Category Archives: Arts, Culture & Entertainment

Mridanga maestro T.A.S. Mani no more

T.A.S. Mani
T.A.S. Mani

Mridanga maestro T.A.S. Mani, 83, died in the city on Saturday after suffering a cardiac arrest. He is survived by his wife T.A. Ramanani, a vocalist, and son Karthik Mani, a percussionist.

Mr. Mani was active in his profession until the end and died in a music hall.

“Mani was in perfect health when he entered Rama Lalitha Kala Mandira in Banashankari, where he was about to witness the Pallavi demonstrations. But at 2.30 p.m., he felt uncomfortable and breathed his last peacefully while sitting in a chair,” said M.R.V. Prasad, a physician and president of the Gayana Samaja. The Samaja had conferred on Mr. Mani the 2018 Nadashri Award for lifetime achievement.

The A-grade artiste of All India Radio had consistently performed for over 25 years at the Madras Music Academy. Senior percussionist Anoor Ananthakrishna Sharma said, “Mani played last on February 10 for the Karnataka Sangeetha Nrithya Academy concert. He was unbeatable in his spirits.”

Mr. Karthik said his father started the Karnataka College of Percussion and trained lakhs of students across the globe. “He is perhaps the only guru who practised for four or five hours a day.” Mr. Mani also experimented with a new concert format comprising mainly the Tala Vadya instruments at global music fests. “He was among the first to start Tala Vadhya ensembles six decades ago, with nearly 15 percussion instruments coming together for an energetic pace,” said Ms. Ramamani.

The cremation will be at 12.30 p.m. on Sunday.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Ranjani Govind / Bengaluru – March 14th, 2020

Photojournalist T.L. Prabhakar passes away

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Special News Photographer of The Hindu T.L. Prabhakar (retd) died here on Saturday. He was 79. Mr. Prabhakar leaves behind his wife Malathi, a son, and two daughters.

He was a recipient of the Kannada Rajyotsava Award, Karnataka Patrika Academy Award, and Karnataka Union of Working Journalists Award. He joined The Hindu in 1985 and retired in 2004.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Staff Reporter / Bengaluru – March 21st, 2020

Bhadravathi excavations reveal megalithic past

Periodic and ongoing excavations in various sites of Shivamogga district have revealed a rich megalithic past that dates back anywhere between 1,200-1,000 BCE.

A Menhir found in Hosananjapura village, Bhadravati taluk
A Menhir found in Hosananjapura village, Bhadravati taluk

Bhadravathi :

Periodic and ongoing excavations in various sites of Shivamogga district have revealed a rich megalithic past that dates back anywhere between 1,200-1,000 BCE. Apart from Tirthahalli and Hosanagara taluks, the recent discovery of Menhirs (standing stones) in a forest land in Bhadravathi taluk shows this rich past and the need to preserve and take pride in it. Megaliths are usually found in Peninsular India and many are still waiting to be excavated.

When TNIE visited this spot in Bhadravathi taluk -– the Menhir was found in one corner located inside a patch of forest land with a fence around it. The local people are unaware of such a pre-historic site in their vicinity — – the 7.5-foot-tall stone has stood the test of time amid changing land patterns and urbanisation. Although yet to be radio-carbon dated,  it is estimated to be more than 3,000 years old. Around this standing stone one can also see a big natural rock which means it must have been cut on this.

According to Shejeshwar R, Assistant Director, Department of Archaeology, Museums and Heritage, Shivamogga, there have been discoveries of megalithic sites in the Malnad region and this particular Menhir was found inside a forest land just next to the VISL land in Hosananjapura village in Bhadravathi taluk.

“The Menhir has been in existence for a long time amidst the villagers and earlier settlements and is in fact, a burial stone. Menhirs usually slant towards the right side. There is also a big natural stone in the same place and we need to study this site in detail,” said Shejeshwar R, Assistant Director, Department of Archaeology, Museums and Heritage, Shivamogga.

Megalithic structures are usually monuments built of ‘great stones’ either for burial purpose (such as dolmen, cists or burial chambers) or having commemorative or ritualistic associations.
However, there are many questions regarding the usage of Menhirs by the ancient people.  It clearly shows even in those days that people were attached to one place and further, used to follow some kind of ritualistic or ceremonial lifestyle.

These stone structures were put together without using any kind of binding material. They were usually away from human habitations and therefore, have usually been found in forests. He says there is a large group of 26-30 standing stones at Baise in Hosanagara taluk. These have been well researched and studied. Researchers have concluded that one of the stone alignments showed it may have been an ancient astronomical observatory.

Another important finding has been at Arehalli in Tirthhalli taluk inside a forest area. In fact,  the discovery of megalithic sites in Malenadu region is considered significant as it reveal the complexity of the megalithic culture in the South.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Meera Bharadwaj / Express News Service / March 19th, 2020

 

Karnataka Ganakala Parishat golden jubilee celebrations held

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Sangita Sangama – Sahitya Sambhrama

The recently concluded golden jubilee celebrations of Karnataka Ganakala Parishat was a one-of-a-kind event where the confluence of Sangitam, Sahityam, Gana Yagnam and ‘anna dasoham’ (distribution of food prasadam) took place with amazing precision for 16 days.

Musicians of national and international repute made the event a shining example of ‘a world unified by music.’

The inaugural day began in the presence of Sri Sri Sri Shivarathri Deshikendra Swami of Veerasimhaasana Maha Sansthan, Suttur Kshetra. The Golden Jubilee celebrations working committee was also announced at the time.

Five books were released and their authors were also honoured on the occasion.

With the exception of the inaugural day and the concluding day, each of the 14 days started with a Gana Yagna by musicians led by Dr.R.K.Padmanabha, paying obeisance to Vaggeyakaras, Raga devathas and the chanting of relevant Sanskrit slokas.

All the concerts and lecture demonstrations were special in their own way, full of substance and depth.

Some vocal and instrumental music concerts included performances by T.S.Satyavathi, Dr. Suma Sudhindra, the Saralaya Sisters, a and many others.

The exposition, exploration, interpretation, scholarly analysis of music and various aspects of musicology by musicians in their lecture demonstration sessions were fascinating, educative and interesting.

Topics such as ‘Tyagaraja’s Kritis on Tulasi’, ‘Violin Vadya Vaibhava’ “ Mridanga Tarang’, and the Tradition of Nagaswara in Temples were covered.

On the eve of the Ganakala Bhushana, the Gana Kalashri Awards were conferred. Post the Pancharatna Goshti Gayana in the afternoon, the Parishat serenaded all four awardees of Gana Kalabhushana and Gana Kalashri in a decorated chariot.

Presidents of the Senior Musician conference, the Mysore Brothers — Mysore Nagaraj and Dr Mysore Manjunath were conferred with the titles of ‘Ganakala Bhushana,’ while the Presidents of the Junior Musicians conference G Guruprasanna and Giridhar Udupa were conferred with the titles of ‘Ganakala Shri’.

source: http://www.thehindu.com / The Hindu / Home> Society / by Ambika Ananth / March 16th, 2020

Rail museum is back on fresh, gleaming tracks in Mysuru

The Central Park station from where the toy train starts at Mysuru rail museum. | Photo Credit: M.A. SRIRAM
The Central Park station from where the toy train starts at Mysuru rail museum. | Photo Credit: M.A. SRIRAM

The Mysuru rail museum, renovated and expanded at a cost of ₹9 crore, was opened to the public on Saturday, adding a new heritage site of historical value to the city.

Providing an experience of the history and evolution of the Railways, starting from the steam era down to the modern times, the exhibits, including the steam locomotives and wagons, have been refurnished and restored aesthetically.

The renovated museum was inaugurated on Saturday by H. Ashwathnarayana, a long-serving employee of the museum, in the presence of Ajay Kumar Singh, general manager, South Western Railway, Aparna Garg, Divisional Railway Manager, and other officials of SWR.

The Maharani’s Pavilion, housing the vintage saloon used by the maharanis of the Wadiyar dynasty, was inaugurated by G. Mala, a veteran staff member of the rail museum. Originally, it was supposed to be inaugurated by Jamuna Bai, one of the members of the cleaning crew of the steam era, but she could not make it owing to illness.

Ms. Garg said the renovated museum was the Railways’ contribution to the heritage city of Mysuru. “We wanted to make it more experiential, rather than a collection of exhibits. The Indian Railways and the city of Mysuru have one thing in common — a lot of heritage — and the museum complements this,” she said.

Sumedha Sah, an architect from Bengaluru who was involved in the redesigning of the museum, said a lot of thought went into it and the few old structures were renovated and connected with the walking pathway. Each site is connected visually and spatially by the pathway, inspired by how the Railways has knitted the sub-continent. Likewise, the pathways link all the exhibits, she said.

Cafeteria and galleries

A metre gauge coach has been converted into a cafeteria while there is a coffee shop with a library, complete with literature and books related to the Railways. There are pictorial galleries tracing the evolution of the steam locomotive and diesel locomotive, while the old signalling contraptions used by the Railways have been painted and displayed in the signalling section along with other equipment.

The earlier exhibits have been refurbished and given a fresh coat of paint, while the audio-visual gallery with touch-screen monitors provides complete information about the museum but the Railways in general. The toy train and the Central Park station have been redone. The museum also has a website (www.mysururailmuseum.com). A postal cover was released to mark the occasion.

source: http://www.thehindu.com / The Hindu / Home>News> States> Karnataka / by R. Krishna Kumar / Mysuru – March 15th, 2020

Puneeth Rajkumar named brand ambassador for Chamarajanagar

Puneeth Rajkumar flanked by Chamarajanagar Deputy Commissioner M.R. Ravi (left) and Minister Suresh Kumar, in Bengaluru on Saturday. | Photo Credit: Special Arrangement
Puneeth Rajkumar flanked by Chamarajanagar Deputy Commissioner M.R. Ravi (left) and Minister Suresh Kumar, in Bengaluru on Saturday. | Photo Credit: Special Arrangement

Actor accepts request from new DC; to highlight development efforts

Chamarajanagar district will have a brand ambassador in Kannada actor Puneeth Rajkumar.

The proposal was made by the new Chamarajanagar Deputy Commissioner, M.R. Ravi, who wrote to the actor and the later has given his consent.

The district in-charge Minister Suresh Kumar and the DC also called on Mr.Puneeth Rajkumar at his residence in Bengaluru on Saturday and thanked him for accepting their request.

The actor was felicitated with a shawl and Mysuru headgear (Pettah) on the occasion.

The appeal addressed to Mr. Puneeth Rajkumar drew attention to the current status of Chamarajanagar district that was rich in culture and tradition besides folk arts. The district is rich in natural beauty, being home to Male Mahadeshwara Betta (M.M. Hills), Biligirangana Betta (BR Hills) and Himavad Gopalswamy Betta, said Mr. Ravi, urging the actor to help take forward the vision to develop Chamarajanagar which is also the native place of Puneeth Rajkumar. It was also mentioned that the district and its people took pride in the fact that Kannada thespian Dr.Rajkumar was a native of Chamarajanagar.

Development plans

The district administration has plans for the comprehensive development of the region besides taking steps for conservation of natural resources, environment and wildlife, and beautification of towns and urban areas, said Mr.Ravi.

Literacy drive

There are plans to launch a literacy drive to cover nearly 2.5 lakh people and also take up industrialisation of the region so as to help generate jobs for the local people.

The authorities wanted the help of Mr. Puneeth Rajkumar in drumming up support for the cause.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Mysuru – March 07th, 2020

All-woman crew steers Tipu Express

In the driving seat: Loco pilot Sivaparvathi (left) and assistant loco pilot Rangoli Patil manning the Tipu Express from Mysuru on Thursday. | Photo Credit: M.A. SRIRAM
In the driving seat: Loco pilot Sivaparvathi (left) and assistant loco pilot Rangoli Patil manning the Tipu Express from Mysuru on Thursday. | Photo Credit: M.A. SRIRAM

It’s part of International Women’s Day 2020 campaign launched by Indian Railways

An all-woman crew was in charge of the Mysru-Bengaluru Tipu Express on Thursday as part of the International Women’s Day 2020 campaign launched by the Indian Railways.

It is being held from March 1 to 10 and the Mysuru division is organising various activities including health checkups, yoga camps, trekking, cultural and sports competitions, to build a gender-equal workplace and to salute the spirit of women empowerment.

The loco pilot was B. Shiva Parvathi; the assistant loco pilot, Rangoli Patil; guard Richamani Sharma; and Travelling Ticket Examiner, Gayatri. The women ticket checking staff were Pushpamma, Rajeshwari, K.M. Hani, N.S. Anitha and Betsy. The Railway Protection staff were Getha Latha Naik, Devaki, Bharati and Renuka.

Greeting the all-women contingent at Mysuru station, Divisional Railway Manager, Mysuru, Aparna Garg, said that over 10% of the workforce in the division was women and the primary focus was to bring about a qualitative change in the work culture by creating a gender-equal environment. She said infusing collective consciousness among staff to achieve higher productivity at all levels was one of the ethos of the division.

The DRM reminded the large gathering of women employees present that work speaks more than words and called upon everyone to excel in their respective fields so that the there would be perceptible change in standard of service provided by the railways.

Additional Divisional Railway Manager, Mysuru, A. Devasahayam, senior branch officers and supervisors were present on this occasion.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Mysuru – March 05th, 2020

This Udupi autorickshaw driver ensures you’re well sheltered

However, if you ever chance upon the bus shelter in Vaddarse village in Udupi district, don’t worry, it’s not the sun playing tricks with your eyes.

Bus shelter maintained by Raghu. (Inset) Newspapers and magazines stacked on a rack
Bus shelter maintained by Raghu. (Inset) Newspapers and magazines stacked on a rack

Udupi :

Think of bus shelters and the first thing that comes to mind are ramshackle structures with a broken roof and stone benches with cracks or wooden ones with splinters sticking out. The lack of maintenance and official apathy leave most of these structures a sorry sight. Without cabs or Metro trains as in cities, buses are of paramount importance in villages as they are the only way to go from one place to another for those who don’t own a vehicle. But the condition of these shelters forces people to brave the hot sun or pouring rain while waiting for their bus.

Raghu Vaddarse
Raghu Vaddarse

However, if you ever chance upon the bus shelter in Vaddarse village in Udupi district, don’t worry, it’s not the sun playing tricks with your eyes. As you enter the shelter, which is spick and span, you’ll find a stack of newspapers and magazines neatly arranged on a rack, a dustbin in a corner, a pot filled with drinking water and a trough filled with flowering plants outside. This shelter is a model bus shelter for the village. The person responsible for its upkeep is 35-year-old autorickshaw driver Raghu Vaddarse. For the past one year, he has been sweeping the shelter clean, replacing the water and arranging the magazines every morning. Thanks to his efforts, people can comfortably wait for the bus.

Raghu has only studied till Class 8. Hailing from a poor family, he had to discontinue his education so that he could earn for his family. He has four siblings — his elder brother Tej, his younger brother Dinesh, his younger sister Hema and elder sister Prema. When he told his siblings that he wanted to maintain a bus shelter in the village, all four of them wholeheartedly supported him. Even his parents, Venkata Poojary and Parvathi, are proud of his initiative. Raghu decided to take it upon himself to maintain the bus shelter because of the effort it took to get it built.

Last year, people had asked their local elected representative to provide them with a properly maintained bus shelter because there was no proper shelter in the area and that some of them in the area had become a den of anti-social activities. However, the local representatives kept dilly-dallying on the matter. It was then that Raghu spoke to the gram panchayat officials and said that he would take care of the shelter if one was built. Finally, things started moving when a shelter was sanctioned under the Members of Parliament Local Area Development Scheme.

Since then, Raghu and a group of volunteers have been diligently taking care of the shelter. Speaking to The New Sunday Express, Raghu says, “I am doing this because I feel it is my small contribution to the society. Some of the magazines and books in the shelter are mine and some were donated.” Despite the rains ending in October, the plants have not dried as he waters them regularly. Now, the villagers of Vaddarse can sit and read a magazine or have a sip of water as they wait for their bus. Raghu says that he did this because he wanted to inspire others. “I will be happier if youths in villages come forward to do their bit for the cause of social service,” he says.

Bus, a boon
The village of Vaddarse is about about 18 km from Kundapur and 4 km from Kota. About 100-150 villagers use the bus to get around. When Raghu decided to beautify the shelter, local shopkeepers helped him plant saplings.

source: http://www.newindianexpress.com / The New Indian Expres / Home> States> Karnataka / by Prakash Samaja / Express News Service / February 27th, 2020

Settar: An untiring historian with a literary flourish

Prof. S. Shettar | File | Photo Credit: K. Gopinathan
Prof. S. Shettar | File | Photo Credit: K. Gopinathan

 

‘He was a model for all historians because of his wide-ranging interests and his multidisciplinary approach to research’

S. Settar, 85, historian, who breathed his last early on Friday in Bengaluru, was known for his multidisciplinary work, encompassing linguistics, epigraphy, anthropology, study of religions, and art history.

Family sources said he was suffering from respiratory problems and was hospitalised for over a week. Dr. Settar is survived by his wife and two daughters.

Born in 1935 at Hampasagara, Ballari district, he went on to study at Cambridge University and started his career as a professor of History at Karnatak University, Dharwad, his alma mater.

Dr. Settar worked till the very end and never rested on his past laurels. “A day before he was hospitalised, he was proof-reading and giving final touches to a book,” said N. Ravikumar of Abhinava Prakashana, who has published several of Dr. Settar’s recent publications in Kannada. Dr. Settar had also said he would need two more years of research to finish some of the projects he had taken up recently. He leaves behind many important works ready for publication.

The cover page of S. Settar’s book ‘Modala Sahasramanada Kannada Shasanagalu’ which is ready for publication.
The cover page of S. Settar’s book ‘Modala Sahasramanada Kannada Shasanagalu’ which is ready for publication.

 

Early Buddhist Artisans and their Architectural Vocabulary, a result of his recent research at Kanaganahalli near Sannati, Kalaburagi district, is set to be published by Manipal University Press. For the first time, he had put together all Kannada inscriptions of the first millennium in an eight-volume work, covering 220 inscriptions. He had also compiled a dictionary of every word for over 25 classical Kannada poetry. All these works will be published this year, Mr. Ravikumar said.

Dr. Settar’s early and important works in the 1970s were in the realm of Jain philosophy and ritual death (Sallekhana), with critically acclaimed books such as Inviting Death: Historical Experiments on Sepulchral Hill.

He also wrote extensively on Hoysala and Vijayanagar sculptural heritage. He edited several scholarly volumes on various epochs of Indian and Karnataka’s history. He served as director of the National Museum Institute of the History of Art, Conservation and Museology in 1978 and as chairperson of the Indian Council of Historical Research in 1996. He was also a visiting professor at the National Institute of Advanced Studies, Bengaluru.

It was in recent years that Dr. Settar shifted focus to studying the evolution of the Kannada language and literature with multidisciplinary approach and had chosen to write in Kannada. He believed that his choice of language made his work more accessible. Dr. Settar’s works in Kannada, including Shangam-Tamilagam Kannada Naadu Nudi, and Halagannada Lipi Lipikaara Lipi Vyavasaya are regarded as landmarks. His most recent work was Prakrita Jagadwalaya in 2018.

Noted historian and his student S.K. Aruni said Dr. Settar was “a model for all historians” because of his wide-ranging interests and his multidisciplinary approach to research. He drew from art history, linguistics and philosophy, and strictly followed an evidence-based approach to history, often revising popularly held notions and sometimes changing his stands when new evidence came up. For instance, his 2007 work Shangam-Tamilagam …, which won the Bhasha Samman from the Sahitya Akademi, proved many of the poets of the Sangam period in Tamil were Kannadigas.

“Using linguistics and epigraphy, he re-imagined the ancient history of Karnataka,” Dr. Aruni said.

A polymath, he had a keen interest in music, art, and cinema as well. He even wrote several short stories under the pen name ‘Priyadarshini’ through the 1970s and 1980s. He had a wide collection of art and sculpture.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by K V Aditya Bharadwaj & Aditya Bharadwaj / Bengaluru – February 28th, 2020

Mangaluru’s Indra Bhavan: A nostalgic food world

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An unchanging edifice of Mangaluru’s tiffin scene, Indra Bhavan continues to keep the classic food culture alive with its delights

It’s 9 in the morning and a steady stream of people walks into Indra Bhavan in Balmatta. Seeing owner Prakash Udupa speaking to me, 61-year-old Godrick Lobo, who has been eating almost every day at the hotel since he was 15, rushes in to volunteer information. “I have my breakfast here. When I went to Dubai with my wife to be with our son, I missed the food every single day,” he laughs, holding a parcel of the hotel’s famous uppittu-avalakki (a combo of semolina upma and spiced beaten rice).

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Lobo is among the many patrons the eatery has been welcoming since the late Attur Raghurama Udupa took over the three-year-old restaurant from Babu Shetty in 1952. Seventy-two-year-old orthopaedist PS Kambli, says that barring the time he left for England, he has been a regular here. “I first visited the joint when I was not even 10; my father brought me from Perinje village near Moodbidri. I’m a huge fan of the masala dosarava dosa, coffee and ambode (dal vadasambar,” says Dr Kambli. He’s such a fan that food from the hotel even reached his hospital bed when he took ill recently.

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Raghurama’s son Prakash, an engineer, has been managing the eatery since 1996, and his son Vishnu Prasad helps him now. The senior Udupa opened the eatery after working as a server at Dasaprakash in Madras, and as manager in Vishwa Bhavana, Mangalore. Ironically, soon after Indra Bhavan, he took over the running of Vishwa Bhavana too, following a request from its owners. The 1,200 sq ft restaurant that can seat 50 has vintage written all over it. The hotel shifted to its present location in May 2016, and Prakash added a tiled roof, and the furniture — marble-topped tables and the cashier’s wooden-and-brass desk polished with age — was carried forward.

Timeless tastes

The menu has seen little variation over time. The stars are Mangaluru buns, made using maida and Mysore banana, vadamasala dosamoode (idli batter steamed in a cup made of oli leaves), and the savoury of the day. On a Tuesday, cook Seetharam makes batches of crisp sev. On Friday and Saturday, it’s time for salted raw banana chips and thukkadi, a diamond-shaped savoury made of maida.

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Every morning, by 4.30, the team running the kitchen is in work mode. Dal is boiled, coconuts scraped, vegetables cleaned and spice powders ground to feed the 700-odd people who will drop in — ingredients have been sourced from the same suppliers since 1952. By 6.30, when the doors open, the display shelf is heavy with platter after platter of idlisavalakki, buns, sheera and vada, and containers below hold the uppittu, chutney and sambar. The dosa counter opens at 7 and shavige and moode from 8.30 am.

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In the kitchen below, accessed through a steep ladder, Seetharam lords over a vat of sizzling oil, ready to fry puris and sev. To his left are aluminium containers with mustard, cumin and chillies. And, to his right is a batch of idli, fresh off the steamer.

A consistent platter

Back in the hotel, place an order, and friendly Ramachandra Rao walks up with a list of what’s on offer. The 54-year-old has been working here since 1987. Another veteran in the ranks is the quiet, effective supplier Srinivasa Rao. PG Balakrishnan, 72, who is the cashier, has been working with the hotel since he was 16. After six months of supplying food, he was asked to handle the till. He’s been counting cash since the time a vadai cost 25 paise. While the brass coin containers in the till have been mostly replaced with steel ones, one thing that has not changed is the passion that he brings to work every morning. In the evenings, Prakash often sees doctors, a regular clientèle, rush in by 6.30, before the platters go dry.

The hotel serves only tiffin (6.30 am to 1 pm, 3.15 pm to 7.15 pm) and prices start at ₹11 for uppittu and go up to ₹32 for masala dosa. Over the years, while Prakash has contemplated expanding, he has stuck to what his father started. Someday in the future, he imagines a fine dining eatery to showcase the inherent beauty of Shivalli Brahmin cuisine, where jaggery is a must, but so are uppuhuli and kaara (salt, sour and spice). “Familiarity is our biggest strength. I know all the staff, they know all the customers… it’s a small world of its own.”

You’d tend to agree. In the nearly 90 minutes there, at least 30 people walk up to say hello, people who ate here as children, and who bring back consecutive generations to introduce them to a way of life that has managed to survive even as the world around hurtled towards the future.

It is this desire to hold on to nostalgia that brings back former Mangaluru residents too.

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Special dishes
  • Masala Dosa
  • Uppittu-Avalakki
  • Mangaluru Buns

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Anant Agarwal, CEO of online learning destination edX and Padma Shri awardee, still makes it a point to undertake “a pilgrimage to Indra Bhavan” on his annual trip home. Because, while he might have travelled the globe, “the goli bajjes here are the best in the world!”

This weekly column takes a peek at the histories of some of the most iconic restaurants

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Food – Iconic Food / by Subha J Rao / February 22nd, 2018