Category Archives: Arts, Culture & Entertainment

Get ready for a musical experience

IME’s Instrument Gallery, with collections from renowned musicians and music connoisseurs, will soon open its doors to the public

There are over 300 instruments native to India and more than 120 regional forms of music. Such nuggets of information will soon be available on touchscreen and computer-based interactive installations in the three-storey Centre for Indian Music Experience (IME). Spread over 50,000 sq. ft, the IME is expected to be ready later this year. It is located on a 2-acre property within the Brigade Millennium Enclave in J.P. Nagar.

“The Instrument Gallery will house items donated by renowned musicians and their families, and connoisseurs. Their generosity is touching,” said Manasi Prasad, project director, IME. The gallery will house 250 instruments, of which 108 will be part of the permanent collection.

Music as a shared experience

In September 2014, the family of Ustad Bismillah Khan donated one of his shehnais to the IME. Although giving away the family’s treasure was a heart-breaking moment, the maestro’s son Zamin Hussain is happy that it would become a “national treasure” once it becomes a part of the ‘Bharath Ratna Memorabilia’.

Later, the IME received Pandit Bhimsen Joshi’s silver paan box.

“Vocalist Sudha Raghunathan donated one of her antique tamburas, as she felt IME will help people re-discover Indian genres of music, both traditional and contemporary,” said Suma Sudhindra, director, Outreach, IME.

Chitraveena Ravikiran donated one of his gottuvadhyas so that people can see, feel and understand the instrument. “I have seen my father making this instrument at home. The Instrument Gallery will also be a tribute to the makers. Gottuvadhya’s history goes back a few centuries. It is mentioned in Bharata’s Natya Shastra by the name Maha Nataka Veena with 21 strings,” said Mr. Ravikiran.

Other valuable contributions include Bickram Ghosh’s tabla, B. Rajashekar’s three morsings, B.R. Ravikumar’s ghata and Palanivel’s nagaswara.

Memorabilia from Carnatic vocalist late M.S. Subbulakshmi, sitar maestro Ravi Shankar and singer Lata Mangeshkar are expected to reach IME soon.

“String instruments from Rajasthan, percussion pieces from Kerala and veena varieties such as the Bobbili, Tanjore and Mysore are part of our collection,” said Ms. Sudhindra, who has donated her Mysore veena. Non-Indian instruments, such as the clarinet, saxophone and mandolin, which are now integral to Indian music, will also be showcased.

The rare collection

“We have 28 instruments in the classical section and nearly 80 in the folk section of our permanent exhibits,” said Ms. Sudhindra.

Rare instruments include the Nagphani (wind instrument) from Bengal used in Garhwali folk; Gopi that preceded the Ektara used in Baul music; the deep resonators from Rajasthan Tarpi and Bankia; the stringed tribal folk Jogiya Sarangi; the stringed Surinda from Rajasthan; Timila from Kerala; Hudak from Bengal; Taus and the Mayur veena from Uttar Pradesh.

Bengaluru’s percussionist Anoor Anantha Krishna Sharma has donated four instruments, including a Thavil, Manipur Pung and a mridanga.

Vikram Sampath, who has written books on music, said, “IME will definitely enter the tourism map of Bengaluru. Foreigners will be surprised to see the different existing forms of music outside of Bollywood.”

First interactive music museum

The IME is touted as South Asia’s first interactive music museum. It is a ₹50-crore initiative designed by Gallagher & Associates who also worked on the Grammy Museum in Los Angeles and the Museum of Pop Culture in Seattle, and are familiar with the Indian aural culture.

IME will have 11 thematic spaces, including a sound garden, learning spaces, tribute to classical schools (some of them demonstrated by musicians Ranjani, Gayathri, and Ravikiran), folk traditions and several computer-based installations that allow visitors to experience the process of making music, including recording.

The contemporary section will have an autorickshaw in which people can sit and listen to individual bands. Melting Pot will showcase an amalgam of Indian and foreign melodies on touchscreen, including military bands patronised by the maharajas, which had a great influence on the army; shaadi (marriage) and jazz bands.

“The entire effort transcends the idea of IME being a mere artefact-driven museum,” said Ms. Prasad.

Listening to lore

Visitors are likely to enjoy the fascinating stories that accompany rare instruments. Take the case of the Surbahar whose predecessor is the Rudra Veena. Maestro Omrao Khan Beenkar is believed to have designed the Surbahar after being denied music lessons on the Rudra Veena. Over time, the Rudra Veena started to see a decline, as Dhrupad is said to have been easier on the Surbahar.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Ranjani Govind / Bengaluru – April 29th, 2017

Hitting the right notes

Rajendra Hosamani. | Photo Credit: ARUN KULKARNI
Rajendra Hosamani. | Photo Credit: ARUN KULKARNI

Seven years of practice and zeal to learn has enabled 28-year-old Rajendra Hosamani to see some success in the field of music. This self-trained guitar player brought laurels to the district by winning State-level cultural event held at Mysuru recently and also participated in national-level event at Haryana. He is also invited by colleges to perform during cultural events.

Mr. Hosamani, hailing from Kalaburagi city, is pursuing his Master of Science from Reshmi College in the city. His father is a retired government employee and mother works in Cooperative Dairy Federation. Though his family is in no way associated with music, he chose it.

Speaking to The Hindu, he said that he started learning guitar through Internet in 2010 and gradually started attempting to play song. He would spend hours trying to get the sound right. “Though I didn’t get any support from my parents towards my hobby, I dedicated 8-10 hours every day to learn the guitar. Today, I can play same song in different styles including free-hand, tapping, rumba style, flamenco and so on,” he said.

Rajendra is an ardent admirer of Spanish Guitarist Daniel Munoz and had a greater inclination towards his style. The rendition of Munoz’s Malita Mala and Madonna’s La Isla Bonita and Enrique Bailamos series by Mr. Hosamani have gone viral on the Internet.

Rajendra spends most of his time for learning new techniques adapted by guitar legends across the world. Mr. Hosamani prefers to master the basics. “One needs formal training in music theory to compose own music. But, being self-taught helps artist stand out and set new trends.”

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Staff Correspondent Kalaburagi / April 30th, 2017

An entire Karnataka village turns to cooking to eke out a living, tastes success

Food for thought: Cooks of Kondrahalli in Kolar are in demand in Andhra Pradesh and Tamil Nadu, besides Bengaluru.   | Photo Credit: Special Arrangement
Food for thought: Cooks of Kondrahalli in Kolar are in demand in Andhra Pradesh and Tamil Nadu, besides Bengaluru. | Photo Credit: Special Arrangement

Faced with odds like unemployment, drought and parched lands, households of Kondrahalli village have made this an alternative source of income

On a hot afternoon in March in a sleepy village in Malur taluk of Kolar district, 40-year-old Sathish Kumar discusses his family ‘business’. “I have studied up to SSLC, and now I work as a cook at auspicious functions,” he says. “My younger brother Rajesh, who like me studied up to the class 10, is a cook. My older brother Nagaraj, who is 46-year-old, is also cook,” he keeps on explaining.

Sathish and his brothers are not the only family of cooks in their village. There are 60 households that call Kondrahalli village home, and all but one have taken up cooking to eke out a living. The oldest member of the 60th family that has yet to pick up spatulas, is a retired government school teacher.

There are villages that nurture at least one wrestler in every household. Others take pride in ensuring that one member is a teacher or a government employee.

But this is the story of an entire village whose residents, when faced with unemployment, drought and parched lands, turned to cooking as an alternative source of income.

In Karnataka, Kondrahalli village goes by the moniker ‘Banasigara grama’ (cooks’ village). A majority of the people here are landless and many worked on fields owned by farmers in surrounding villages. But with every passing generation, finding agricultural work and sustaining a livelihood from it was becoming increasingly difficult.

Career change

The struggles of two generations of families served as a catalyst for this career change. “Instead of depending on others and blaming nature, we opted to take up cooking,” says Nagaraj, who holds Bachelor’s degree, but prefers working as cook.

“We are happy with our profession as it feeds our families. It gives us pleasure to feed other people and get paid for his,” Sathish adds.

Most villagers, like Sathish and his brothers, are second-generation cooks having learned the tools of the trade from their fathers.

Only the men cook, and their profession for the most part takes them to Bengaluru and other parts of Karnataka, Andhra Pradesh and Tamil Nadu. Be it marriages, house warming ceremonies, political functions or birthdays, the cooks of Kondrahalli are in demand.

Not all 60 families cook for one event. “An order comes in, and depending on the size of the event, a team of 15 to 20 male cooks will go to the venue,” says a villager, adding that on an average they charge ₹40,000 to ₹60,000, which is then divided up among the cooks. The leader of the team — the person who brings in the order — usually gets takes home ₹4,000-₹5,000; for big assignments he can earn as much as ₹10,000.

“We have experience cooking for even 40,000 people particularly during functions organised by politicians,” says Sathish.

The cooks of Kondrahalli are adept at different cuisines, but their holiges are in great demand, they say. (Holiges, like puran polis, are sweet flat breads with delicious stuffings made from sugar and peanuts to coconuts and tur dal, cooked on a hot girdle with liberal helpings of ghee.) Mysore Paak is another speciality.

Regular contracts

Their fame guarantees them regular contracts from tour operators across north and south India. “None of us have any formal training. Practice makes us good cooks,” says villager Basavaraj, who is of course, a cook. During peak marriage and grihapravesha seasons, the men leave the village to go on “cooking missions”.

“The men folk will be away for months on end working in far-off places like Kuppam, Punganur and Ramasandra in Andhra Pradesh and Alangai, Kaveripatna, Karimangala, Ambur and Baragur in Tamil Nadu,” says Sathish’s sister-in-law, Saritha.

At home, women help with preparatory work. “We prepare masalas on grinding stones when the power goes off,” Saritha adds. But when the men return to Kondrahalli from their missions, it is the women who prepare their food. Some gender roles are hard to break.

source: http://www.thehindu.com / The Hindu  / Home> News> States> Karnataka / by Vishwa Kundapura / Kolar – April 29th, 2017

Story of execution of state’s martyrs to be made a book

Little-known episode in state’s history to figure in archive’s digitisation plan

Termed the Jallianwala Bagh massacre of Karnataka, the execution of 9 of the 19 freedom fighters by the British government, which was never part of the state’s history, will now be available in book format.

The book titled ‘The Unsung Freedom’ will be published shorty by the Karnataka State Archives Department as part of digitisation of historical documents, K A Dayananda, director, Archives Department, told reporters on Tuesday.

The department has taken up digitisation of old documents pertaining to the state on a massive scale. The Archives Department has launched a web portal (http://archives.kannadasiri.co.in) for easy access to historical records of the state at the click of a mouse. Karnataka is the only state in the country to digitise historical documents to help research scholars, students and the public.

Nonagenarian Konana Channabasappa recently shared the 50-page judgement copy of the Madras Court during the colonial period about the capital punishment given to 19 freedom fighters. The Britishers executed 9 of the 19 freedom fighters. They were working abroad drawing handsome salaries then. They returned to India responding to Subhas Chandra Bose’s call to fight for freedom and joined the East India Company on meagre wages. They worked secretely collecting information about the British government’s activities and fought against them. However, they were arrested once their secret mission was exposed and were awarded capital punishment.

“The sacrifice of these freedom fighters was never a part of history. We know about Sangolli Rayanna’s execution as history refers to his heroic deeds. The sacrifice of nine freedom fighters is no less than that of the Jallianwala Bagh massacre victims. Hence, the department has decided to bring out the judgement copy which deals with activities of the 19 freedom fighters in a book form,” Dayananda said.

The department has digitised around five lakh pages and hopes to complete the digitisation of over 1.5 crore pages in two years. The department is in touch with government agencies in Mumbai, Pune, Chennai, Hyderabad and Thiruvananthapuram to procure documents pertaining to Karnataka. The process of getting content running into 20,000 pages pertaining to Karnataka from England is also on, he said.

Around 129 people used the Archives department’s documents in 2016, around 86 in 2015 and 85 in 2014.

The department awarded Rs 10,000 scholarships to research students to make use of documents. The amount has been increased to Rs 20,000. Only 1% of the population knows about the department’s documents. Hence, the department conducted an exhibition in various parts of the state last year to create awareness about the importance of historical documents available for reference, he added.

Content comprising around 55,000 pages is in running Kannada handwriting which only experts can read. The department has hired 15 scholars to read and translate them to modern Kannada, he said.

source: http://www.deccanherald.com / Deccan Herald / Home> State / DH News Service / Bengaluru – April 26th, 2017

Puttaraj Gawai, GaanayogiPanchakshari awards in Ballari on Thursday

Hindustani vocalist Venkatesh Kumar will be conferred the Sri Puttaraj Gawai Award and and Hindustani vocalist from Shivamogga R.B. Sangameshwar Gawai the Gaanayogi Panchakshari Award in recognition of their contribution to the field of music.

The awards for 2017, instituted by Ballari-based Sri Puttaraj Kavi Gawaigala Seva Sangha, will be presented at the Dr. Joladarashi Doddanagouda Rangamandir here on Thursday at 6 p.m. to commemorate the 150th birth anniversary of Hangal Kumarswamyji, the 125th birth anniversary of Panchakshari Gawai and the 103 birth anniversary of Puttaraj Gawai. Briefing presspersons here on Monday, Mrutyunjaya Bandral, president of the sangha, said that the awards comprises a purse of ₹ 25,000 and ₹ 11,000, citations, shawls, respectively. The cash awards are sponsored by N. Suryanarayan Reddy, granite exporter and Congress leader, and Allum Vinayak.

A host of swamijis of various religious mutts, including Chandrashekar Shivacharya Bhagwatpada of Kashi Peetha, Varanasi, one of the pancha peetas, will grace the occasion.

Allum Doddappa, former president of Veerashaiva Vidyavardhak Sangha, will preside over the function. Venkatesh Kumar will perform after the function.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Ballari – March 21st, 2017

These two women light up lives through education in Udupi

Shamitha and Renita thought outside the box during 1995 and established Mother Teresa Memorial Education Trust
Shamitha and Renita thought outside the box during 1995 and established Mother Teresa Memorial Education Trust

Mangaluru :

A school started with just 12 students on an open stage by these two young women two decades back, has grown from strength to strength and now imparts knowledge to around 1,167 students – that too exclusively from rural areas.

This wouldn’t have been possible if Shamitha Rao and Renita Lobo, educated in Mangaluru city, had not set their priorities right – to educate the rural children.

Being women, they thought outside the box during 1995 and in spite of struggles and humiliation, the duo were successful in establishing Mother Teresa Memorial Education Trust in Shankarnarayana, Udupi district. The education institution , which is 110 kms away from Mangaluru, empowers rural children with education.

“It all began during 1995, after our graduation we were sent to a village named Siddapur in Kundapur Taluk to serve in a private school which had just started. That was for the first time we were exposed to rural environment – Rural school, rural people, and hardly any access to quality education. Being born and brought up in Mangaluru city, it was very hard for us to accept that life where little ones were so much deprived of basic quality education. We served in that school for two years after which our parents wanted us to come back to Mangaluru. One evening when we were packing up all our belongings, some parents came to us with gratitude and said they did not want us to go. Meanwhile, our house owner suggested us to open our own school. We both looked at each other’s face. That night we knelt and prayed to God and decided firmly to open a school which could be afforded by any section of the society. We wanted to educate the children of the uneducated parents unlike other schools who wanted to teach only the educated parents’ children,” recall Shamita and Renita.

Shamitha and Renita, 40, graduated from St Agnes College, Mangaluru and pursued MA through distance education from University of Mysuru.

Shankarnarayana amidst forest area is economically backward and nearby village areas are affected by Naxalites. “We were looking for a place which is small and backward. There was a call from within to start the school here as this was a very small village with small population of not more than 10,000 people. We started everything from scratch. We were very young to make a great plan with a big budget. We knew only thing that we wanted to teach the small children in the best way possible. This small beginning has a great ending.

In 1998, we hired an open stage from village Panchayat on a nominal rent. In the hall we accommodated two classes (LKG & UKG) for 12 students. For the other expenses we used our little savings of two years. Today institution has grown till PUC II with good results,” said the duo sharing their tale.

The institution is known to be one of the best in Udupi district. Every year more than 75% of the students come out with distinction. This year in district, the school is in the top most positions by QPI (quality Progressive Innings) in SSLC result. Even in PUC out of 5 years’ results, thrice they have secured cent percent.

People, family mocked us:

It was not a cake-walk for Shamita and Renita during their initial days. “People mocked us saying that we will close the institution after three or four years. Meanwhile, our families too did not support our ideas. Even government officials during school documentation works kept on pestering and harassing us because we were two young women with no prior experience. But the constant support from donors, especially Bishop of Mangalore Most Rev Aloysius Paul D’Souza kept us going to reach our goal,” they said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City> Bangalore / by Kevin Mendonsa / TNN / March 07th, 2017

How the old boys from Bishop Cotton’s school built Bangalore as we know it

bishopcottonBF06mar2017

The documentation of local culture in India is a vanishing art, especially in the English language. There are few go-to resources to get the real feel of the sights, sounds and smells of our cities, towns and villages.

Result: click-bait stuff dredged up by search-engine algorithms—“10 best biryanis in Bangalore”—is all there is to find on the world wide web.

Senior advocate Aditya Sondhi, currently an additional advocate-general for Karnataka, went to Bishop Cotton Boys’ School in Bangalore, and has written two books on his old school: Unfinished Symphony (2003) and The Order of the Crest (2015).

In this excerpt from The Order of the Crest, he writes about the role Old Cottonians, past and present, have played in crafting the “edgy, new vibe” that has made Bangalore the new melting pot.

***

‘Then, with the encouragement and help of Canon Elphick and Dewan Bahadur K. Matthan, the well-known café and store on St. Mark’s Road was started in 1952-53.’

from Maya Jayapal’s Bangalore: The Story of a City on how Koshys was born

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AdityaSodhiBF06mar2017

by ADITYA SONDHI

In referring to M/s Elphick, Matthan and Koshy, Maya Jayapal actually refers to many stories within a story. The cantonment of Bangalore emerged only in the early part of the nineteenth century and that is when the city began to develop its colonial flavour.

By 1952, the city was well and truly bifurcated into the largely British/Anglo-Indian ‘cant’ and the native City or ‘pete’ areas.

There was no love lost between the two as well.

In some ways Koshy’s became the ‘common area’ for the old city and the cantonment to meet sans any protocol.

The intriguing part is how Cottons related to the blossoming of the city.

Dewan Bahadur K. Matthan felt compelled to admit nine out of ten of his children to the Bishop Cotton (boys and girls) Schools in the 1920s and later join the board of governors mainly on account of his rapport with warden Canon Elphick.

This broke a certain glass ceiling in that a prominent Indian Syrian Christian family was closely associating with the school. Another prominent member of the Syrian Christian community, Rajasabhabhushana K. Chandy had done so too.

That M/s Elphick and Matthan could prevail upon the late P. Oomen Koshy is not surprising in that he was an old boy, a Syrian Christian and at a loose end at that point of time.

Koshy’s has gone on to become a hoary part of Bangalore’s history, just like the school.

The next generation, Santosh and Prem have continued the legacy, being Cottonians and keeping the restaurant running in top form. (Prem is also a gifted actor and singer, and a compelling story-teller.)

And here is where the tapestry of the school and city meet.

Its people, institutions and culture have in a small but tangible way rubbed off each other. The Bangalore Club was founded two years before the school in 1863 and shares a wall with the school on Residency Road.

These have in some ways become twins, considering their trajectory and the fact that OCs have heavily populated the membership and control of the club. (And the fact that parts of it are still ‘for gentlemen only’!)

More significant is the fact that the club was started as the Bangalore United Services Club for serving officers of the Raj, many of whom sent their sons to neighbouring Bishop Cotton, which on its part was founded to cater to the needs of the Civil and Military Station.

General K.S. Thimayya as a young boarder is known to have gazed wistfully at the wild Saturday night dances at the club from his dormitory window in the 1920s. (PCs in the 1960s were mind-boggled to find that Timmy could still spot the loose grill in the window from whence many a furtive escape would have been made!)

With the passage of time, both, the club and school, transitioned from being ‘all-White’ and began to (selectively) let in Indian members. These were not necessarily ‘military admissions’, and several trading (and royal) families began partake in these places. Today, both of them are well and truly enmeshed with the city, but still struggle to ward off the ‘elitist’ tag.

Cottons has had a subtle touch on other institutions too.

Bangalore Little Theatre debuted in the school hall. The Bangalore School of Music had old boy Dr. Raja Ramanna as one of its earrliest patrons. St. Mark’s Cathedral is the literal sister institution with the wardens previously serving as ex officio chaplains and the boarders (still) worshipping there every Sunday.

The British Council was housed above Koshy’s as a tenant. The Green and Gold Ball was held at Bowring Insitute for many years. The Queen’s statue (and that of and King) in Cubbon Park were put there by an OC.

The old rivals have not been spared too.

Baldwins was founded by an Old Cottonian and the famous Webbs ground that doubled up as the sports field of St. Joseph’s belonged to old boy, John Webb. The first commandant of King George’s (Military) School, Bangalore was an old boy. The first student to be admitted to Stracey Memorial was a boy who moved across from Cottons.

South Parade in the 1880s had an unmistakable Cottonian connection. Old boy Walter Abraham, an honorary magistrate, founded the auctioneering firm Abraham and Co. The local businesses, the bank and the Bowring Institute closed shop for the day as a mark of respect when he passed away.

Colonel Percy Alfred Barton (OC) for many years ran Barton & Sons. This now houses Barton Centre. Barton was one of the founder members of the Rotary Club of Bangalore and also served on the board of governors of the school. A stickler for transparency, he would write letters as chairman of the OCA to himself as MD of Bartons when the association needed some silverware!

Webbs, of course, was next door. (Colin and Olive) Dozey’s Garage became a veritable hangout for Cottonian chinwag. Later, EGK (Venkatesh and Jaideep Ellore) and Jamaals (Ameen) joined the ‘M.G. Road Battalion’.

On South Parade was the unforgettable Plaza theatre belonging to OC Ananth Narrain and his family – descendants of the Arcot Narainswamy Mudaliars who run the RBANMS Educational Charities.

Many old and now non-existent theatres were in Cottonian hands.

Galaxy (Rehman), Symphony (Kapurs) Urvashi (Amit Gowda) and Nartaki & Lavanya (Shindes) for instance. (Bangaloreans also flocked to the Liberty cinema on South Parade circa 1958 because local boy Don Anderson, OC starred in Hugo Fregonese’s Harry Black and the Tiger!)

The one theatre that stands tall is Rex. Also owned by the Kapurs, it is one the few single-screen halls (thankfully) still in existence in Bangalore.

For this, OC Anil Kapur needs to take a bow. He is a passionate businessman and a passionate Cottonian. Which is not surprising, considering the number of boys and generations from his family that went to Cottons.

Along with the Kapoors (Union Street), Matthans and the Peerans, the Kapurs must hold the record for the maximum number of Cottonians produced. I am pretty sure several other families will be happy to stake their claim too.

OCs have marked their territory on adjoining Brigade Road too. Radio Shack is run by Suhail Yousuf who is also the president of the Brigade Road Traders’ Association.

Some of the Nilgiris’ family were also from the school.

S.J.P. road is speckled with establishments run by old boys.

Union Street and neighbouring Russel Market have the offices of Ameen Shacoor and Jansons (Akmal Jan). Shacoor’s has now yielded to a high-rise commercial outfit.

The India Garage has lodged itself as a monument on St. Mark’s Road. Owned by the ‘Vellore family’ whose V.K. Surendra, V.P. Mahendra, V.T. Thiruvendaswamy, V.V. Vijayendra, V.P. Thirumurthy and A.T. Nahender are all old boys. As was the patriarch  V.T. Krishnamoorthy, the second son of V.S. Thiruvengadaswamy Mudaliar after whom the family–run VST Group is named.

The group is a massive conglomerate of petroleum, automobile and construction businesses, and is equally well-regarded for its CSR efforts in the city. The VST folks have also steered the fortunes Bangalore’s social, golf and motor racing clubs with poise. The eclectic Raintree stands on their property.

Commercial Street has been infiltrated as well. The Green Shop which made the school blazers and crests (Junaid Mahmood), Clifton’s (Azhar Sulaiman and family), Mysore Saree Udyog (brothers Kamlesh and Dinesh Talera) and Men’s Favourite Shop (Chatlanis) have been (and in some cases, remain) prominent landmarks of the bustling street.

The imperial jewellery store, C. Krishniah Chetty & Sons was founded a little after the school in 1869, and has had at least two generations pass through its portals. C.V. Hayagriv and C.V. Narayan looked after it with acclaim and now their respective sons, Vinod and Ganesh are following suit.

Woody’s which stands bang centre on Commercial Street used to be Rubin Moses’ eponymous shoe-shop. (Winston Churchill was one of his many loyal clients.) Moses’ son Sydney is an old boy and distinguished himself as a horse trainer. They are one of the few remaining Jewish families in Bangalore.

Together with the Jews, Bangalore has been home to many other ethnic groups, who have shared a relationship with Cottons.

The Kodavas have for long sent their sons to Bangalore (or to Lovedale, Ooty) and several prominent Kodava families are proud Cottonians.

The Chittiappa brothers (of whom Puttu was instrumental in organizing the acclaimed inter-family hockey tournament in Coorg) come to mind, along with a running list of many others who went on to serve the armed forces with great merit.

The others reverted to native Madikeri to look after their plantations and bring the house down at the North Coorg Club. Ram Bopiah has done both with acclaim! The Hurricane Stud Farm, founded by OC Kumar Siddanna is the only stud farm in Coorg.

A veritable melting-pot, Cottons has seen several of the prominent, immigrant Muslim groups admit their wards in the school.

The Persians (Khaleelis, Shirazis), the Deccanis (Mekhris) and the Cutchis (Saits), for instance.

The grandsons of Haji Sir Ismail Sait were in Cottons in the 1920s and as Eric Stracey recalls in his memoirs ‘lived in an imposing house … and sported a Jaguar’.

Zackria Hashim Sait serves as the president of the Cutchi Memon Jamath. Fellow Cutchi, Feroz Sait (Safina Plaza) is a prominent face in the turf club circuit. His namesake Feroze Abdullah Sait (Feroze’s Estates) holds an annual ‘harmony lunch’ on Eid that has become a symbol of the secular spirit of Bangalore.

The Parsis are equally well entrenched with Cottons.

Dara Shroff founded Shroff’s Realtors in the 1950s and is considered to be the patriarch of real estate in Bangalore. Some of the prominent landmarks in Whitefield were acquired by his clients at a time when those parts were a trunk-call away!

Dinshaw Cawasji is the president of the Bangalore Parsee Zoroastrian Anjuman. A graduate in English from the St. Olaf College, Minnesota, he returned to manage the Bai Dhunmai Cawasji High School and sanatorium founded by his grandfather Late Seth D. Cawajsi.

His predecessor as president of the Anjuman was Bishop Cotton comrade Phiroze B. Bharda. The sons of the high priest Dastur Nadirshah Pestonji UnvallaAdil and Yezdi – are also old boys, the latter having served as honorary treasurer for a few terms.

Eminent planter-families from Chikmagalur (Jayarams), Goans (de Mellos), Sri Lankans (Jaysuryas) and royalty from the Deccan (House of Banganapalle, Sachin, Sandur) and West India (Bhonsles, Thorats, Ghatges) have all engaged with the school with purpose.

Sivaji Ganesan sent his sons and nephews across from Chennai being impressed with the turn-out of some PCs he met on a flight.

The Devanesens of Chennai had already beaten them to it.

Many of the affluent Dindigul families insisted on their sons being groomed at Cottons. S. Devnraj was one such loyal old boy from the 1950s. Many boys came down from Sikkim, Assam, Nagaland, (more recently) Jharkhand and even Africa, Burma and Tibet.

Expectedly, the critical mass of students to have entered Bishop Cotton were the British, Anglo-Indians and other Protestant families associated with the Church of South India.

Most books on the Anglo-Indian community are replete with references to Cottonian families such as the Robinsons, the Wollens, the Claudius’ and the Harts.

A solid vestige of those Anglo-Indian days is Len Sheperd (ex GM, Binny Mills) who could rarely be missed at the India Coffee House. He served on the board of the school as a representative of the OCA and is still sharp as a tack. (Catch him for anecdotes from the ‘40s at Koshy’s, where else!)

Plenty of families from old Bangalore parts, ie. Jayanagar, Gandhinagar, Sadashivnagar and Malleswaram were happy to send their wards to Cottons despite it being founded on Christian principles.

Nandan Nilekani, who grew up around Magadi Road, recalls his father having admitted him to Cottons for its being ‘the best place for quality education’.

Many of the trading families from the Sindhis, Marwaris and Punjabis can claim to be Cottonian. These are largely post-partition migrant families that came down to Bangalore from Karachi (since Mangalore was the nearest port), Lahore and Quetta. They joined the ranks of other old boys who made Bangalore the hospitality destination it now is.

Haroon Sulaiman’s The Only Place, Balu Nichani’s Peacock and Ashok Batla’s Tycoon are part of Bangalore’s restaurant-ing folklore. Haroon supplied frozen beef and lamb to the embassies in New Delhi and Mumbai.

The crew of David Lean‘s A Passage to India is rumoured to have frequented his restaurant for all meals regardless of which hotel they stayed at.

Anand Chetoor (Rogue Elephant), Gautam Krishnakutty† (Thulp) and Mako Ravindran† (Harima) and Ajit Muthanna & Vikram Dasappa (Nando’s) have kept the tradition going.

Vikram ‘Vik’ Lulla of the timeless Kabab Korner on St. Mark’s Road found greener pastures in New York and runs one of its best ‘Indian-Chinese’ outlets, Chinese Mirch.

Mathew Chandy† did so with Moolis in London, serving wraps and eclectic Indian street food. Michael Watsa (La Casa) is a restaurateur and raconteur of the top order. He has served the OCA like no other.

Bikash Parik’s Green Theory is nestled in an old bungalow on Convent Road serving only organic vegetarian fare. Some members of the Airlines Hotel family also marked their time at Cottons.

The Sadhwanis (Ashok and Ramesh) were among the earliest to help Bangalore earn its tag as a pub city, with their authentic debut on Church Street. Ashish Kothare (Juke Box, Legends of Rock) and Sunil ‘Chue’ Deshpande (Take 5) were on hand to keep Bangalore’s watering holes moist.

Vinod Reddy (10 Downing) did so with Hyderabad. Chue now runs a spanking property in Chikmagalur called Flameback. He remains one of the few renaissance guys to have retained their grain.

Not far from his lodge is Sunil Gowda’s must-see Villa Urvinkhan. Suneel Mahtani’s Underground made its mark in the 1990s. Gaurav Sikka has struck gold with his Arbor Brewing Company.

Old boys have flavoured the city in their own little way.

Cothas Coffee and Batla Ladders are both quintessential Bangalore brands. Contemporaries Chandan Cothas and ‘Rinku’ Batla have grown the old businesses to new strengths. The Lekhraj brothers – Sanjeev and Praveen, have done so with Cotton World. They may well have named the business after the school?

M.A. Khader’s Fun World has been spinning Bangaloreans on the Ferris Wheel for decades.  The age-old Shivananda Stores belongs to an OC family, as does the popular Olympic Sports.

Sohail Rekhy’s Sadaya Guild makes garden furniture from reclaimed oak and teakwood. He is the elegant Waheeda Rehman’s son. Amar Murthy’s Town Essentials is an online grocery that supplies specially cleaned fruits and vegetables to restaurants and hospital canteens across the city.

Architect (the late) Nikhil Arni started Design Friday with Sujata Kesavan in 2002 as a platform for the art and design cognoscenti of Bangalore. Shivdev Deshmudre as trustee of the Shakuntala Devi Educational Foundation Public Trust strives to keep her mathematics techniques relevant in the city.

Harish Padmanabha served the chairperson of the very popular art fest Chitrasanthe during its early years. His art collection is unrivalled in Bangalore. Bharath Candade is an art consultant with the Chitra Kala Parishat and a treasure-trove of old Bangalore stories, especially from Malleswaram where he grew up.

E.S. Marcar joined Cottons as its first student in 1865, when the school was called Westward Ho! Mr. Marcar would not have had the pleasure of studying at the 14-acre campus on Residency Road where the school now stands.

The school till 1870 was housed in a bungalow in High Grounds, which is now the stately Balabrooie Guest House.

A few such remaining bungalows of Bangalore remind one of Cottons.

Old boy lieutenant colonel D.C. Basapa’s majestic bungalow Leela Vilas now houses the play school First Steps, which is run by his daughters under the auspices of a trust in his memory. He is from the Dodamanne family whose matriarch Mrs. D. Sakamma was one of the few women to be appointed to the erstwhile Mysore Representative Assembly. Many members of this family went to the school.

Close by Leela Nivas is Rishad Minocher’s quaint cottage on Cunningham Road that once belonged to commissioner of police, Cubbon Gutten. Part of it is now Hatworks Boulevard, which replaced the famed Imperial Hatworks.

Dr. Nandakumar Jairam’s 140-year-old bungalow off Ali Asker Road remains a rare reminder of the heritage of old Bangalore.

Expectedly, old Whitefield homes bear the same connection.

OC Charles Barden owned the lovely Caroline Villa in the outer circle of Whitefield in the 1950s. He moved to Australia and joined the secretariat of the New South Wales legislature. The home of the late Lionel Moss is another remnant of the Raj. What is now the exclusive Palm Meadows gated community was an old boy Cariapa’s farm.

Purna Prasad of the late Raghavendra Rao Purnaiya bears testimony to the legacy of his ancestor, the Dewan of Mysore. The Anjaneya temple in the home is a sight to behold. Two of his sons too went to Cottons. The Raos’ bungalow ‘Lumbini’, on Museum Road was a Montessori and doubled up as an ‘adda’ for theatre rehearsals.

The bungalow of the Basha brothers – Ghazanfar and Khusru on Hayes Road is another spark of the city’s heritage. It was bought in the 1978 by their father to enable the boys to walk across to school.

Planter Vinod Shivappa’s lovely home and the classic cottage of brothers M.C. Chandy and M.C. George are not far from the school. Jeffrey Madan’s old plot on Lavelle Road provides direct access to the back gate of the school.

Jamshed Lentin’s classic cottage borders the (old) Grant Road gare. The Achoths’ bungalow nearby remains an isolated memoir of what the environs of Cottons might have resembled in the good old days.

Old boy C.N. Kumar has founded an online group called ‘Photos From a Bygone Bangalore’ that is an astonishing repository of old pictures of a city that has now morphed beyond recognition.

Somewhere in that glorious city, my old school has played its part.

(Excerpted from The Order of the Crest, published by Penguin, 320 pages, hardback, with the permission of the author)

Author photograph: courtesy Law Octopus

source: http://www.churmuri.blog / by Churmuri / Feb 18th,2017

Bengaluru has a superhero…he’s ‘Pothole Raja’

‘Pothole Raja’ claims to have filled over 200 potholes in less than a year.   | Photo Credit: E mail
‘Pothole Raja’ claims to have filled over 200 potholes in less than a year. | Photo Credit: E mail

His special powers enable him to reduce a pothole to just a bad memory in less than five days

If you spot a pothole and dread its impact on motorists using that road, what do you do?

One option is to click a picture, ‘WhatsApp’ it to 814POTHOLE (the letters correspond with the numbers 7684653) and wait for ‘Pothole Raja’ to come to your rescue.

The special powers of this new superhero are to make the pothole a thing of the past in less than five days.

The initiative by Prathaap Bhimasena Rao has already drawn customers, including IT parks, large hospitals and some resident welfare associations (RWAs) who got tired of the multiple deadlines announced by the Bruhat Bengaluru Mahanagara Palike (BBMP) to rid the city of the menace.

‘Pothole Raja’ claims to have filled over 200 potholes in less than a year.

The brain behind the project, Mr. Rao, is a former pilot who shifted to corporate life after a crash. He started his ‘social enterprise’ after a stint as the global vice-president of a multinational.

Loss of lives

“Close friends and relatives have been impacted directly due to potholes. A friend, who was a doctor, died on her way to Vellore from Bengaluru on the highway two years ago. A team member of mine lost his limbs, while riding his Bullet, in a pothole-related accident,” he said, recalling the trigger for ‘Pothole Raja.’

He pointed out that Bengaluru’s poor road conditions and traffic issues were the topics of discussion everywhere he travelled. “The road infrastructure technology we use is at least 70 years old. I consulted engineering professors and did my own research to see what is being done in other countries. The hot asphalt that we are using is not cost effective for patchwork; it can be used only to lay roads,” he said.

Cost factor

This is when ‘Pothole Raja’ teamed up with a Bengaluru-based company to produce cold asphalt. According to Mr. Rao, the cold asphalt requires a person to fill the hole and run a car over it twice. “A 50 kg bag of this mix can be stored for 10 months,” he said.

The cost: about ₹2,500 for filling one sq.mt. up to 50 mm depth.

“In some cases, we put in our own money to fill potholes,” Mr. Rao said. He has no plans to work with the civic body.

Effectiveness

But some of the people who have tried the new technology are unconvinced.

The member of an association of an IT park said, “Potholes are not a big problem within our campus, as we asphalt the roads every two years. We usually fill concrete if it is a small pothole. If it is a big one, we remove the concrete and asphalt the space. But we are not sure if the cold asphalt will take the wear and tear.”

BBMP’s pothole app

Even as private players have started pitching in to fill potholes, the BBMP is yet to open its pothole app to the public. BBMP Commissioner N. Manjunath Prasad said the app has been used by officials for a month.

“A lot of civil works have already started and filling up of potholes is also in the works. Work orders for relaying roads have been given for almost the full city. We will review the progress after 15 days,” he said.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Deepika K.C. / March 01st, 2017

A slice of Bengaluru at the Oscars

Mowgli’s jungle, where his friends and enemies walked and prowled, was largely created on a few computer screens in Bengaluru.
Mowgli’s jungle, where his friends and enemies walked and prowled, was largely created on a few computer screens in Bengaluru.

It was on a few computer screens in Bengaluru that a blue screen at Hollywood was transformed into a rich canvas of dense forests that hosted the tense drama of Disney’s The Jungle Book.

A significant part of the film, which took home the award for Best Visual Effects during the 89th Academy Awards on Sunday night, was done in Bengaluru, where nearly 300 engineers — out of nearly 800 spread across LA and London — built and provided the finishing touches to a jungle world where Mowgli, his friends and enemies walked and prowled.

“The film was extremely challenging and would be a huge benchmark for visual effects. We had childhood attachments too, for ‘Jungle Book’ is an Indian story. We always hope for the best, but an Oscar is the icing on the cake,” says Amit Sharma, head of compositing at MPC Studio Bengaluru, which was the lead VFX studio for the film.

The mandate given to them was to render a photo-real world, where 224 unique animals would be “captured in their surroundings” as if they were roped in for the film.

Two teams scoured through six forests of south and central India, through three seasons, covering nearly 18,000 km. The result was 20 TB of information and four lakh photographs rendering a landscape, from the rocks to the waterfalls, ferns to pebbles.

“The ‘man-village’ inspiration came from rural Rajasthan, the wolf caves from Badami caves, Banyan trees from Goa, and elephants from those seen at Periyar… these were the references, but everything was created from scratch,” said Mr. Sharma.

From LA to Bengaluru

From Los Angeles, the Oscar statue is expected to come straight to Bengaluru, where the engineers will be given a chance to party with it, said Biren Ghose, executive director of MPC Bengaluru. Engineers in the city had previously played a role in the Oscar-winning Life of Pi in 2012, apart from rendering the graphics for at least six other films nominated for the Academy Awards over the years.

“The complexity, technology and technique used was far beyond Life of Pi because of the scale we were looking at — an entire world that was a crossover of animation and visual effects. All of which was created to an extent that the line between reality and computer-generated characters became blurred… at one point, even Mowgli was computer-generated, and the audience did not know it,” said Mr. Ghose.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Staff Reporter / Bengaluru – February 28th, 2017

Merging Indian and Japanese arts​ in Bengaluru

JapaneseBF27feb2017

Of late, Bengaluru has been playing host to a number of initiatives that primarily focus on a cultural exchange between India and Japan.

Cut to the latest, the city witnessed the second chapter of the All Women World Arts Festival.

Presented by International Arts and Culture Foundation, the event aimed at women empowerment and promote arts and culture. During the cultural evening, audiences were treated to a host of music and dance performances.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> Entertainment> Events> Bangalore / TNN / February 27th, 2017