get us to the place. When I visit the settlement, I prefer to drive past International Tech Park, Bangalore (ITPB), take a right turn at Hope Farm junction, go past the Coffee Day and turn right onto the road opposite the Reliance Fresh outlet and there you are! Why this route, well, the stretch from Hope Farm to the settlement was also the historical route when you could ‘arrange for a bullock cart or tonga for 8 annas to get you to the settlement from the railway station of the same name’. In the late 1800s you had to write to Rose White to make arrangements for the same but today I guess you can make it on your own steam.

Further, you would be following the footsteps of a number of historical visitors including Lord Connemara, who visited the place in 1890, when he was the Governor of Madras. It is written that he rode on horseback and stopped at the pass between Kaolin Hill on the right and Hamilton Hill on the left to get his first view of the settlement in the valley below. Kaolin Hill still survives as part of the Roman Catholic Church property, housing the Stations of the Cross, while its opposite number has been cut up for some development (probably apartments).

Inside the Memorial church, Whitefield.  / Pic: Meera K
Inside the Memorial church, Whitefield. / Pic: Meera K

Moving on, the road you turn onto abuts the Memorial Church property – the original Protestant Church, which is still pretty much as it was originally. The road leads to a central circular open area, currently sub-divided into a park and a playground. This central area was the original ‘village green’ with the village pond to one side, which was filled up sometime in the early 2000’s and replaced with a concrete ornamental fountain! Thus regularly flooding all the houses on the low lying side of the settlement, where earlier all the storm water was diverted into the pond in a planned manner. Margaret Lunel, a long time resident, remembers dangling her feet in the muddy water of the pond while sitting on a tree branch that spread right across it. The pond held other memories too and briefly the Memorial Church organ! But that’s another story.

J E Giddens, probably one of the oldest residents, who has been here since the 1930s, remembers that the central ‘village green’ was overgrown with lantanas and jackals and hyenas would roam through it, where kids now play cricket.

As you walk along the Inner Circle road you would be struck by the contrasting picture it presents. To one side most of the old bungalows have been knocked down, the plots sub-divided and apartment blocks towering well above the treeline have come up. While, further along the same stretch you could still imagine yourself in the past as tall mature trees continue to shade the avenue and the large plots with their bungalows set right back. These bungalows are generally characterised by their symmetry, a driveway leading to a covered porch, verandah and living areas beyond, all roofed with Mangalore tiles on timber trusses.

However, few of these bungalows remain and the ones that do have generally been altered one way or another. White, visiting today would not be able to recognise the place. In a little more than one hundred years his Utopia – a self sufficient village has transformed into an upmarket suburb of the city, one that generally does not recognise the existence of this unique enclave – the price of ill planned urbanisation. Thankfully, memories remain unaltered and some very long ones abound in the settlement, each linked to an interesting anecdote.

Paul D Souza, who lives in one of the few remaining bungalows, swears the tree stump in his garden was the one Winston Churchill used to tether his horse when he came to the Inn in Whitefield to court Rose Hamilton, the Inn Keeper’s daughter! (A telephone pole fell on the tree stump and brought it down. Paul rescued the stump from the Inn garden before it became firewood. The Inn still stands).

One of the residences, which was once Waverly Inn, where Winston Churchill stayed. . Pic: Meera K.
One of the residences, which was once Waverly Inn, where Winston Churchill stayed. . Pic: Meera K.

Further, close to the RC Church where now stand villas, once stood some rocks with the initials WC and RH carved within a heart! These rocks were blasted to make way for the villas.

Whether you believe these stories of the intangible heritage of Whitefield, the stories that are related by people with the ability to transport you back in time.

Development is inevitable especially in a locality like Whitefield with its present day ‘desirable tag’.  So should we be happy to just live with these memories or should we make some efforts to retain the last vestiges of tangible heritage as well?

However, as long as legislation does not exist to protect heritage, tangible or otherwise, coupled with present day demand for rapid urbanisation and lack of public cooperation, you will only be left with stories, which again will only remain as long as the story teller.

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Krupa Rajangam, Architect specialised in Heritage Conservation from the internationally reputed University of York, UK, principal ‘Saythu…linking people and places’. Krupa is interested in the adaptive re-use of places and makes time for her research interest in the role of community in conservation.
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www.bangalore.citizenmatters.in / Citizen Matters, Bangalore / Home> Features> Whitefield> /  by Krupa Rajangam / March 04th, 2010