Category Archives: Historical Links, Pre-Independence

Preserving history on inscriptions for posterity

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By Dr. T.S. Ravishankar Director (Epigraphy)

The Epigraphy branch which has been in existence in Mysore since 1966, celebrated the completion of its 125th year on Mar. 14, . It is one of the oldest institutions of our country. Located amidst sylvan surroundings in a beautiful and imposing building at Hebbal, this branch is silently ushering in a revolution in the academic history of our country. It is one of the important wings of Archaeological Survey of India.

Realising the importance of the inscri-ptions which are abundantly available in every nook and corner of our vast country for writing the history of India, the farsighted Britishers established this branch in 1886 at Bangalore. Since then this branch has been copying inscriptions and publishing them. These inscriptions are useful in unraveling the history of our past. In fact, we do not know anything about the activities of our mighty rulers of the past but for these in-scriptions. So far, nearly 75,000 inscriptions are discovered and copied by this department and many more ought to be copied.

India is singularly rich in epigraphical wealth. Inscriptions found in our sub-continent are far-flung in time and space. As a source of Indian history, inscriptions are very important because in most cases they describe contemporary events, thereby imparting authenticity to the history based on them. Several dynasties that ruled over large territories of Indian sub-continent right from the imperial Mauryan dynasty to Vijayanagar and post-Vijayanagar dynasties left a rich legacy of inscriptions to us.

Important dynasties that ruled over different terri-tories of India like Mauryas, Kshatrapas, Guptas, Vakatakas, Kadambas, Chalukyas, Rashtrakutas, Cholas, Seunas, Pandyas, Hoysalas, Vijayanagara and Wadiyars have left behind a lot inscriptions in the form of stone inscriptions and copper plates which are useful in reconstructing the history of not only these dynasties but also their territory.

In fact, we hardly know anything about the great Mauryan ruler Ashoka but for his edicts which are available in various parts of our country. Most of his edicts address him only as Devanampiya and Piyadasi and his original name was not known until the discovery of Maski, which is in our State and which calls him as Ashoka. We know this emperor had a name Ashoka only from this edict. Again Nittur, Odegolam and Sannathi in Karnataka yield edicts of this great ruler, which clearly proves the spread of his empire if not, at least that Ashoka wanted to spread his message of Dhamma here.

The golden age in Indian history under Gupta rulers can be understood from their inscriptions such as Allahabad pillar prasasti, Mehrauli iron pillar and others. We know activities of the Kadmaba kings only from the inscriptions engraved by them. We know their capital Banavasi was a centre of learning and culture only from their records. Likewise, the Aihole inscription of Pulakesin II which narrates in detail the political career of the Badami Chalukayan king refers itself to the composer of the record Ravikirti, a Jaina poet, claiming equal fame to that of Kalidasa and Bharavi.

The celebrated Uttiramerur of inscriptions of the Chola ruler Parantaka I (921.C.E.) describes how elec-tions for the local civil govt. were conducted. The earliest reference to a dancer is found from an inscri-ption from Jogimara cave (3rd Cen B.C.E). It mentions one Sutanuka, the temple dancer and her lover Devadatta, a sculptor from Varanasi. Kudumiyanmalai (Tamil Nadu) inscription is one of the earliest inscri-ptions on music. It belongs to the seventh century C.E. and it records the musical notes as understood and practiced during the time of the Pallavas.

The development which the art of music had reached in 11th century B.C.E. can be gathered from an inscription of Chalukya king Vikramaditya from Galaganatha, Haveri taluk and district, which mentions a certain Mokhari Barmmayya, a musician of high order, entitled Batti-saraga bahu kala Brahma (skilled in thirty-two ragas).

The character and personality of the great Vijayanagara emperor Krishnadevarya is known from inscriptions left behind by him. Apart from being political documents these inscriptions also throw welcome light on the social, economic, religious and cultural life of the people of the past.

These inscriptions are written in different scripts like Brahmi, Kharoshthi, Siddamatrika, Nagari, Telugu-Kannada, Tamil, Grantha etc; and the languages employed being Prakrit, Sanskrit, Telugu, Tamil etc.

This branch was served by eminent savants and scholars both from India and West who copied these inscriptions after under-going many perils. They made striking contributions to the cause of Indian Epig-raphy. Western scholars like Hultzsch, J.F. Fleet, Stenknow, Buhler, and Kielhorn apart from Indian scholars like Venkayya, Krishna Sastri, K.V. Subrahamnya Aiyer, N.L. Rao, Panchamukhi, P.B. Desai, D.C. Sircar, G.S. Gai, K.G.Krishnan, to cite a few who had made enormous contributions in this field. These scholars by their disinterested labour and hard work brought to light these valuable records and published them in their official journals. These journals have been regularly coming since 1887. These inscriptions are carved not only on the temple walls, but also on rocks, boulders, coins, vessels, shells and clothes. Though on the face it looks like scribbling by ignorant people or some mysterious scripts of bygone ages, they are the real history carriers. They are the real history books.

It is the bounden duty of every indivi-dual to preserve the records for posterity. Unfortunately, these records are subject to vandalism and are destroyed daily in dozens by ignorant and unscrupulous elements. It is a matter of grave concern.

Not long ago, a very important rock edict of the great Mauryan king Ashoka at Odegolam, Bellary District, was reduced to mere rubble by ignorant villagers who set fire to this rock by piling up heaps of grass. Every day and every hour, the village smith is probably in some corner of some village melting down a precious copper plate in the possession of some private family for its metallic value.

At Amaravati in AP, after rubbing out all inscriptions and sculptures, the carved stupa slabs were used in construction. Many times, stones of old and dilapi-dated temples with inscriptions are utilised by PWD for building bridges or culverts. Inscribed stone slabs, not forming integral parts of structures and lying loose in the villages and towns, stand the danger of being misused as washing slabs or stepping stones and many times they are used in place of bricks for constructing walls. Again when the old temples undergo renovation or repair, the old inscriptions are either destroyed or covered with thick paint.

The walls of the inner prakara of the famous Srirangam temple in Tamil Nadu which has a lot of inscriptions are now covered with shining black granite. And the walls of the same temple are covered with oil paintings of religious marks, nama or conch or chakra completely obliterating inscriptions. In TN, quarrying of hills which contain archaic inscriptions destroy them completely.

The rapid pace of urbanisation and industrialisation has a deleterious impact on the extant monuments. Several monuments are either displaced or destroyed for accommodating skyscrapers, factories and apartments. Recently, near Chennai an ancient Chola temple of 11th century was to be destroyed for laying a highway but luckily the project was abandoned in teeth of opposition. It is disheartening to note that most of the monuments which could boast of hundreds of inscriptions in the last century could have only 50% of this now, as the other half were mutilated either due to vandalism or exposure to vagaries of nature.

All conscientious citizens should serio-usly reflect on this aspect to preserve these records. We will do a great disservice to the cause of history, if we neglect these valuable inscriptions and allow them to vanish. It is amazing to note that our ancients were endowed with a better sense of history than us. They realised the importance of inscriptions. The pious Chola queen Sembiyan Mahadevi (940-1012 C.E) renovated many old temples. Whenever she undertook repair or renovation of any temple, she scrupulously preserved all the old inscriptions and got them rewritten on the walls once the temples were reconstructed. In this way she preserved many old Tamil inscriptions and she also put up inscriptions to that effect.

The Epigraphy branch arranges photo exhibition of inscriptions periodically as part of cultural awareness programmes in different places to enlighten the people about the importance of inscriptions and the need to preserve them.

Public are sensitised that whenever any historical object like stone inscription, copper plates or hoards of coins are found or being destroyed they should immediately report the matter to the Tahasildar or the Police Station. The temple authorities should be enlightened to preserve these records and they should advice the devotees not to destroy or vandalise the sculptures or inscriptions by applying oil or sindhur, out of their “intense devotion.”

Colleges should conduct periodical tours for students of history to the villages where monuments are located and educate them.

Whether it is government agency, any institution or individual, it is the collective responsibility of all to preserve our rich heritage — architectural, sculptural or epigraphical.

source: http://www.StarofMysore.com / Home> Feature Articles / March 17th, 2013

Legendary taxidermist E.J. Van Ingen no more

Mysore, Mar. 12 :

VanIngenBF18mar2013The legendary Taxidermist of Mysore, Edwin Joubert Van Ingen, passed away here early this morning at his residence located in Jalpuri close to Karnataka Police Academy. He was 101 and a bachelor.

He leaves behind a host of relatives in India and abroad, friends, well-wishers and staff.

Funeral will be held tomorrow at 10.30 am at St. Bartholomew’s Church Cemetery, next to St. Philomena’s High School on Bangalore-Mysore road after the mass at St. Bartholomew’s Church, next to suburban bus stand at 10 am.

The body has been kept at his residence near Karnataka Police Academy for the public to pay their last respects.

E.J.Van Ingen, along with his brothers Botha and De Wet, were trained by their father Eugene Van Ingen whose ancestors, as Dutch traders, had migrated to Mysore during 1600s and had lived here ever since.

Earlier, many old Mysoreans, who were interested in both game conservation and hunting, would make a ‘pilgrimage’ now and then to the firm named Van Ingen and Van Ingen to see the work of giving ‘second life’ to a variety of animals which had been shot elsewhere and dispatched to be cleaned and preserved and made as life-like as possible.

In its heyday, the factory had stuffed thousands of hunted wild animals including the tiger, leopard, deer, bison, elephant, lion, dogs and pigs etc., which are now in possession of the government, aristocrats, museums, clubs and the Mysore Palace.

One was able to see huge Cape Buffalo mounted on heavy wooden bases, Grizzly bears, African Elephants and their Asiatic cousins, lions, tigers, leopards and a variety of ungulates where anybody could walk in and be escorted by two Dachshunds to the main hall where the brothers would be bustling around throwing a friendly greeting to those who came.

With hunting being banned and strictly regulated in other parts of the world, Van Ingen and Van Ingen finally shut its doors in 1999. By then many of the trophies found their way to the great auction houses of Christies and Sotheby’s and into private collections in UK and USA.

Van Ingens were tiger specialists as one of the brothers had said in an interview.

After the death of his brothers and decline in business with the introduction of laws banning the shooting of animals in this country and the regulations and introduction of ‘hunting season’ in other countries, Edwin Joubert Van Ingen moved to a small portion of the old Van Ingen house.

Now, there are no tell-tale trophies on the walls or even anywhere in the house.

Edwin Joubert Van Ingen had revealed in an interview to Dr. Pat Morristhe, a British writer for his book on ‘Big Game and Conservation’, that he had been one of the prisoners who had helped build the bridge on the River Kwai (Thailand).

With his death, Mysore has lost a legendary Taxidermist and a lover of animals.

source: http://www.StarofMysore.com /Home> General News /March 12th, 2013

Two friends: A tribute

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Colin de Souza and Kulamarva Balakrishna

Caption:  Colin de Souza (left), with the author, at Aswan, Egypt, in 2010. Picture right: Kulamarva Balakrishna (wearing Gandhi cap) and his wife Eva, with the author, at a bus station in Vienna, in 2010.

By M.P. Prabhakaran, Editor & Publisher, The East-West Inquirer, New York, USA

I lost my two lifelong friends in a span of two months. Colin de Souza left me two months ago and Kulamarva Balakrishna last week. Their deaths have created a big void in me. As those of us who are over-the-hill know, lifelong friendships are hard to come by in this world. I have been blessed with a few. My friendships with Colin and Bala, as the latter is called by his close friends, were among them. [See Abracadabra ‘Remembering my friends of Bombay days’ on page 8]

Colin and I met as journalism students, in the late 1960s, at Bharatiya Vidya Bhavan, Bombay (now Mumbai). We were also roommates in the college dorm. After we finished college and started working as journalists, we shared a chummery with another journalist who became another lifelong friend of mine. He is K.B. Ganapathy, the owner and Editor of Star of Mysore, a leading English daily published from the southern Indian city of Mysore.

We three spent most of our free time together — going to movies and plays; chatting at Irani restaurants over pani cum cha (the equivalent of what is small-size tea in the US) and kara (salty) biscuits; and doing silly things, which I am not all that comfortable recalling. We also had lots of fun together. The fun included occasional visits to “aunties’ bars.” The speakeasies of Bombay were called aunties’ bars, because most of them were run by elderly women who originally came from Goa. Time was when the Government of Maharashtra had not yet realised that prohibition was a total failure.

Colin started his career as a Copy Editor on The Economic and Political Weekly of India. Unlike Ganapathy and me, he was blessed with a boss, who, he never tired of saying, was “a pleasure to work with.” The boss was the late Krishna Raj, Editor of EPW at the time and the man who built it from scratch into the prestigious journal that it is today. Krishna Raj was one of the finest human beings I met in my life.

Blame it on our age, we were part of that West-aping crowd in Bombay. And you may blame that on Hollywood movies, which we used to be among the first to see when released in Bombay, and newspaper stories on Pentagon Papers and Watergate scandal, which journalists around the world found awe-inspiring. When things got hard, we would try to perk up one another with that hackneyed American expression, “Go West, young man,” though in a slightly different sense. To us, the West was America as a whole, not just the American West. “America is the Mecca for journalists” used to be another expression we frequently bandied about. In the India of the 1970s, things were really hard and we, I shamefully admit, were looking for ways to leave the country in search of greener journalistic pastures in the West.

I was the first to leave. After wandering around the Middle East and Europe, I ended up in New York, in 1975. Colin tried to join me, as a student, but with no success. He was collecting rejection letter after rejection letter from various American Universities when he got a chance to make his first Westward move, though not to the US. He got a job as a Senior Copy Editor on Khaleej Times, Dubai. The daily newspaper brought out its first edition on April 26, 1978, and Colin was part of the team that did it.

Other than that the money was good, he had nothing positive to say about the job. Though he had not expected the kind of journalistic freedom he enjoyed during his decade-long work in India, he found some of the editorial policies of the paper disgusting. According to one such policy, which all journalists on the paper were asked to follow, the word Israel was not to be used anywhere in the paper. Any time the word appears in a news story, it was supposed to be deleted and replaced with “the Zionist Entity.” Colin was unhappy following policies of that nature.

He was left with two options: quit the job and go back to Bombay or grin and bear the unhappiness as long as he could. He chose the latter. The attractive salary the job fetched and the free and fully furnished apartment the employer provided did play a role in making that choice. After all, he said to himself, weren’t those the factors that enticed him to accept the job in the first place? He decided to stay and take stock of his life. “We are not getting younger,” he wrote me after deciding to stay on the job. “At some point we have to get married and settle down in life. Both of us are the marrying type.”

His superiors at Khaleej Times found him very valuable. His editing was flawless. His English vocabulary was rich. He also had a photographic memory, and could rattle off facts and figures from history effortlessly. The last quality made him an asset to his fellow Copy Editors. We are talking about the pre-Google-search era when fact-checking used to be a time-consuming process.

He spent a few aZnnual vacations in India looking for the right woman to share his life with. On that front, he was not lucky. “If I can’t find the right one, so be it,” he told me over phone every time he came back from vacation, frustrated.

After the year 2000, he did another stocktaking of his life and decided that he had made enough money to be able to retire comfortably in India. Two years later, he bought a flat in Bangalore and retired there.

Nihal Singh, the veteran Indian journalist who was editor of Khaleej Times at the time, gave him a parting gift. He made him a part-time Correspondent for the paper, based in Bangalore. When a new Editor replaced Nihal Singh two years later, he took that gift back. Though he was not keeping good health — he had chronic diabetic problem — he didn’t lose the job. He died on December 24, 2012, at the age of 68.

Colin was a religious Catholic and came from a very religious family. His sister Wilma is a nun. She is now Provincial Superior of the Salesian Sisters of Mumbai Province, covering 31 convents. In our Bombay days, on Sundays when I had nothing else to do, I used to accompany him to church. On the way to church I would often say things like, “Colin, are you not risking your secure position in Heaven by taking an agnostic-Hindu to church?” He would laugh it off.

That was the secret behind our friendship being lifelong: his willingness to recognise and respect the fact that a good person is a good person, whether he is religious or agnostic. Or even atheistic. That fact, I am sure, he didn’t learn from any of the priests whose sermons he listened to on all those Sundays.

By the time I met Bala, also in the late 1960s, he was already an established journalist in Bombay. I was still a journalism student. His exposés of Bombay’s underworld, while working as a reporter on the daily newspaper Free Press Journal, had won him praise from fellow journalists and admiration from journalism students like me. He took a liking to me at the very first meeting. Later, he was instrumental in my landing in my first job in journalism — as a cub Reporter on Current, a weekly newspaper (now defunct) known for its influence among the movers and shakers of Bombay at the time.

His first book in English, A Portrait of Bombay’s Underworld, which was an expanded version of the exposés that appeared in Free Press Journal, was well received by the public. It was a remarkable achievement for a man who taught himself English. The languages he was more facile with were Sanskrit, in which he was a scholar, and his mother tongue Kannada. Until he arrived in Bombay, his journalistic work was limited to what he did in a couple of Kannada journals in his native Karnataka State. It was in Bombay, and in English journalism, that he made a mark as a fearless reporter. The fearless reporting also earned him the enmity of many in govern- ment circles.

Another exposé by Bala, published in 1970 in The Times Weekly (a Sunday supplement of The Times of India at the time), stirred the conscience of many in India and made him the bête noire of the government and media of Nepal. The article discussed how innocent Nepali girls were sold into the “cages” of Bombay. It provoked some Nepali journalists to call Bala “the Katherine Mayo of India” — an allusion to the late American writer Katherine Mayo, whose 1927 book, Mother India, was condemned by Mahatma Gandhi as “the report of a drain inspector.”

Fearless reporting and bold positions he took on controversial issues put Bala on the watch list of India’s central government, too. As long as the country remained committed to democracy and freedom of the Press, he could afford to ignore how the government reacted to his writings. But there was a brief but infamous period in independent India’s history during which its reputation as a vibrant democracy suffered a setback. I am referring to the 18 months in 1975-77, known in India as the Emergency period. The late Prime Minister Indira Gandhi declared a state of Emergency in the country, suspended all civil liberties and arrogated dictatorial powers. Most journalists in India meekly submitted to censorship regulations imposed on them in the wake of the Emergency declaration. (Remember BJP leader L.K. Advani’s famous jab at journalists soon after the Emergency was lifted? “You were asked only to bend,” he told them. “But you decided to crawl.) The few who refused to do it ended up in jail. Bala was left with the option of either ending up in jail or leaving the country. He chose the latter. The choice became easy when he got evidence that he was being followed by secret Police.

I was already in New York when this was happening in India. In a small way, I was also on the watch list of the Indira Gandhi government. The Voice of India, a monthly I published from New York, had become a forum for free expression for anti-Emergency activists in the US and in India. Open communication with like-minded people in India became difficult for me. I lost touch with Bala.

Two years later, we were able to reconnect. After wandering around Europe for a while, he reached the Austrian capital of Vienna. With help from an Italian journalist friend, he was able to settle down there.

After several months of struggle, which is the case with any new arrival in a foreign country, he landed a job as a gardener for the city administration of Vienna. His childhood experience on his family farm back in India came in handy, he told me. Though he was able to make a decent living as a city employee, the journalist in him was thirsting for an outlet. Getting a job in any of the local newspapers was out of the question, because he did not know German. He contributed to The Voice of India frequently. His last dispatch for The Voice was a three-part series, under the title “How Fascism Came to India.” The series made a critical analysis of the events in India that ultimately led to Mrs. Gandhi’s declaring Emergency. He also worked as a stringer for the Press Trust of India, the Khaleej Times of Dubai and a few other English publications around the world. Though monetary compensation was far from expectation, the work he did for all those media outlets enabled him to keep his press credentials and be a part of the press corps in Vienna.

The Emergency was lifted after 18 months and Mrs. Gandhi was thrown out of power in the election that followed. But the crafty politician that she was, she maneuvered her way back into power in the next election. Bala told me once about a funny exchange he had with Mrs. Gandhi when she was on a State visit to Austria after being reelected. At a State dinner hosted by the Chancellor of Austria in her honour, Bala was seated among the local press people. He was the only Indian among them. That prompted Mrs. Gandhi to ask: “What are you doing here?”

Bala put his journalist’s hat aside, wore his city gardener’s hat and told her (I am paraphrasing it): I sweep public gardens and parks in Vienna, I water and manure plants and trees in them, I trim their leaves and I do a lot of menial work. I am a manual laborer in Vienna.

Mrs. Gandhi’s response: How is that we Indians have no problem doing such things once we come out of the country? Back home, we have a tendency to look down upon them.

That gave Bala the opportunity for a sweet revenge. He told her: Do you think I will be invited to a party hosted by the Head of State in India, if I am a manual laborer?

The press aide to the Chancellor, who was introducing Mrs. Gandhi around, took her to the next guest.

Vienna had been on my travel wish list for a long time. Ever since Bala settled down there, and especially after he married his Austrian wife Eva, he had been persistently inviting me to visit him. The invitation that came in 1999 was in the form of an ultimatum and quite an unnerving one. “Come now,” it said. “This may be your last chance to see me alive.” He was preparing to undergo a major surgery to remove his defective pancreas.

For reasons beyond my control, I was unable to make the trip, even after that ultimatum. I sent him a letter expressing my confidence that he would surely survive the surgery and my wish that both he and I would be around many more years, paying visits to each other many times.

As I had expected, the surgery was a success. And thanks to Austria’s excellent health care system which is freely available to the rich and poor alike and to his strict post-surgery regimen and discipline, he had been able to live a life more productive than most people who have their pancreas intact. Every day, he posted two or three articles on his blog, Humans Austria. The articles were social and political commentaries, often provocative. The blog was dedicated to “promoting human oneness and unity.”

Nearly a decade after his surgery, I was able to visit him. I did it twice, first in 2008, then in 2010. On both occasions he took me around all important and interesting places in Vienna — museums, galleries, theaters, gardens and parks. He was more concerned about making my sojourn in the city comfortable than his physical condition. I had to frequently remind him that he was on medication and had been advised by his doctors not to exert much.

At the end of my 2010 visit, he and Eva came to the bus station to see me off. Eva, an artist by profession, had not been able to come around with us during my 2010 visit, because she was busy preparing for an exhibition of her paintings. She was feeling guilty about it. Handing me a bag containing breakfast she had prepared for me, she said, “I have not been a good hostess this time. Please have this breakfast on the way.” I was touched.

About two months ago, I called Bala from New York to check on his health. Towards the end of our conversation he said, “As long as I have the energy to sit in front of my computer, I will post something on my blog. But coming to the phone and talking has become more difficult than sitting and working on the keyboard.”

Since then, we had been communicating through e-mails. The last e-mail from him came on February 13. He was cheerful as ever and there was no inkling in it that his end was near. The end came on the morning of February 27. He collapsed in the bathroom and died of cardiac arrest. He was 78.

“Please come to Vienna as often as you can,” Eva told me, after I conveyed my condolences over the phone.

“I will,” I said.

And I know that I will. But Vienna won’t be the same for me in the absence of Bala. As Bangalore won’t be the same for me in the absence of Colin.

On a positive note, the deaths of these two dear friends have made me come to grip with my own mortality. I am ready.

Note: This article was first published on Mar. 6, 2013 in the author’s The East-West Inquirer. The author may be contacted on email: letters@eastwestinquirer.com.

source:  http://www.StarofMysore.com / Home> Feature Articles /By M.P. Prabhakaran, Editor & Publisher, The East-West Inquirer, New York, USA /   March 08th, 2013

Made for all communities

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Modern aspirations: A sketch of the temporary shelters set up in Malleswaram during the outbreak of plague. / Photo: Bangalore Plague Report of 1895  / The Hindu

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Modern aspirations: An 1889 map of the layout of Malleswaram. / Photo: Bangalore Plague Report of 1895 / The Hindu

From rehabilitation area to posh neighbourhood, Malleswaram’s come a long way

One of Bangalore’s oldest layouts, Malleswaram celebrates the 125th year of its founding next year. Founded in 1889, Malleswaram was created by the Wadiyars of the Mysore kingdom to provide a modern lifestyle to all communities, in which they could live in hygienic conditions.

Most of the city was under the authorities of the British Cantonment in the 19th century, and had various well-planned layouts such as Richmond Town, Cox Town and Benson Town. The Wadiyar government planned and executed similar planned layouts in 1880s, leading to the formation of Basavanagudi and Malleswaram.

Interestingly, both these new layouts were created on foothills: Basavanagudi lies on the foothills of the Bull Temple, Bugle Rock and Lal Bagh, while Malleswaram is on the foothills of the Kempegowda watchtower and Palace Guttahalli. Malleswaram’s advantage lay in its access to a water source — a big stream (now the Rajakaluve) ran through it — and along with Basavanagudi, it was meant to provide temporary shelter during large epidemics (such as the plague) and during famine.

Named after a temple

No vernacular or English historical records before the 1880s support the existence of a village named ‘Mallapur’ or ‘Malleswaram’. However, the area originally came under the village of Ranganatha Palya, as an 1878 Survey of India map indicates. Just as Basavanagudi layout was named after the Basavanna temple, Malleswaram was named after the Kadu Mallikarjuna (Malleswara) temple.

Both Basavanagudi and Malleswaram were originally planned to accommodate all communities. While previous layouts such as Chamarajpet or Benson Town accommodated particular sections of society according to their original plans, Malleswaram was created to provide accommodation to a range of communities. That an inclusive society was no new concept can be seen in the old inscription found on the outcrop of the Kadu Malleswara temple, which refers to the grant given to Medaralingana village by Maratha Sardar Venkoji or Ekoji in 1669 for the upkeep of the temple.

Multicultural medievals

The inscription cautions that no one should alter the grant given by Venkoji, including Hindus and Muslims. The inscription clearly refers to various communities of the medieval period, including Muslims and Hindus. This historical evidence indicates that there was a significant population of Muslims in Bangalore in the mid-17th century, and this multicultural society continued into the modern period. In the new layout of Malleswaram, there were separate wards for Muslims, native Christians, and various Hindu castes including Brahmins, Lingayats, Vaishyas and Shudras.

According to historical records, Malleswaram was developed on 291 acres. It stretched from the old Raja Mills or Mysore Spinning and Weaving Mills (Mantri Mall stands in its place) to 15th Cross including Sankey Tank in the north, and from the Bangalore-Arasikere railway track in the west to the Kadu Malleswara temple in the east.

Steady ascent

Although the government created the new layout and invited people to purchase sites and settle there, it met with little response. It then formed a committee with members such as V.P. Madhav Rao, Mir Shaukat Ali and Rao Bahadur Arcot Srinivasachar and K. Srinivasa Rao to develop the new area in 1892. By 1895, the committee handed over the layout to the city municipal authorities, and from then onwards, Malleswaram became an integral part of the city urban administration.

It remained an ordinary neighbourhood until after Independence, when those who worked in the government and the upper classes chose to live there. From a site for rehabilitation to a posh neighbourhood, history bears witness to Malleswaram’s growth.

(Dr. Aruni is Deputy Director of the Indian Council for Historical Research, Bangalore)

source: http://www.TheHindu.com / Home> News> Cities> Bangalore / by  S. K.  Aruni /  March 06th,  2013

Megalithic burial site at MM Hills

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The Megalithic burial site was discovered on the slopes of MM hills in Kollegal Taluk. /  Deccan Chronicle

Mangalore:

 A team of historians recently chanced upon a Megalithic site used for burials at Mari Kote, on the slopes of the MM hills in Kollegal taluk of Chamarajnagar district, very near the Hogenakkal Falls.

Prof T. Murugeshi of MSRS College, Shirva and state archaeology department director, Dr R Gopal, were on their way back after doing a survey near the MM hills, along with Mahadeva Swamiji of Sri Saluru Bruhan Mutt when they spotted a number of Megalithic burial sites known as Stone Circles, and Cairns on the right side of the famous falls.

Stone Circle is a type of Megalithic burial in which the graves are covered and stones placed around them in circles. Cairns are another kind of burial common to those times.

“We accidentally stumbled upon these Stone Circles and Cairns last week. Usually these graves are covered. But here we could study some of them as they were already damaged and dug up by treasure hunters,” said Prof. Murugeshi.

“In one of the exposed graves we found four orthostats (arranged like a square box). Based on the preliminary study we feel they are Stone Circles consisting of Dolmenoid Cists. More than 20 graves were found at the spot,” he added.

source: http://www.DeccanChronicle.com / Home> News> Current Affairs / DC / by Gururaj A. Paniyadi / March 05th, 2013

Bangalore to Host “Modern & Contemporary Indian Art Auction 2013”

Bangalore :

Works of S.H. Raza, F.N. Souza Among Others Slotted to go Under the Hammer Along With a Private Viewing of the Bentley Cars

Catering to the growing number of art patrons aspiring for International quality art has prompted Bangalore to feature the ‘ Modern & Contemporary Indian Art Auction ‘ . The rare event will host a blend of top notch Indian artists and their works. The event will be attended by a mix of art patrons and connoisseurs representing diverse backgrounds but unified by their love for art.

(Photo: http://photos.prnewswire.com/prnh/20130227/599791)

The auction is being held in aid of Christel House India, a charity that works to break the cycle of poverty for some of the world’s poorest children. The creativity filled event will be held on 1st of March, 2013 at the ITC Windsor, Bangalore,7pm onwards.

Close on the heels of the recent success of the annual art event ‘ Art Bengalur ‘  held at UB City  each year, the first edition of the ‘Modern & Contemporary Indian Art Auction’ is organized by Sublime Gallery and  ArtChutney.com in association with the UB City and Prestige Group. The event is also supported by Forbes India and partnered by Four Seasons and Black DogITC Windsor is the hospitality partner.

Christel DeHaanFounderChristel House International and Co-Founder, Resort Condominiums International, philanthropist and respected art lover will be gracing the event with her presence. She adds, “On behalf of the children of Christel House India, I express my heartfelt gratitude to Prestige Group and Modern & Contemporary Indian Art Auction 2013 for selecting Christel House to be the beneficiary of Bangalore’s largest charity art auction.” This year the objective of the auction is to bring about a unique platform inspired by international art events. Adds Uzma Irfan, Co-Founder of ‘Modern & Contemporary Indian Art Auction’, “This Spring Edition of the ‘Modern & Contemporary Indian Art Auction’ aims to present an exclusive event which will bring together renowned work from across the country, in an effort to introduce a higher level of art appreciation. The platform will play host to some of the most revered names in modern art, all in support of a single cause and their love for true art.”

‘Modern & Contemporary Indian Art Auction’ is being organized in association with well-known art patrons including Sanjiv Shanmugham, Jeeva Bhat, Sumeeta Chopra, Shaista Baljee, Vijay Rekhi, H.S. Rattha, Akash Khanna, Yash Saboo, Andrew Hendrian, Jawahar Gopal, M. Mohan, Vinita Chaitanya and Dr. Utpal Ray.

Artworks which are slotted to feature in the auction include works of Francis Newton Souza, Manu Parekh, Arpana Caur, S.H. Raza, Shuvaprasanna, Chitrovanu Mazumdar,Anupam Sud, S.G. Vasudev, Yusuf Arakkal, Paritosh Sen, Jogen Chowdhury, Pradip Maitra, M. Senathipathi, Bimal Kundu, S. Nandagopal, Vijender Sharma, Shipra Bhattacharya, Prabhakar M. Kolte, Paramjit Singh, Arunanshu Chowdhury, Jayashree Chakravarty and Thota Vaikuntam.

The auction catalogue shows the vastness and quality of the artworks. The event will have as many as 122 lots being auctioned on the 1st of March. The artworks are a blend of carefully selected contemporary artists, in addition to many established artists whose works are not easily available in the city. Sublime and ArtChutney were the first to introduce a serious art festival ‘Art Bengaluru’ to Bangalore following which they have started the trend of formal luxury art auctions in the city to help increase art appreciation.

The auction will be followed by a lavish poolside dinner and a private viewing of the Bentley Mulsanne and Continental GT.

The exclusive website with complete details of the event is live on http://www.modernandcontemporaryartauction.com. The website is equipped with the auction catalogue, absentee bid forms along with all other details.

source: http://www.itnewsonline.com / PR Newswire / February 27th, 2013

NMA gives nod to shift Tipu armoury

Hurdle cleared for Mysore-B’lore track doubling work?

Mysore, Feb. 20 :

With National Monument Authority (NMA) of the Archaeology Survey of India (ASI) giving clearance to shift the 18th century Armoury of Tipu Sultan in Srirangapatna, the major hurdle for the much hyped and long delayed railway track doubling work between Mysore and Bangalore crossed a major hurdle.

R. Gopal, Director, Department of Archaeology, Government of Karnataka, speaking to SOM said that that the NMA had finally given its clearance to move the monument and the file has been referred to the Secretary, Department of Kannada and Culture, who heads the NMA (South) overseeing monuments in Mysore and Bangalore division to get the approval from the Ministry of Kannada and Culture and added that this is expected to happen soon.

Gopal said that three proposals (a) To move the monument as it is slowly which is a two months process, (b) to cut eight blocks, shift & plaster and (c) To shift brick by brick and reconstruct it was laid before the NMA. Of the three proposals, the first one was chosen as it would retain the heritage look better than the two other proposals which required plastering and reconstruction.

He further stated that as the monument would be moved 100 mts. beyond the temple, the clearance was given and said that the work on moving the monument would be completed in two months from the date of commencement and added that this method of moving of monument inch by inch using the skidding method was the first of its kind in the country.

Gopal said rocks and stones had been used in the foundations of the armoury which is 10 ft deep and added that a new foundation would be laid before moving the armoury. Regarding the work, he said that it is yet to be decided wether the experts would called in or tenders would be called.

source: http://www.StarofMysore.com / Home> General News / February 20th, 2013

Wish I could find money for film on Tipu’s kin: Benegal

HYDERABAD:ANDHRA PRADESH:  09/02/2013:Renowned director Shyam Benegal,at the Akkineni International Foundation function where in Shyam Benegal was presented the Akkineni Nageswara Rao National Award in Hyderabad on Saturday. / PHOTO:G_RAMAKRISHNA / The Hindu

Has a script on Princess Niloufer of the Ottoman empire


Shyam Benegal has about 70-odd films to his credit, including about 30 that are full-length feature films.
His name has been synonymous with cinema in India for over three decades and he boasts of awards given to the highest achievements in the space of film-making.
Yet, at the age of 78 years, he finds himself at a disadvantage unable to source funds required to can his pet projects.

 
WORK ON BIOPIC
If he had about US $35 million to $40 million, he would straightaway launch work on a biopic around Tipu Sultan’s descendants, Ustad Inayat Khan and his daughter Noor Inayat Khan.
He also has a script ready to make a film on Princess Niloufer of the Ottoman empire.
Ask him with a certain degree of disbelief as to how a man like him would find it difficult to convince a production house to cough up the money and he says with a wry smile, “It is true. The projects are so complex and the logistics cumbersome that they need a large canvas spanning continents.
“Every scene has to be recreated from the past, starting from scratch. The budget required is simply too much.”
Closer to the Indian heart, he says he is almost ready for a serial on the making of the Indian Constitution.
“I have been working for about eight months, writing the draft and showing it to people and I am convinced that I am on track.
The greatness of our Constitution and the hard work of those who scripted it, defining the people as individuals and India as a nation and their respective roles have to be narrated.”

 
LEGACY FOR GENERATIONS
Mr. Benegal said the inspiration for a serial on the Constitution came from his belief that people needed to know the background and that he was sure of its success, as much as his ‘Bharat Ek Khoj’, based on Pandit Nehru’s book, ‘Discovery of India’ was. “These should form the legacy that we leave behind for the future generations,” he says with deep conviction.
GETTING THE AWARD
Ask him how he felt about receiving the Akkineni Nageswara Rao National Award considering that he has received oh-so-many of them, he smiles again says, “Awards for awards’ sakes don’t mean anything. But when they are in recognition of your work, they mean the world and are welcome.”

source: http://www.TheHindu.com / Home> News> Cities> Hyderabad / by Suresh Krishnamoorthy / February  11th, 2013

‘Tunnels constructed during Dodda Krishnaraja Wadiyar’s reign’

ASI officials are supposed to visit the site in the next two days.

Two days after two tunnels with a “single entrance” were discovered at the historical Gajendra Moksha Kalyani near the Sriranganatha temple at Srirangapatna, officials on Thursday said the tunnels were constructed during the reign of Dodda Krishnaraja Wadiyar (1714-32).

The officials clarified that only two tunnels have been found. The Mandya district administration had instructed the Srirangapatna taluk administration to take up restoration work on the kalyani. People engaged for the work found the entrance to the tunnels on Tuesday morning. Later they were directed to clear the mud blocking the entrance, following which the tunnels were discovered.

“Authorities of the Archaeological Survey of India (ASI) have to excavate and explore the inlets and outlets of the archaeological remains at the kalyani,” Suneel Kumar, Assistant Executive Engineer, Public Works Department, told The Hindu .

“The ASI officials said they would visit the site in the next two days,” Mr. Kumar said.

An inscription at the kalyani says that the temple tank was constructed during the reign of Dodda Krishnaraja Wadiyar, Mr. Kumar added.

Meanwhile, a large number of people have been visiting the site to see the tunnels.

source: http://www.TheHindu.com /Home> Miscellaneous / by Staff Correspondent / Mandya, February 01st, 2013

Puttur to get library, art gallery after Karanth

Mangalore :

If everything goes according to the plan, Dr Shivarama Karantha Balavana  in Puttur will soon have a library-cum-art gallery after writer Kota Shivarama Karanth .

The new building, which will also have a skating rink on its terrace, will be opened at Balavana by March.

The library will have complete works of Karanth and available books and research papers on the writer, and the art gallery attached to the library will have paintings and pictures of Karanth.

Assistant commissioner, Puttur sub-division H Prasanna told TOI that, Balavana, where the revolutionary writer had lived, will be preserved as a historic monument. “The gallery has been designed in such a way that more windows will be placed to make it bright even during power cuts. The full-fledged building will be constructed at an estimated cost of Rs 80 lakh by the district administration under the chief minister’s special funds,” he said.

“The 15,000 sqft gallery, which is under construction, will have more than 20 tall windows and facilities will be made to display paintings on the wall in between the windows,” he said.

As many as 13 artists from various parts of the state had sketched characters and messages in Karanth’s novels as part of a literary interaction and oil painting camp on works of Karanth at Balavana on Monday. “We have plans to organize two more such camps in the days to come. All paintings created at these camps will be kept at the new gallery,” Prasanna said.

There are also plans to create mural art on two huge walls on either side of the hall of the art gallery, he added. “We have requested the department of Kannada and culture, Kannada Book Authority, Mangalore University and other institutions to contribute books and research papers on Karanth to the library,” he said adding. The terrace of the building will be converted into skating rink for children,” he said.

source: http://www.timesofindia.indiatimes.com /Home> City>Mangalore / TNN / January 30th, 2013